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E-grāmata: Victorian Material Culture

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From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. This collection brings together a range of primary sources on Victorian material and culture. This volume, ‘Fashionable Things’, will focus on Victorian fads and fashions ranging from chatelains to spiritualist Ouija boards.



From chatelaines to whale blubber, ice making machines to stained glass, this 6-volume collection will be of interest to the scholar, student or general reader - anyone keen to learn about Victorian things. This volume, ‘Fashionable Things’, will focus on Victorian fads and fashions, from chatelains to spiritualist Ouija boards.

VOLUME V Fashionable Things
Tatiana Kontou
Kara Tennant
Acknowledgements xii
Bibliography xiii
Introduction to Volume V: Fashionable Things 1(16)
PART 1 Embodying Fashionability
17(150)
1.1 Context
19(6)
1 H. R. H., `A Complaint'
25(2)
2 Mrs Merrifield, `How Far Should the Fashions be Followed?'
27(3)
3 [ Anon], `Conduct and Carriage; Or, Rules to Guide a Young Lady on Points of Etiquette and Good Breeding in her Intercourse with the World'
30(6)
4 [ Caroline Stephen], `Thoughtfulness in Dress'
36(17)
5 [ Anon], `A Lady's Question: What Shall We Wear?'
53(6)
6 E. P. [ Emily Pfeiffer], `The Tyranny of Fashion'
59(12)
7 Mrs H. R. Haweis, `Importance of Dress'
71(4)
8 [ Anon], Statement and `Editorial Note', The Rational Dress Society's Gazette
75(10)
1.2 Outlines; contours; boundaries
77(2)
1.2.1 Shaping the silhouette: the corset and the crinolette
79(6)
9 Madame Roxey A. [ Ann] Caplin, `On Gestation'
85(7)
10 Image: advertisement, `The London Corset Company'
92(1)
11 Image: photograph of crinolette, Great Britain, ca. 1870 (made)
93(6)
1.2.2 The `Grecian Bend', `Little Feet' and the `Alexandra Limp'
95(4)
12 Uncle Grumbler, `"The Grecian Bend'"
99(3)
13 S. L. B., `The Lady with the Little Feet'
102(17)
14 Image: [ Anon], `"The Grecian Bend"'
119(1)
15 [ Anon], `General News'
120(1)
16 [ Anon], `Fashion's Follies'
121(6)
1.2.3 The `Dolly Varden': a literary fashion
123(4)
17 Charles Dickens, Barnaby Rudge; A Tale of the Riots of Eighty
127(1)
18 Image: G. W. Hunt, `Dolly Varden' (music title page)
128(1)
19 The Silkworm, `Spinnings in Town'
129(1)
20 [ Anon], `Dolly Vardens'
130(2)
21 [ Anon], `Observations on London and Parisian Fashions'
132(7)
1.3 Cosmetics
133(6)
22 [ Anon], `Materials for the Toilette. VIII. On Cosmetics'
139(2)
23 Advertisement for Pears's Rouge & Pears's Pearl Powder
141(1)
24 `Rouge'
142(1)
25 Charles Reade, `A Simpleton. A Story of the Day'
143(3)
26 Medicus, `The Toilet-Table, and What Should Lie Thereon'
146(4)
27 Advertorial for Rice-Powder
150(1)
28 `Safe Complexion Lotions'
151(8)
1.4 Hair
153(6)
29 Image: [ Anon], `The Honeymoon'
159(1)
30 M. E. Braddon, Lady Andley's Secret
160(1)
31 [ Anon], `Insane Female Fashions. Bunches of False Hair Behind'
161(1)
32 [ Anon], `Chignons Doomed'
162(1)
33 [ Anon], `L'EAU DES FEES'
163(1)
34 Image: Advertisement for Latreille's Hyperion Hair Restorer in Montagu Browne, Practical Taxidermy: A Manual of Instruction to the Amateur in Collecting, Preserving, and Setting Up Natural History Specimens of All Kinds. To Which is Added a
Chapter Upon the Pictorial Arrangement of Museums
164(1)
35 Thomas Hardy, Jude the Obscure
165(1)
36 Image: Advertisement for Unwin & Albert, Ladies' Ornamental Hair Workers and Expert Wig Makers
166(1)
PART 2 Dressing Up
167(112)
2.1 Wedding dress and accoutrements
169(8)
37 Celata, `My Wedding Ring'
177(1)
38 Image: Elizabeth Henderson, Fashion Plate, `Public promenade and bridal dresses'
178(1)
39 Aunt Lydia, `Letter From Aunt Lydia About Orange-Blossoms'
179(3)
40 C. Sears Lancaster, `My Wedding-Bonnet'
182(8)
41 Image: photograph by Julia Margaret Cameron, `Dora as the Bride'
190(1)
42 Image: Edward Killingworth Johnson, drawing depicting a young widow holding her wedding dress
191(1)
43 Alice Maud Meadows, `May's Wedding Dress'
192(1)
44 [ Anon], `Modern Weddings'
193(2)
45 Image: [ Anon], `Wedding Costume'
195(1)
46 [ Anon], `The Trousseau of To-Day'
196(6)
47 Dora De Blaquiere, `The Trousseau of To-Day. Part II'
202(15)
2.2 Mourning attire
207(10)
48 Helen, `Lines on Giving Up Wearing a Locket of Hair'
217(1)
49 Image: mourning brooches containing the hair of a deceased relative
218(1)
50 [ Elizabeth Gaskell], Mary Barton: A Tale of Manchester Life
219(3)
51 [ Anon], `The Paris and London Fashions'
222(4)
52 [ Anon], `Conduct and Carriage; Or, Rules to Guide a Young Lady on Points of Etiquette and Good Breeding in her Intercourse with the World'
226(3)
53 [ Anon], `Fancy Black'
229(1)
54 [ M. E. Braddon], The Doctor `sWife
230(1)
55 Image: William Halford & Charles Young, Manufacturing Jewellers, The Jewellers `Book of Patterns in Hair Work: Containing A Great Variety of Copper-plate Engravings of Devices and Patterns in Hair; suitable for Mourning Jewellery, Brooches, Rings, Guards, Alberts, Necklets, Lockets, Bracelets, Miniatures, Studs, Links, Earrings, &c., &c., &c.
231(2)
56 Image: photograph by Julia Margaret Cameron, `A young woman in mourning dress', 1868/1872
233(1)
57 The Silkworm, `Spinnings in Town'
234(3)
58 Sylvia, `On the Etiquette of Mourning'
237(4)
59 [ Anon], `Mourning as a Fashion'
241(1)
60 E.M.Davy, `A Glove's Evidence'
242(2)
61 Image: [ Anon], `Some Summer Dresses For Mourning Wear'
244(1)
62 [ Anon], `Fashion in Mourning'
245(12)
2.3 Adornments
249(2)
2.3.1 Chatelaines
251(6)
63 Image: [ John Leech], `The Chatelaine; A Really Useful Present'
257(1)
64 Image: cut-steel chatelaine with attachments, England, ca. 1863-1885
258(1)
65 Image: `Novelties in Jewellery'
259(1)
66 [ Anon], `A Parisian Toilette'
260(2)
67 [ Anon], `The Return of the Chatelaine' in `Our Home Circle. Notes and Hints by a Lady'
262(9)
2.3.2 Jewellery
263(8)
68 [ Anon], `A Word or Two About Cameos'
271(2)
69 [ Anon], `Coral Jewellery and Peasant Ornaments'
273(1)
70 George Eliot, Middlemarch: A Study of Provincial Life
274(1)
71 Image: advertisement, `The "Beatrice" Silver and Gold Jewellery'
275(1)
72 [ Anon], `Jewels, and How to Wear Them'
276(1)
73 Image: [ Anon], `The Latest Ideas in Jewellery Seen at Swan and Edgar's, Piccadilly and Regent Street'
277(2)
PART 3 Animal and Insect Accessories; Home Decoration
279(2)
3.1 Animals and insects as adornments and home decorations
281(9)
74 [ Anon], `The Best French Kid Gloves'
290(2)
75 William Kidd, `The Fairy Bird-Cage'
292(2)
76 Mrs Henry [ Ellen] Wood, East Lynne
294(2)
77 Image: untitled fashion plate
296(1)
78 [ Anon], `The Fashions'
297(2)
79 P. L. Simmonds, `Art-Inroads on Natural History'
299(6)
80 [ Anon], `BEETLE-WINGS' (`Enquiries'; Enquiry from `ELSIE') [ a] and [ Anon], `BEETLE-WINGS (ELSIE)' (`Answers to Enquiries'; Response to `ELSIE') [ b]
305(1)
81 [ Anon], `The Strange Story of a Sealskin. A Tale of Metempsychosis'
306(3)
82 [ Anon], `"Living Jewellery'"
309(1)
83 Montagu Browne, Practical Taxidermy: A Manual of Instruction to the Amateur in Collecting, Preserving, and Setting Up Natural History Specimens of All Kinds. To Which is Added a
Chapter Upon the Pictorial Arrangement of Museums
310(2)
84 [ Mrs] M. E. Haweis, `Smashed Birds'
312(6)
85 [ Anon], `Christmas & New Year Gifts'
318(2)
86 J. H., `New Styles in Furs'
320(3)
87 C. W. Gedney, `Victims of Vanity'
323(10)
PART 4 Handicraft
333(63)
88 [ Anon], Potichomania; Or, the Art of Imitating Porcelain
341(2)
89 Mrs. [ Rebekah] Skill, `Introduction', The Art of Modelling Wax Flowers, Fully And Clearly Explained, Accompanied with Accurate Patterns for Various Flowers, Decorations for Tinting, &c, By Which The Attainment Of This Elegant Art Becomes Simple and Easy
343(4)
90 [ Anon], `Curiosities of Industry Among the Ladies'
347(8)
91 [ Anon], `Weaving or Plaiting Hair Ornaments' and `Ornamental Bead and Bugle Work'
355(16)
92 [ Anon], `Lady's Card-Case in Gold Thread with Steel Beads on Kid'
371(2)
93 [ Anon], `Imitation White Coral Basket'
373(2)
94 [ Anon], `Household Decorative Art. II - Diaphanie'
375(3)
95 [ Anon], `The Fair Hand. A Story For Girls'
378(3)
96 [ Anon], `A Sea-Weed Album'
381(1)
97 [ Anon], `Uses for Shells and Sea-Weeds'
382(4)
98 Dora Hope, `How to Preserve Leaves and Flowers'
386(6)
99 [ Anon], `Answers to Correspondents'
392(1)
100 John Strange Winter [ Henrietta Eliza Vaughan Stannard], Mignon's Secret
393(2)
101 [ Anon], `Editorial Notes'
395(1)
Index 396
Tatiana Kontou is Senior Lecturer in Nineteenth-Century Literature, Oxford Brookes University, UK.

Kara Tennant teaches Fashion Theory at the University of South Wales, UK