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E-grāmata: Visible Writings: Cultures, Forms, Readings

Contributions by , Contributions by , Edited by , Contributions by , Contributions by , Introduction by , Contributions by , Introduction by , Contributions by , Edited by
  • Formāts: PDF+DRM
  • Izdošanas datums: 15-Mar-2011
  • Izdevniecība: Rutgers University Press
  • Valoda: eng
  • ISBN-13: 9780813554556
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  • Formāts: PDF+DRM
  • Izdošanas datums: 15-Mar-2011
  • Izdevniecība: Rutgers University Press
  • Valoda: eng
  • ISBN-13: 9780813554556

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"This vastly learned, superbly illustrated collection has not a dull text within it. I was enlightened and fascinated by every essay on every topic. Visible Writings is a book to treasure."-Mary Ann Caws, Distinguished Professor of English, French, and Comparative Literature, The Graduate Center, CUNY

"This is an imaginative collection of tightly argued, well-researched pieces that expose the multiple dimensions of all that makes writing visible. Addressing many forms and formats, the book makes excellent---and entertaining---reading!"-Johanna Drucker, Breslauer Professor of Bibliographical Studies, UCLA

Exploring the concept and history of visual and graphic epistemologies, this multicultural collection provides insights into the many forms of connection between visibility and legibility. With more than 130 color and black-and-white photographs, Visible Writings sheds new light on the visual dimensions of writing and on its interaction with images, analyzing their effects on our experiences of reading and seeing.

Whether they consider literature, art, or other objects, these essays reach outside traditional disciplinary venues to encompass domains as diverse as the history and anthropology of writing, philosophy of language, and the emerging area of visual studies. Together, they offer to anyone interested in the relationships between texts and images a prism through which to follow the subtle play of connections within and around the written sign.

Recenzijas

"This vastly learned, superbly illustrated collection has not a dull text within it. I was enlightened and fascinated by every essay on every topic. Visible Writings is a book to treasure." - Mary Ann Caws (Distinguished Professor ofThe Graduate Center, CUNY) "The essays are well-written, and all are well-researched, in many cases representing the cutting edge within their fields. The collection is historical in range and multicultural in character and is rather unique in range and ambition. Well-illustrated and well-produced, it is recommended for academic libraries supporting programs in visual culture, art, literature, linguistics, and French studies, particularly at postgraduate level." (Art Libraries Society of North American Reviews) "This is an imaginative collection of tightly-argued, well-researched pieces that expose the multiple dimensions of all that makes writing visible. Addressing many forms and formats, the book makes excellent-and entertaining-reading!" - Johanna Drucker (Breslauer Professor of Bibliographical Studies, UCLA)

Acknowledgments ix
Introduction 2(1)
Mary Shaw
Introduction 3(10)
Marija Dalbello
Buzz Spector, Encyclopaedia
13(2)
Contours of Meaning in the Scripts of Ancient Mesoamerica: Western Epistemology and the Phonetic Issue
15(22)
Gordon Brotherston
Arts in Letters: The Aesthetics of Ancient Greek Writing
37(18)
Alexandra Pappas
Letter and Spirit: The Power of the Letter, the Enlivenment of the Word in Medieval Art
55(22)
Cynthia Hahn
Visible and Invisible Letters: Text versus Image in Renaissance England and Europe
77(22)
Peter Stallybrass
Illegibility and Grammaphobia in Paul et Virginie
99(14)
Lorraine Piroux
Written on the Page
113(17)
Jacques Neefs
Buzz Spector
130(5)
Kafka
Face to Face
As If
Sur-face Text-ure
Un coup de des and La Prose du Transsiberien: A Study in Contraries
135(16)
Mary Shaw
Mathematics for "Just Plain Folks": Allegories of Quantitative and Qualitative Information in the Habsburg Sphere
151(26)
Marija Dalbello
Beneath the Words: Visual Messages in French Fin-de-Siecle Posters
177(18)
Phillip Dennis Cate
How Do You Pronounce a Pictogram? On "Visible Writing" in Comics
195(16)
Francois Cornilliat
Inviting Words into the Image: Multiple Meanings in Modern and Contemporary Art
211(26)
Marilyn Symmes
Christine Giviskos
Julia Tulovsky
Color Writings: On Three Polychrome Texts
237(17)
Tiphaine Samoyault
Buzz Spector
254(5)
Joyc-aean
A Rose Is...
Kafka-esque
Actual Words of Art
The Figurative and the Gestural: Chinese Writing According to Marcel Granet
259(14)
Li Jinjia
Michaux: To Be Read? To Be Seen?
273(20)
Claude Mouchard
Reading the Alhambra
293(12)
Richard Serrano
Catastrophe Writings: In the Wake of September 11
305(14)
Beatrice Fraenkel
...Visible, legible, illegible: around a limit ...
319(22)
Roxane Jubert
Sttmnt
341(1)
Buzz Spector
Buzz Spector
342(5)
Colloquium #1 (Picture Puzzles)
Colloquium #2
Colloquium #3
Colloquium #4
Notes on Contributors 347(4)
Index 351
MARIJA DALBELLO is an associate professor of information science at Rutgers University. Her research and publications focus on visual genres and visual epistemologies, digital heritage, the history of knowledge, documents, and collections. She coedited Print Culture in Croatia: The Canon and the Borderlands.

MARY SHAW is a professor of French at Rutgers University. She is the author and editor of several books, among them The Cambridge Introduction to French Poetry and Performance in the Texts of MallarmÉ: The Passage from Art to Ritual.