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E-grāmata: Using Art for Social Transformation: International Perspective for Social Workers, Community Workers and Art Therapists

Edited by , Edited by (Ben-Gurion University of the Negev, Israel)
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"Social arts are manifold and are initiated by multiple actors, spaces, and direction from many directions and intentions, but generally aim to generate personal, familial, group, community or general social transformation which can maintain and enhance personal and community resilience, communication, negotiation ,and transitions, as well as help with community building and rehabilitation, civic engagement, social inclusion, and cohesion. Occurring via community empowerment, institutions, arts in health, inter-ethnic conflict, and frames of lobbying for social change, social art can transform and disrupt power relations and hegemonic narratives, destigmatize marginalized groups, and humanize society through creating empathy for the other. With the focusof each chapter is on its methods, and theoretical orientation, the book can be used both in academic settings and for training social and art practitioners, as well as for social practitioners and artists in the field"--

Social arts are manifold and are initiated by multiple actors, spaces, and direction from many directions and intentions, but generally they aim to generate personal, familial, group, community or general social transformation which can maintain and enhance personal and community resilience, communication, negotiation, and transitions, as well as help with community building and rehabilitation, civic engagement, social inclusion, and cohesion. Occurring via community empowerment, institutions, arts in health, inter-ethnic conflict, and frames of lobbying for social change, social art can transform and disrupt power relations and hegemonic narratives, destigmatize marginalized groups, and humanize society through creating empathy for the other.

This book provides a broad range of all of the above, with multiple international examples of projects (photo-voice, community theater, crafts groups for empowerment, creative place-making, arts in institutions, and arts-based participatory research) that is initiated by social practitioners and by artists – and in collaboration between the two. The aim of this book is to help to illustrate, explore, and demystify this interdisciplinary area of practice.

With methods and theoretical orientation as the focus of each chapter, the book can be used both in academic settings and for training social and art practitioners, as well as for social practitioners and artists in the field.



Social arts are manifold and are initiated by multiple actors, spaces, and direction from many directions and intentions, but generally aim to generate personal, familial, group, community or general social transformation which can maintain and enhance personal and community resilience, communication, negotiation and transitions.

List of figures
viii
List of tables
x
List of contributors
xi
Introduction 1(18)
Eltje Bos
Ephrat Huss
1 Social action art therapy. An Israel context
19(14)
Debra Kalm Anowitz
Michal Bat Or
Tami Gavron
2 Applied storytelling and picture talk as a tool for system intervention, behavioural change and diminishing polarization
33(11)
Arjen Barel
Nesrien Abu Ghazaleh
Eltje Bos
3 Using arts as a contact method in group work with latency age Arab and Jewish youth in Israel
44(13)
Noa Barkai-Kra
4 Art in society at a time of political and cultural transformation: The Polish case
57(12)
Beata Bigaj-Zwonek
Jolanta Gisman-Stoch
5 Future IDs at Alcatraz: Transforming lives in immediate and necessary ways
69(14)
Gregory Sale
Rebecca Jackson
Luis Garcia
Jacquelyn McCroskey
6 Group bonding through cutting, gluing, and sewing together: Using arts and crafts in social work with groups: "When members see what they have done with their own hands, this is a feeling no one can take away"
83(11)
Reineth Prinsloo
7 Interacting through art to re-empower prison inmates in constructing new self-appraisals
94(13)
Dave Gussak
Elizabeth Odom
Evie Soape
8 Socia(B)le art: Towards culture for all
107(12)
Blaise Patrix
Els Luberti
9 Jamming through life: Social complexity and the arts
119(11)
Erik Jansen
Paola De Bruijn
10 Social arts for recognition: Sociological perspectives on arts and youth identities
130(14)
Anna Smirnova
Nina Poluektova
11 Compassion embodied -- the particular power of the arts
144(12)
Eva Bojner Horwitz
Tero Heinonen
Anne Birgitta
Monica Worline
12 The art studio as public health practice: Mitigating the negative impacts of social inequality through community care
156(11)
Catherine Hyland Moon
13 MOMU: A multiprofessional response to a multifaceted reality
167(12)
Emilio J. Gomez-Ciriano
Hugh McLaughlin
14 Using reader's theater to enhance reflexive social work practice, research, and education
179(13)
Izumi Sakamoto
Shelley Cohen Konrad
15 Harnessing structure and support in music-based activities
192(10)
Brian L. Kelly
16 Madrid, city of women: A project to empower the social participation of women in the city
202(17)
Marian Lopez Fdz. Cao
Juan Carlos Gauli
Nacho Moreno Segarra
17 Oh, what a tangled web we weave!: the transformative intentions of socially engaged art
219(14)
Leanne Schubert
Mel Gray
18 The art of making public: the politics of participation in participatory art practices
233(15)
Siebren Nachtergaele
Tine Vanthuyne
Griet Verschelden
19 Evaluating arts projects and programmes designed for social impacts: The need for improved methods
248(16)
Diana Betzler
Oto Potluka
20 Human Rights Tattoo: a Zoom conversation between Sander van Bussel, Maria Kint, and Eltje Bos about the Human Rights Tattoo project
21 December 2021
264(6)
Sander Van Bussel
Maria Kint
Eltje Bos
Index 270
Eltje Bos (PhD) is Professor Emerita of Cultural and Social Dynamics at the University of Applied Sciences Amsterdam. Also trained as a drama teacher, she focused and focuses in her work on the use of arts and creativity in social work as well as on strategies of collaboration to increase personal empowerment and livability in the city.

Ephrat Huss (PhD) is Professor of Social Work and Art Therapy at Ben-Gurion University of the Negev. She heads an innovative MA social work specialization that integrates arts in social practice and has 40 students doing social arts projects per year. She has a background in fine arts. Her areas of research are the interface between arts and social practice and arts-based research: using arts as a way of accessing the voices of marginalized populations.