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E-grāmata: Violin Secrets: 101 Strategies for the Advanced Violinist

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In Violin Secrets: 101 Performance Strategies for the Advanced Violinist, author and violinist Jo Nardolillo surveys the cutting edge of current violin technique, combining tradition and innovation in one volume. Blending traditional strategies that have produced generations of legendary performers with modern ideas, Nardolillo reveals the secrets of todays most sought-after master teachers, garnered through her decade of study at top conservatories across the nation. With more than a quarter century of experience teaching at the advanced level, she has refined and distilled these essential concepts into clear, concise, step-by-step instructions, complete with original illustrations and helpful tips.

Violin Secrets is an indispensable resource for any and all serious violinists. The first chapter tackles the toughest challenge on the wish list of every established professional, dedicated student, and passionate amateur: understanding why immaculate intonation is so difficult (and exploring ways to achieve it). Further chapters address the advanced techniques of fingerboard mapping, mastering spiccato, controlling vibrato, playing into the curve, small-hand technique, and navigating comfortably in high positions. An extensive section on practice strategies blends concepts from learning theory, sports psychology, and Zen, and the chapter on artistry offers insight on creating expressive phrases, connecting with the audience, and developing a unique artistic voice. Violin Secrets examines overcoming performance anxiety, choosing the right music editions, being a strong section player in an orchestra, leading productive chamber music rehearsals, and winning auditions.

Violin Secrets is beautifully illustrated with original drawings by T. M. Larsen, musical examples from the standard literature, and a violinists family tree that traces these secrets back through to the founding fathers of violin technique.

The Music Secrets for the Advanced Musician series is designed for instrumentalists, singers, conductors, composers, and other instructors and professionals seeking a quick set of pointers to improve their work as performers and producers of music. Easy to use and intended for the advanced musician, contributions to Music Secrets fill a niche for those who have moved beyond what beginners and intermediate practitioners need.

Recenzijas

This is a clever and thorough collection of the aspects of teaching the advanced violin student, it is well written and illustrated, and is an easy-to-read reference for the teacher looking for that extra spark of knowledge or a simple reminder in a moment of uncertainty. * American Music Teacher * Jo Nardolilo adds another valuable resource, surveying violin technique, combining tradition and innovation in one volume. Part of a series designed for the advanced player, it fills a niche for those who are now at professional levels. The first chapter addresses that most vexed question; how to achieve fine intonation. Extensive sections on practice strategies (another weighty conundrum), mastering various bowings, controlling vibrato, and interesting for me personally, small-hand technique and navigating high positions, all provide valuable insights. Further topics include tips on orchestral playing (both leading and as a team player), artistry, performance anxiety, auditioning and chamber music rehearsing. Zen philosophy, shifting techniques and improving basic skills in just 15 minutes a day will interest time-poor readers. Nardolilos book is an indispensable resource for all serious players. * Stringendo *

Preface ix
1 Intonation
1(22)
Secret 1 How to Play in Tune
2(1)
Secret 2 Octave Hand Frame
3(2)
Secret 3 Finger Patterns
5(3)
Secret 4 Fingerboard Mapping
8(2)
Secret 5 No Fixing
10(3)
Secret 6 Sevcik's Paradox
13(1)
Secret 7 Which Intonation?
14(1)
Secret 8 Using Overtones
15(2)
Secret 9 Using a Tuner to Improve Intonation
17(1)
Secret 10 Tuning Fifths
18(1)
Secret 11 Tuning Octaves
19(2)
Secret 12 Frog Fingers
21(2)
2 The Left Hand
23(18)
Secret 13 Don't Slap the Puppy
24(2)
Secret 14 Maximum Velocity 1 (Take it Easy)
26(1)
Secret 15 Maximum Velocity 2 (Bursts)
27(2)
Secret 16 The Right Fingerings by Pattern
29(1)
Secret 17 The Right Fingerings by Color
30(1)
Secret 18 Clear False Harmonics
31(1)
Secret 19 Popping Left-Hand Pizzicato
32(1)
Secret 20 Reaching 10ths
33(2)
Secret 21 Small-Hand Technique
35(3)
Secret 22 Coordinating the Bow and Fingers
38(3)
3 Shifting and Playing High
41(12)
Secret 23 Zen and the Art of Shifting
42(1)
Secret 24 The Right Shift
43(2)
Secret 25 Shifting to High Positions
45(1)
Secret 26 Reaching the End of the Fingerboard without Getting Hurt
46(2)
Secret 27 The Heifetz Move
48(1)
Secret 28 No Pressure
49(1)
Secret 29 Using the Bow to Help Shifting
50(1)
Secret 30 The Best Shift May Be No Shift
51(2)
4 Vibrato Strategies
53(12)
Secret 31 Know Your Vibrato
54(1)
Secret 32 Get Control of Your Vibrato
55(2)
Secret 33 Achieving Continuous Vibrato
57(1)
Secret 34 Vibrato on Double Stops and Chords
58(1)
Secret 35 Vibrato Tricks for the Fourth Finger
59(1)
Secret 36 Electroshock Vibrato
60(1)
Secret 37 Shimmer Vibrato
61(1)
Secret 38 Cello Vibrato
62(1)
Secret 39 Vibrato Sculpture
63(2)
5 Tone and the Bow
65(28)
Secret 40 Know Your Bow Hold
66(4)
Secret 41 The Bow as a Lever
70(2)
Secret 42 Default Setting
72(1)
Secret 43 Gravity Is Your Friend
73(1)
Secret 44 The Hidden Enemy
74(3)
Secret 45 Crushing the Sound
77(1)
Secret 46 Hitting a Moving Target
78(1)
Secret 47 Playing into the Curve
79(2)
Secret 48 How to Make Your Bow Longer
81(1)
Secret 49 Pop and Float
82(1)
Secret 50 Mastering Spiccato
83(2)
Secret 51 Sizzling Sautille
85(1)
Secret 52 Flying Bow Strokes
86(1)
Secret 53 Fabulous Flautando
87(1)
Secret 54 Tremolo
88(1)
Secret 55 Using the Left Hand to Improve Tone
89(1)
Secret 56 The Law of Inertia
90(1)
Secret 57 Don't Be a Slave to Your Bow
91(2)
6 Practice Strategies
93(28)
Secret 58 Now Practice
94(1)
Secret 59 Practice Concentrate
95(1)
Secret 60 Never Pay Rent Again
96(1)
Secret 61 Divide and Conquer
97(2)
Secret 62 Skeletons
99(2)
Secret 63 When Slow Practice Isn't Enough Part 1 (Add-a-Note)
101(3)
Secret 64 When Slow Practice Isn't Enough Part 2 (Looping)
104(2)
Secret 65 When Slow Practice Isn't Enough Part 3 (Burst Practice)
106(1)
Secret 66 When Slow Practice Isn't Enough Part 4 (Rhythms)
107(2)
Secret 67 When Slow Practice Isn't Enough Part 5 (Notching)
109(1)
Secret 68 Improving Your Technique in Just Fifteen Minutes a Day
110(3)
Secret 69 Using Etudes to Prepare Repertoire
113(1)
Secret 70 Journaling
114(3)
Secret 71 Building Your Practice Haven
117(1)
Secret 72 Team Practice
118(1)
Secret 73 Your Best Friend, the Metronome
119(2)
7 Artistry
121(14)
Secret 74 Start from the Music
123(2)
Secret 75 Learning Polyphonic Bach
125(1)
Secret 76 It's All Opera
126(1)
Secret 77 Playing Powerful Chords
127(2)
Secret 78 Brilliant Passagework through Lyrical Preparation
129(1)
Secret 79 Shaping the Phrase in Fast Detache
130(1)
Secret 80 The Climax
131(1)
Secret 81 Cultivating Your Unique Voice
132(2)
Secret 82 Choosing the Right Edition
134(1)
8 Performance Strategies
135(8)
Secret 83 Stage Makeup
136(1)
Secret 84 Practice Performing
137(2)
Secret 85 Firewalls
139(1)
Secret 86 Overcoming Stage Fright
140(2)
Secret 87 Connecting with the Audience
142(1)
9 Chamber Music Strategies
143(8)
Secret 88 Groups Who Play Together Stay Together
144(1)
Secret 89 Successful Rehearsals When No One Is in Charge
145(2)
Secret 90 Playing Blind
147(1)
Secret 91 Keeping the Score
148(1)
Secret 92 No Barriers
149(2)
10 Orchestra Strategies
151(16)
Secret 93 Sharing a Part
153(1)
Secret 94 Being a Team Player
154(2)
Secret 95 Concertmaster
156(2)
Secret 96 Preparing Orchestra Music
158(2)
Secret 97 Faking
160(2)
Secret 98 Building Your Orchestral Library
162(1)
Secret 99 Mastering Audition Excerpts
163(2)
Secret 100 Playing the Auditions Game
165(2)
Bonus Secret 101: Mirroring 167(2)
Further Reading 169(8)
Index 177(4)
About the Author and Illustrator 181
Jo Nardolillo has performed throughout the United States and in Europe, has commissioned, recorded, and given the world premieres of many new works, and is a founding member of the innovative new-music ensemble TangleTown Trio and the eclectic jazz ensemble Touché. She is the author of The Canon of Violin Literature (Scarecrow Press, 2011) and All Things Strings: An Illustrated Dictionary (Rowman & Littlefield, 2014).

T. M. Larsen has created illustrations for Scarecrow Press and Rowman & Littlefield, Orchestra2001 (Philadelphia), InternationalOpus, Labyrinth Books, the Northwest Sinfonietta, Liberty Winds, the Spoleto Music Festival, the American Composers Forum, and the Philadelphia Ballet Orchestra.