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E-grāmata: Ventriloquism, Performance, and Contemporary Art [Taylor & Francis e-book]

  • Formāts: 274 pages, 20 Halftones, color; 50 Halftones, black and white; 20 Illustrations, color; 50 Illustrations, black and white
  • Sērija : Routledge Advances in Art and Visual Studies
  • Izdošanas datums: 31-May-2023
  • Izdevniecība: Routledge
  • ISBN-13: 9781003303978
  • Taylor & Francis e-book
  • Cena: 146,74 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 209,63 €
  • Ietaupiet 30%
  • Formāts: 274 pages, 20 Halftones, color; 50 Halftones, black and white; 20 Illustrations, color; 50 Illustrations, black and white
  • Sērija : Routledge Advances in Art and Visual Studies
  • Izdošanas datums: 31-May-2023
  • Izdevniecība: Routledge
  • ISBN-13: 9781003303978
Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art.

Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today.

This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.
Introduction: Voiceovers

Jennie Hirsh and Isabelle Wallace

1. Voice, Vivification, and Subjectivity: Jasper Johns Ventriloquist

Isabelle Loring Wallace

2. Over My Dead Body: Puppets, Performance, and Paralysis in Cardiff and
Millers The Marionette Maker

Jennie Hirsh

3. Not All Objects that Look Have Eyes

Courtney McClellan

4. Dislocated Voices: Wael Shawkys Cabaret Crusades

Kate OConnor

5. Garcķas Games (1978-1979): Puppets, Trauma, Immunity

Juan Guerrero-Hernandez

6. Dialectic Silence: Schizophonia in Juan Muńozs Ventriloquist Dummy

Cintia Gutiérrez Reyes

7. Tadeusz Kantors Dead Dummies

Katie Geha

8. I remember: On Modern Living

Nora Wendl

9. Embolalia

Jane Blocker

10. Re-Siting Marx

Kerr Houston

11. In a Manner of Speaking

Catherine Clover

12. The Lithic Record

Nina Elder and nicholas b. jacobsen
Jennie Hirsh is Associate Professor of Modern and Contemporary Art at the Maryland Institute College of Art.

Isabelle Loring Wallace is Associate Professor of Contemporary Art at the University of Georgia.