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E-grāmata: Visual Metaphor and Embodiment in Graphic Illness Narratives

4.22/5 (18 ratings by Goodreads)
(Reader in Visual Communication at the School of English, Communication and Philosophy, Cardiff University)
  • Formāts: 200 pages
  • Izdošanas datums: 11-Dec-2018
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190678197
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  • Formāts: 200 pages
  • Izdošanas datums: 11-Dec-2018
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190678197
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Conceptual Metaphor Theory (CMT) claims that humans use their own bodies as a source of creativity for metaphors. Elisabeth El Refaie explores how metaphors change according to our body's alteration through diseases like cancer. Using an analysis of visual metaphor in thirty-five graphic illness narratives, she re-examines embodiment in traditional Conceptual Metaphor Theory (CMT) and proposes the notion of "dynamic embodiment."

Metaphors help us understand abstract concepts, emotions, and social relations through the concrete experience of our own bodies. Conceptual Metaphor Theory (CMT), which dominates the field of contemporary metaphor studies, is centered on this claim. According to this theory, correlations in the way the world is perceived in early childhood (e.g., happy/good is up, understanding is seeing) persist in our conceptual system, influencing our thoughts throughout life at a mostly unconscious level.

What happens, though, when ordinary embodied experience is disrupted by illness? In this book, Elisabeth El Refaie explores how metaphors change according to our body's alteration due to disease. She analyzes visual metaphor in thirty-five graphic illness narratives (book-length stories about disease in the comics medium), re-examining embodiment in traditional CMT and proposing the notion of "dynamic embodiment." Building on recent strands of research within CMT and engaging relevant concepts from phenomenology, psychology, semiotics, and media studies, El Refaie demonstrates how the experience of our own bodies is constantly adjusting to changes in our individual states of health, socio-cultural practices, and the modes and media by which we communicate. This fundamentally interdisciplinary work also proposes a novel classification system of visual metaphor, based on a three-way distinction between pictorial, spatial, and stylistic metaphors. This approach will enable readers to advance knowledge and understanding of phenomena involved in shaping our everyday thoughts, interactions, and behavior.

Recenzijas

In short, El Refaie...excellently demonstrates the medium's specific affordances to create metaphorical meaning....My estimate is that El Refaie's book will resonate in all three fields. * Charles Forceville, University of Amsterdam, Journal of Pragmatics * Increasingly, the graphic novel, or comic book, is regarded as a form of communication that offers powerful, and unique, ways of commu-nicating our understanding of the world. El Refaie shows us the unique power of graphic narrative in the area of illness and offers insight into the ways in which this medium allows us to understand, and manage, our own and others' experiences. By introducing a version of dynamic embodi-ment, the book has the potential of stimulating a large number of research questions for researchers in basic perception. * Heath Matheson, Department of Psychology, University of Northern British Columbia, Prince George, British Columbia, Canada, Perception * I am in awe of Elisabeth El Refaie's work. Her interests take her to fascinating areas of enquiry metaphor and embodiment - while the clarity of her writing renders these subjects accessible to the rest of us. This is a hugely important volume which helps to explain what we may intuitively know but find hard to articulate: that graphic narratives of illness can be powerful creations that speak of the body and mind in deeply complex ways. * Ian Williams, Doctor, Comics Artist, Editor of graphicmedicine.org, and author of The Bad Doctor (Myriad Editions, 2015) * Elisabeth El Refaie asks important questions about conceptual metaphor theory, chiefly among them how people interpret their physical experience. She challenges the idea of universal embodiment, proposing instead that the experience of our body varies in accordance with our state of health and our moment-to-moment activities, including the modes and media used to communicate. This leads to significant differences between metaphors representing distinct diseases, as well as between verbal and visual metaphors. This is a theoretically and methodologically innovative book. * Zoltįn Kövecses, Professor of Linguistics, Eötvös Lorįnd University * This book absolutely delivers on the radical agenda that the author sets for herself. By focusing on visual metaphors in thirty-five graphic illness narratives, El Refaie challenges current theories of metaphor and embodiment to deal with multiple types of diversity (different bodies, different illnesses, different kinds of multimodal texts). This leads to insights and developments that will be relevant across many disciplines, from cognitive science through multimodal discourse analysis to the medical humanities. A marvelous achievement. * Professor Elena Semino, Professor of Linguistics, Lancaster University *

Acknowledgments vii
Introduction 1(17)
1.1 Toward a Notion of Dynamic Embodiment in Conceptual Metaphor Theory
4(3)
1.2 An Example
7(4)
1.3 Data and Methods of Analysis
11(3)
1.4 Outline of
Chapters
14(4)
1 Reanimating the Body in Conceptual Metaphor Theory
18(29)
1.1 The Discovery, Neglect, and Rediscovery of the Lived Body in Conceptual Metaphor Theory
21(6)
1.2 Experimental Evidence of Flexible Embodied Conceptualizations
27(4)
1.3 "Dys-appearance" and Empathic Projection
31(5)
1.4 Embodiment and the Affordances of Modes and Media
36(11)
1.4.1 Modes and Embodied Metaphor
36(6)
1.4.2 Media and Embodied Metaphor
42(5)
2 Dynamic Embodiment and the Graphic Illness Narrative Genre
47(34)
2.1 Genre, Multimodality, and Embodiment
50(4)
2.2 Origins and Evolution of the Graphic Illness Narrative Genre
54(2)
2.3 The Body and Metaphor in Graphic Illness Narratives
56(4)
2.4 Metaphor and the Characteristic Formal Features of Graphic Illness Narratives
60(21)
2.4.1 Words and Images
61(11)
2.4.2 Sequence and Space
72(3)
2.4.3 Style and Materiality
75(6)
3 A Tripartite Taxonomy of Visual Metaphor in Graphic Illness Narratives
81(37)
3.1 Pictorial Metaphor
86(16)
3.2 Spatial Metaphor
102(7)
3.3 Stylistic Metaphor
109(9)
4 Unseeing Eyes: Metaphor in Graphic Illness Narratives about Cancer
118(36)
4.1 The Epistemology of Vision
123(3)
4.2 The Medical Gaze
126(2)
4.3 Cancer Metaphors in Graphic Pathographies
128(26)
4.3.1 Visualizing Invasions, Journeys, Thieves, and Parasites
128(10)
4.3.2 Visualizing Outer and Inner Selves
138(7)
4.3.3 Like Pictures from Outer Space
145(9)
5 Trapped in Spacetime: Metaphor in Graphic Illness Narratives about Depression
154(30)
5.1 Time and Depression
159(2)
5.2 Time, Space, and the Comics Medium
161(4)
5.3 Depression Metaphors in Graphic Pathographies
165(19)
5.3.1 Descent, Darkness, and Time
166(7)
5.3.2 Fractured/Split Selves and Time
173(6)
5.3.3 Temporal Entrapment
179(5)
Conclusion 184(7)
Notes 191(4)
Graphic Illness Narratives 195(2)
References 197(22)
Index 219
Elisabeth (Lisa) El Refaie is Reader in Visual Communication at the School of English, Communication and Philosophy, Cardiff University (UK). Her main research interests are in visual and multimodal forms of communication. She is the author of Autobiographical Comics: Life Writing in Pictures (University Press of Mississippi, 2012) and has published widely on metaphor theory, including in the journals Metaphor & Symbol and Metaphor & the Social World.