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Vanishing Landscapes: The Story of Plants and How We Lost Them [Hardback]

  • Formāts: Hardback, 320 pages, height x width x depth: 238x156x32 mm, weight: 515 g, images (1 per chapter)
  • Izdošanas datums: 17-Apr-2025
  • Izdevniecība: Hodder & Stoughton
  • ISBN-10: 1399731521
  • ISBN-13: 9781399731522
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  • Hardback
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  • Formāts: Hardback, 320 pages, height x width x depth: 238x156x32 mm, weight: 515 g, images (1 per chapter)
  • Izdošanas datums: 17-Apr-2025
  • Izdevniecība: Hodder & Stoughton
  • ISBN-10: 1399731521
  • ISBN-13: 9781399731522
Citas grāmatas par šo tēmu:
'Rich and replenishing ... I felt lovesick for it after it was done' ELEANOR CATTON, Booker Prize-winning author

'I really loved this book' JENN ASHWORTH

'A brilliantly ambitious and authentic cultural history. A real treasure.' ROWAN WILLIAMS, former Archbishop of Canterbury

__________



In the past, we were deeply bound to all things green and growing. We once knew the landscape and the plants around us as well as we knew ourselves. But today our relationship with plants and nature has grown distant - we have lost a sense of plants as precious.

Vanishing Landscapes tells the story of how plants disappeared from our daily lives one by one. First were apples, then household medicines like saffron, cloth dyes like woad, grapes for making wine, and then, eventually, the timber and reeds we used to build our houses and the wheat we grew for our bread. In their place came the first corporation, the first factory, the banking system, private property, global trade, and modern medicine.

The history of these plants shows us how we became modern, but it also shows a path to recover some of what we have lost. In Vanishing Landscapes, Bonnie Lander Johnson goes in search of the old life and the people who are still connected to the land. She meets farmers in Ireland, wine makers in Yorkshire and cloth dyers in the Highlands. She cuts reeds in the watery Norfolk fens and camps overnight in a West Country orchard to gaze up at an unchanging sky.

Vanishing Landscapes brings to life a world we never knew but still long for, and reminds us that it's not too late to find a way back.

Recenzijas

A rich and replenishing work that traces the roots, seeds, and cuttings of our modern sensibilities, weaving together the story of seven species to show us what was lost and what might be regained, and to remind us that before land became mere property, it was earth, life, livelihood, commons, and creation. I felt lovesick for it after it was done. -- ELEANOR CATTON I really loved this book. It's full of longing and nostalgia, but there's a clear-sightedness here too, an acknowledgement of modernity's gifts as well as its losses. Vanishing Landscapes conveys a delicate, informed state of enchantment - as much celebration as elegy. It's a bittersweet love letter to what we have lost, and what exists around us in the here and now. -- JENN ASHWORTH Vanishing Landscapes offers a unique interweaving of insights about culture, cult and cultivation. From the history of cider apples and the deforestation caused by early modern warfare to the impact of republicanism on wine-drinking, this is a brilliantly ambitious and authentic cultural history. A real treasure. -- ROWAN WILLIAMS, former Archbishop of Canterbury Such a clever construct using seven plants to embody a story that crosses counties, countries, and centuries. We witness, with great dramatic effect, the impacts of big political decisions being played out at a local level in the lives of ordinary people. When I read this, I began to realise that I'd known only half a narrative, and this fills in so many gaps in my understanding. -- Derek Niemann

Bonnie Lander Johnson is Fellow and Associate Professor at Downing College, Cambridge University, where she teaches the literature and history of the early modern period and represents the University on the BBC/Cambridge National Short Story Award. Her academic books include Botanical Culture and Popular Belief in Shakespeare's England (Cambridge University Press), The Cambridge Handbook to Literature and Plants, Chastity in Early Stuart Literature and Culture (Cambridge University Press) and Blood Matters (University of Pennsylvania Press). Bonnie is also a fiction and non-fiction writer. Her work has appeared in Hinterland, The Belfast Review, Howl and Dappled Things, and her fiction has been shortlisted for The Royal Society of Literature's V. S. Pritchett Prize and The Brick Lane Bookshop Short Story Prize.