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Vietnam Protest Theatre: The Television War on Stage [Hardback]

  • Formāts: Hardback, 256 pages, height x width: 235x156 mm, weight: 572 g
  • Sērija : Drama and Performance Studies
  • Izdošanas datums: 22-May-1996
  • Izdevniecība: Indiana University Press
  • ISBN-10: 0253330327
  • ISBN-13: 9780253330321
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 35,20 €
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  • Formāts: Hardback, 256 pages, height x width: 235x156 mm, weight: 572 g
  • Sērija : Drama and Performance Studies
  • Izdošanas datums: 22-May-1996
  • Izdevniecība: Indiana University Press
  • ISBN-10: 0253330327
  • ISBN-13: 9780253330321
Citas grāmatas par šo tēmu:
The escalation of the war in Vietnam in the mid-1960s unleashed worldwide protest. Playwrights grappled with the complexities of post-imperialist politics and the problems of creating effective political theatre, and for much of their audience the war was chiefly an event on the evening news. The ephemeral theatre these writers created, today little-known and rarely studied, provides an important window on a complex moment in culture and history.

"... a thoughtful and important treatment of the international tensions of the period as they were embodied in theatre practice. It is the only book of its kind on the subject, and a valuable source of production information." -- Theatre Journal

"... an excellent discussion of the aesthetics of theater." -- Choice

The escalation of the war in Vietnam in the mid-1960s unleashed worldwide protest. Playwrights grappled with the complexities of post-imperialist politics and with the problems of creating effective political theatre in the television age. The ephemeral theatre these writers created, today little-known and rarely studied, provides an important window on a complex moment in culture and history.

Papildus informācija

The Vietnam War and the fate of protest theatre in the television age.

Preface

Acknowledgments

Introduction: Visions of Vietnam and Protest Theatre

Part One: Negotiating National History Through Vietnam
1. Playing Imperialism (America's War)
2. Peripheral Contestations (Britain and Austria)
3. "Documenting" Present and Past (Germany)
4. From Colonization to Cyberwar (France)

Part Two: Mix/representing the Inappropriate/d Other
5. Performative Sub-Missions
6. American I-Witnesses (Rabe, Balk)

Conclusion: Re-Acting tot he Television War

Epilog: Anti-Media: Vietnamese Theatre as pacific Resistance

Notes

Index

NORA M. ALTER is Assistant Professor in the Department of German and Slavic Languages and Literatures at the University of Florida.