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Vivaldi [Hardback]

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Edited by (University of St Andrews, UK)
  • Formāts: Hardback, 564 pages, height x width: 244x169 mm, weight: 1292 g
  • Sērija : The Baroque Composers
  • Izdošanas datums: 23-Dec-2010
  • Izdevniecība: Routledge
  • ISBN-10: 0754628841
  • ISBN-13: 9780754628842
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VivaldiPalielināt
  • Formāts: Hardback, 564 pages, height x width: 244x169 mm, weight: 1292 g
  • Sērija : The Baroque Composers
  • Izdošanas datums: 23-Dec-2010
  • Izdevniecība: Routledge
  • ISBN-10: 0754628841
  • ISBN-13: 9780754628842
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9780754628842.html
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Acknowledgements vii
Series Preface ix
Introduction xi
PART I BIOGRAPHICAL STUDIES
1 `The Fortunes of Vivaldi Biography, from Pincherle to the Present', Chigiana, 41, pp. 113-35
3(24)
Michael Talbot
2 `Antonio Vivaldi e i Vivaldi', Informazioni e studi vivaldiani, 4, pp. 82-97
27(16)
Gastone Vio
3 `Antonio Vivaldi prete', Informazioni e studi vivaldiani, 1, pp. 32-57
43(26)
Gastone Vio
4 `Vivaldi dagli archivi di Mantova', in Francesco Degrada (ed.), Vivaldi veneziano europeo, Quaderni vivaldiani 1, Florence: Istituto Italiano Antonio Vivaldi/Leo S. Olschki, pp. 77-88
69(12)
Claudio Gallico
5 `I nove "principi di altezza" corrispondenti di Vivaldi e la dedica enigmatica del Concerto RV
574. Alla ricerca dell'indirizzario perduto', Informazioni e studi vivaldiani, 16, pp. 59-89
81(32)
Carlo Vitali
6 `Documenti inediti su Vivaldi a Roma', in Lorenzo Bianconi and Giovanni Morelli (eds), Antonio Vivaldi. Teatro musicale, cultura e societa, Quaderni vivaldiani 2, Florence: Istituto Italiano Antonio Vivaldi/Leo S. Olschki, pp. 521-32
113(12)
Fabrizio Della Seta
7 `Wenzel von Morzin as a Patron of Antonio Vivaldi', in Konstanze Musketa et al. (eds), Johann Friedrich Fasch und der italienische Stil. Bericht uber die Internationale Wissenschaftliche Konferenz am
4. und
5. April 2003 im Rahmen der
8. Internationalen Fasch-Festtage in Zerbst, Fasch-Studien 9, Dessau: Internationale Fasch-Gesellschaft e. V., Zerbst/Anhalt-Edition Dessau, pp. 67-76
125(10)
Michael Talbot
8 `Vivaldi e il Teatro La Pergola a Firenze: nuove fonti', in Antonio Fanna and Giovanni Morelli (eds), Nuovi studi vivaldiani. Edizione e cronologia critica delle opere, Quaderni vivaldiani 4, Florence: Istituto Italiano Antonio Vivaldi/Leo S. Olschki, pp. 117-30
135(16)
William C. Holmes
PART II SOURCE STUDIES
9 `Towards a Vivaldi Chronology', in A. Fanna and G. Morelli (eds), Nuovi studi vivaldiani. Edizione e cronologia critica delle opere, Quaderni vivaldiani 4, Florence: Istituto Italiano Antonio Vivaldi/Leo S. Olschki, pp. 729-57
151(30)
Paul Everett
10 `Vivaldi's Marginal Markings: Clues to Sets of Instrumental Works and their Chronology', in Gerard Gillen and Harry White (eds), Irish Musical Studies 1: Musicology in Ireland, Dublin: Irish Academic Press, pp. 248-63
181(16)
Paul Everett
11 `Vivaldi at Work: The Autograph of the "Gloria" RV 589', Informazioni e studi vivaldiani, 17, pp. 68-87
197(20)
Paul Everett
12 `Vivaldi's Quadro? The Case of RV Anh. 66 Reconsidered', in Enrico Careri and Markus Engelhardt (eds), Italienische Instrumentalmusik des
18. Jahrhunderts: Alte und Neue Protagonisten, Analecta Musicologica 32, Laaber: Laaber-Verlag, pp. 9-32
217(24)
Michael Talbot
13 `La famosa mano di Monsieur Roger: Antonio Vivaldi and his Dutch Publishers', Informazioni e studi vivaldiani, 17, pp. 89-137
241(50)
Rudolf Rasch
14 `Vivaldi and Lotti: Two Unknown Borrowings in Vivaldi's Music', in Antonio Fanna and Michael Talbot (eds), Vivaldi. Vero e Falso. Problemi di attribuzione, Quaderni vivaldiani 7, Florence: Istituto Italiano Antonio Vivaldi/Leo S. Olschki, pp. 91-107
291(20)
Kees Vlaardingerbroek
PART III ANALYTICAL AND GENRE STUDIES
15 `Le opere giovanili di Antonio Vivaldi', Studi vivaldiani, 5, pp. 45-78
311(34)
Federico Maria Sardelli
16 `Vivaldi's "Crucifixus" in its Descriptive and Rhetorical Context', Studi vivaldiani, 3, pp. 133-52
345(20)
Jasmin Cameron
17 `Formal Structure in Vivaldi's Variation Sets', Studi vivaldiani, 6, pp. 53-74
365(22)
Nicholas Lockey
18 `"Die schwarze Gredel", or the Parallel Minor Key in Vivaldi's Instrumental Music', Studi vivaldiani, 3, pp. 105-32
387(28)
Bella Brover-Lubovsky
19 `Ueber die Beziehungen zwischen einigen Concerto- und Sinfonia-Satzen Vivaldis', Informazioni e studi vivaldiani, 4, pp. 41-60
415(20)
Karl Heller
20 `The Dramatic in Vivaldi's Cantatas', in Lorenzo Bianconi and Giovanni Morelli (eds), Antonio Vivaldi. Teatro musicale, cultura e societa, Quaderni vivaldiani 2, Florence: Istituto Italiano Antonio Vivaldi/Leo S. Olschki, pp. 97-129
435(34)
Colin Timms
21 `Vivaldi's Serenatas: Long Cantatas or Short Operas?', in Lorenzo Bianconi and Giovanni Morelli (eds), Antonio Vivaldi. Teatro musicale, cultura e societa, Quaderni vivaldiani 2, Florence: Istituto Italiano Antonio Vivaldi/Leo S. Olschki, pp. 67-96
469(30)
Michael Talbot
22 `Antonio Vivaldi's Setting of Teuzzone: Dramatic Speech and Musical Image', in Reinhard Strohm, Dramma per musica: Italian Opera Seria of the Eighteenth Century, New Haven and London: Yale University Press, pp. 134-64
499(32)
Reinhard Strohm
Name Index 531
Michael Talbot, Emeritus Professor, University of Liverpool, UK