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E-grāmata: Variations and Variation Technique in the Music of Chopin [Taylor & Francis e-book]

  • Formāts: 180 pages, 94 Line drawings, black and white
  • Izdošanas datums: 28-Feb-2019
  • Izdevniecība: Routledge
  • ISBN-13: 9780429030475
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 180 pages, 94 Line drawings, black and white
  • Izdošanas datums: 28-Feb-2019
  • Izdevniecība: Routledge
  • ISBN-13: 9780429030475

While Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin’s works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin’s works, this book explores the extent to which Chopin’s oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlinska employs Riemannian and Schenkerian theory to consider in turn the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music, and music analysts.

Introduction 1(4)
1 The notion of variation
5(23)
1.1 The notion of variation in literature of the nineteenth and twentieth centuries
5(16)
1.2 An attempt to formulate the notion of variation in the work of Chopin
21(7)
2 The morphology of Chopin's variations
28(60)
2.1 Modifications of melody
30(21)
2.2 Harmony as a variable element
51(8)
2.3 Changes in texture as an element of variation
59(8)
2.4 Differences in articulation
67(2)
2.5 The joint action of different means of variation
69(11)
2.6 Variation technique in relation to sequences and thematic work
80(8)
3 Variations of microstructures
88(26)
3.1 Variations of motifs and phrases
88(10)
3.2 Variation technique and periodic design
98(6)
3.3 Variation technique and the construction of the sections in one-movement works
104(10)
4 Variations of macrostructures
114(34)
4.1 Transformations of themes
114(8)
4.2 Reprise as variation
122(8)
4.3 The dominance of variation technique in the shaping of a work
130(7)
4.4 Variation forms
137(11)
5 The evolution of Chopin's variation technique
148(15)
Bibliography 163(10)
Musical examples 173(2)
Index of Chopin's works 175(3)
Index of names 178
Zofia Chechliska is Emeritus Professor of Musicology and has worked at the Institute of Art of the Polish Academy of Sciences, Warsaw and the Institute of Musicology of the Jagiellonian University, Cracow. Her scholarly interests are focused on Chopins works and Polish musical culture of the nineteenth century. Besides a large number of articles, she has published books on variations and variation technique in Chopin (Wariacje i technika wariacyjna w twórczoci Chopina, 1995) and on Polish musical culture in the nineteenth century (2013). She has also prepared several volumes of source editions of Henryk Wieniawskis works. She is currently editor-in-chief of the series Works by Chopin, Facsimile Edition, published by the Fryderyk Chopin Institute in Warsaw. She is a member of the FCIs Programme Committee.