Scholars of English literature analyze films based on Shakespeare directed by Orson Welles, Akir Kurosawa, Grigori Kozintsev, and Franco Zeffirelli. The films are often studied in college and university courses, and serve as a common entry to the study of Shakespeare on film. They have also coincided with some of the major developments in the translation of Shakespeare to the cinematic medium, and with key moments in the development of Shakespeare on film as an academic discipline in its own right. Annotation ©2015 Ringgold, Inc., Portland, OR (protoview.com)
In this volume, leading scholars assess the contribution of four major film directors to the afterlife and reception of Shakespeare and his plays. Focusing on the work of Orson Welles, Akira Kurosawa, Grigori Kozintsev and Franco Zeffirelli, each essay assesses the double impact of Shakespeare on the film director covered and of the film director on the understanding, interpretation and appreciation of Shakespeare.
Papildus informācija
Welles, Kurosawa, Kozintsev, Zeffirelli focuses on the influence of four major film directors on the afterlife of Shakespeare.
Series Editors' Preface |
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vii | |
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Acknowledgements |
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ix | |
A Note on References |
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x | |
Notes on Contributors |
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xi | |
Introduction |
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1 | (6) |
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7 | (47) |
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54 | (38) |
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Chapter 3 Grigori Kozintsev |
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92 | (49) |
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Chapter 4 Franco Zeffirelli |
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141 | (44) |
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Notes |
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185 | (2) |
Select Bibliography |
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187 | (8) |
Index |
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195 | |
Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University, Belfast, UK. His books include Filming Shakespeare in the Global Marketplace (2007) and Shakespeare and World Cinema (2013).
Courtney Lehmann is the Tully Knoles Professor of the Humanities and Professor of English and Film Studies and the Director of the Humanities Scholars Program at University of the Pacific in Stockton, California. she is author of Shakespeare Remains: Theatre to Film, Early Modern to Postmodern (2002) and Screen Adaptations: Shakespeare's 'Romeo and Juliet' (2010).
Marguerite H. Rippy is Professor of English and Chair of the Department of Literature and Languages at Marymount University, Arlington. She is the author of Orson Welles and the Unfinished RKO Projects: A Postmodern Perspective (2009).
Ramona Wray is Reader in English at Queen's University, Belfast, UK. She is editor of The Tragedy of Mariam (2012), co-editor of Shakespeare, Film, Fin de Sičcle (2000) and Screening Shakespeare in the Twenty-First Century (2006).