Foreword |
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xi | |
Preface |
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xiii | |
Acknowledgments |
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xv | |
1 Vocal Technique |
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1 | (30) |
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Secret 1 Stand Up Straight! Posture and Alignment Awareness |
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1 | (4) |
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Secret 2 Lean on Me-Appoggio and Breath Management |
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5 | (2) |
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Secret 3 Wax On, Wax Off-Onset and Release |
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7 | (1) |
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Secret 4 Ring and Rumble-Resonance |
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8 | (2) |
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Secret 5 Riffs and Runs-Flexibility |
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10 | (2) |
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Secret 6 Understand Registration-"Head" versus "Chest" Voice |
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12 | (4) |
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Secret 7 Be Smooth-Sempre Legato |
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16 | (2) |
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Secret 8 "Place" the Voice-What Does That Actually Mean? |
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18 | (2) |
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Secret 9 Warm Up Enough (but Not Too Much) |
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20 | (2) |
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Secret 10 Know What's Really Happening-Fact versus Fiction |
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22 | (1) |
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Secret 11 Find Your Fach-Your Sound and Psyche |
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23 | (2) |
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Secret 12 Shake It! Musings on Vibrato |
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25 | (2) |
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Secret 13 Always Sing on Your Interest, Never Your Capital |
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27 | (1) |
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Secret 14 Try and Trust-Finding the Right Teacher |
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28 | (3) |
2 Musicianship |
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31 | (14) |
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Secret 15 Connect to the Page-Score Study |
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31 | (2) |
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Secret 16 Prioritize Rhythm-the Essence of Musicianship |
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33 | (2) |
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Secret 17 Master Intervals and Scale Degrees |
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35 | (3) |
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Secret 18 Intimately Know the Piano Accompaniment |
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38 | (2) |
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Secret 19 Study the Orchestration-There Won't Be Trumpets (or Will There?) |
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40 | (2) |
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Secret 20 Singing in Style-Cultural Context and Historical Traditions |
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42 | (3) |
3 Vocal Health |
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45 | (20) |
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Secret 21 Libiamo! Water and Hydration |
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45 | (2) |
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Secret 22 Develop a Healthy Speaking Voice-Pitch and Breath |
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47 | (2) |
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Secret 23 Use Straw Phonation (and Other SOVT Exercises) |
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49 | (2) |
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Secret 24 Food as Fuel Not Fad-Diet Matters |
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51 | (1) |
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Secret 25 Exercise-Your Body Is Your Instrument |
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52 | (1) |
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Secret 26 Avoid Vocally Abusive (Loud) Environments-Can You Hear Me Now? |
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53 | (2) |
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Secret 27 Ahem! Avoid Clearing Your Throat-Try Ujjayi Breathing Instead |
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55 | (1) |
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Secret 28 Phlegm Is Not Your Friend (Coping Strategies) |
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56 | (1) |
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Secret 29 Combat Acid Reflux Disease (GERD and LPRD) |
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57 | (2) |
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Secret 30 Manage Your Medications-Balancing RX and OTC with TLC |
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59 | (2) |
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Secret 31 Embracing Bodywork-Yes, Everyone Is Doing Yoga |
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61 | (2) |
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Secret 32 How to Work with Metal in Your Mouth-the Joy of Braces |
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63 | (2) |
4 Practice Strategies |
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65 | (32) |
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Secret 33 Regarding Vowels-the Rooms in Which Singers Live |
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65 | (3) |
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Secret 34 Regarding Consonants-the Doors That Propel Singers from Room to Room |
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68 | (2) |
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Secret 35 Be an Active Participant-Go to Your Lesson with a Plan |
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70 | (2) |
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Secret 36 Mirror, Mirror on the Wall-Using the Mirror as a Practice Tool |
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72 | (2) |
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Secret 37 Train Your Tongue-Freeing Codependent Articulators |
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74 | (1) |
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Secret 38 Johnny One Note-from Monotone to Legato |
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75 | (1) |
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Secret 39 Don't Listen to Yourself! (or Should You?) |
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76 | (2) |
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Secret 40 Use a Metronome-They Aren't Just for Instrumentalists |
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78 | (2) |
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Secret 41 Your Focus Needs More Focus-Practice Mindfulness |
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80 | (2) |
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Secret 42 Whose Line Is It Anyway? Tips for Memorization |
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82 | (2) |
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Secret 43 Get out of Your Head and into Your Body-Let's Get Physical |
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84 | (2) |
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Secret 44 Listen Intelligently to Great Recordings |
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86 | (2) |
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Secret 45 Viewer Be Wary-the Pleasures and Perils of YouTube |
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88 | (2) |
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Secret 46 Record Yourself-I Look and Sound like That? |
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90 | (2) |
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Secret 47 Do You Hear What I See? Using Spectrographic Analysis (VoceVista) |
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92 | (3) |
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Secret 48 Be Gleeful! Remember That You Love to Sing! (Just like the Kids on Glee!) |
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95 | (2) |
5 Language and Diction |
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97 | (20) |
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Secret 49 Singing in English-American versus British Diction |
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97 | (2) |
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Secret 50 Embrace IPA-Singing in Foreign Languages |
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99 | (2) |
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Secret 51 Singing in Italian |
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101 | (2) |
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Secret 52 Singing in German |
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103 | (2) |
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Secret 53 Singing in French |
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105 | (2) |
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Secret 54 Singing in Latin |
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107 | (2) |
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Secret 55 Singing in Spanish |
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109 | (2) |
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Secret 56 Singing in Russian |
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111 | (2) |
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Secret 57 Explore Languages That Are Off the Beaten Path |
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113 | (2) |
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Secret 58 Know Your Translation Inside and Out |
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115 | (2) |
6 Singing Classical Genres (and Singing Them Well) |
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117 | (28) |
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Secret 59 Go beyond the Twenty-Four Hits-Using Italian Arie Antiche as Your Foundation |
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117 | (2) |
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Secret 60 Brits and Yanks-English and American Song |
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119 | (2) |
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Secret 61 Lieder of the Pack-German Art Song |
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121 | (2) |
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Secret 62 A Pretty Girl Is like a Melodie-French Art Song |
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123 | (2) |
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Secret 63 Go beyond the Big Four-Art Songs in Other Languages |
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125 | (2) |
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Secret 64 Handeling Recitative-Singing Oratorio |
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127 | (2) |
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129 | (3) |
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Secret 66 Utopia Unlimited-the Joys of Light Opera |
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132 | (4) |
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Secret 67 Collaborate with Other Musicians through Chamber Music |
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136 | (2) |
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Secret 68 Be HIP-Exploring Early Music |
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138 | (2) |
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Secret 69 Extend Your Technique-the World of Avant-Garde Music |
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140 | (2) |
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Secret 70 Approach Choral Music in a Healthy Way |
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142 | (3) |
7 Singing CCM (Nonclassical) Styles |
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145 | (18) |
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Secret 71 Understand Differences between Classical and CCM Styles |
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145 | (2) |
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Secret 72 Belting, Body Type, and Ballet-Musical Theatre |
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147 | (2) |
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Secret 73 Know Your Mic and Your Niche-Rock and Pop Music |
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149 | (2) |
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Secret 74 Be an Instrument of Inspiration-Gospel |
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151 | (2) |
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Secret 75 Standards, Structure, and Scatting-Jazz |
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153 | (2) |
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Secret 76 Share Your Struggles and Celebrations-Country Music |
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155 | (2) |
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Secret 77 Conquer the World-Global Music Styles |
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157 | (2) |
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Secret 78 Tag Along-Barbershop Harmony |
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159 | (2) |
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Secret 79 Be Cognizant of the Raw Facts of the Industry |
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161 | (2) |
8 Stage Presence |
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163 | (12) |
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Secret 80 Meditation Not Medication-Combating Performance Anxiety |
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163 | (2) |
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Secret 81 Sing from the Heart-Why Do You Sing? |
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165 | (2) |
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Secret 82 Gesticulate! Overcoming Fear of Gestures |
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167 | (2) |
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Secret 83 Express Yourself (Facially)-Somewhere between Botox and Overacting |
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169 | (2) |
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Secret 84 Open Up and Write It Down-Taking Stage Direction |
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171 | (2) |
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Secret 85 Interact with Your Partners Onstage-Safety and Chemistry |
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173 | (2) |
9 Business Tips |
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175 | (32) |
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Secret 86 Don't Be a Diva-You're Not That Important |
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175 | (2) |
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Secret 87 Always Be Prepared (and Never Be Late) |
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177 | (2) |
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Secret 88 Cultivate an Important Relationship-Getting Along with Your Voice Teacher |
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179 | (2) |
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Secret 89 Be a Gracious Collaborator-Getting Along with Your Accompanist |
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181 | (2) |
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Secret 90 Serve the Production Not Yourself-Getting Along with Your Opera Director |
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183 | (2) |
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Secret 91 Watch and Follow-Getting Along with Conductors |
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185 | (2) |
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Secret 92 Find Your (Short-Term) Fit-Auditioning for Summer Programs |
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187 | (2) |
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Secret 93 Yes, You May Need Another Degree-Auditioning for Graduate School |
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189 | (2) |
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Secret 94 Competing without Defeating Yourself-Auditioning for Voice Competitions |
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191 | (2) |
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Secret 95 Represent Yourself Well on Paper-Spelling and Spacing Matter |
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193 | (2) |
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Secret 96 Have Good Communication Skills-Proofreading and Professionalism |
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195 | (2) |
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Secret 97 Manage Your Finances-How Not to Be a Starving Singer |
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197 | (3) |
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Secret 98 Professional Choral Singing Can Be Rewarding |
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200 | (2) |
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Secret 99 Stay in Touch with Your Art Form through Teaching |
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202 | (2) |
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Secret 100 Be Resourceful-Use Every Tool at Your Disposal |
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204 | (3) |
Epilogue |
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207 | (2) |
Anthologies |
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209 | (4) |
Professional Organizations for Singers |
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213 | (6) |
Bibliography |
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219 | (34) |
Index |
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253 | (10) |
About the Authors |
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263 | |