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Westworld and Philosophy: If You Go Looking for the Truth, Get the Whole Thing [Mīkstie vāki]

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  • Formāts: Paperback / softback, 288 pages, height x width x depth: 229x150x25 mm, weight: 340 g
  • Sērija : The Blackwell Philosophy and Pop Culture Series
  • Izdošanas datums: 27-Apr-2018
  • Izdevniecība: Wiley-Blackwell
  • ISBN-10: 1119437881
  • ISBN-13: 9781119437888
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  • Bibliotēkām
  • Formāts: Paperback / softback, 288 pages, height x width x depth: 229x150x25 mm, weight: 340 g
  • Sērija : The Blackwell Philosophy and Pop Culture Series
  • Izdošanas datums: 27-Apr-2018
  • Izdevniecība: Wiley-Blackwell
  • ISBN-10: 1119437881
  • ISBN-13: 9781119437888
Citas grāmatas par šo tēmu:

“We can’t define consciousness because consciousness does not exist. Humans fancy that there’s something special about the way we perceive the world, and yet we live in loops as tight and as closed as the hosts do, seldom questioning our choices, content, for the most part, to be told what to do next.”

—Dr. Robert Ford, Westworld 

Have you ever questioned the nature of your reality? HBO’s Westworld, a high-concept cerebral television series which explores the emergence of artificial consciousness at a futuristic amusement park, raises numerous questions about the nature of consciousness and its bearing on the divide between authentic and artificial life. Are our choices our own? What is the relationship between the mind and the body? Why do violent delights have violent ends? Could machines ever have the moral edge over man? Does consciousness create humanity, or humanity consciousness?

In Westworld and Philosophy, philosophers, filmmakers, scientists, activists, and ethicists ask the questions you’re not supposed to ask and suggest the answers you’re not supposed to know. There’s a deeper level to this game, and this book charts a course through the maze of the mind, examining how we think about humans, hosts, and the world around us on a journey toward self-actualization. Essays explore different facets of the show’s philosophical puzzles, including the nature of autonomy as well as the pursuit of liberation and free thought, while levying a critical eye at the human example as Westworld’s hosts ascend to their apotheosis in a world scarred and defined by violent acts. 

The perfect companion for Westworld fans who want to exit the park and bend their minds around the philosophy behind the scenes, Westworld and Philosophy will enrich the experience of the show for its viewers and shed new light on its enigmatic twists and turns.

Recenzijas

"Westworld doesn't endorse eliminativism but rather imagines a world in which it is a very consequential idea for the lives of people not involved in the philosophical profession . . . [ T]he concepts and questions explored were clearly things already on the minds of Westworld's writers. The contributors fleshed out the background and the logic of an imagined world in which, as in a car's rearview mirror, objects may be closer than they appear." Scott McLemee, Inside Higher Ed

Contributors: Hosts and Guests viii
Acknowledgments: "Figuring Out How It All Works" xv
Introduction: Taking Sides in Westworld 1(2)
Part I "You Said This Place Was a Game" 3(36)
1 On Playing Cowboys and Indians
5(10)
Don Fallis
2 A Special Kind of Game: The Portrayal of Role-play in Westworld
15(11)
Nicholas Moll
3 Humans and Hosts in Westworld: What's the Difference?
26(13)
Marcus Aryan
Part II "You're Only Human, After All" 39(32)
4 Crossing the Uncanny Valley: What it Means to be Human in Westworld
41(9)
Siobhan Lyons
5 Revealing Your Deepest Self: Can Westworld Create or Corrupt Virtue?
50(11)
Jason T. Eberl
6 Westworld: From Androids to Persons
61(10)
Onni Hirvonen
Part III "We Can't Define Consciousness Because Consciousness Does Not Exist" 71(32)
7 Turing's Dream and Searle's Nightmare in Westworld
73(6)
Lucia Carrillo Gonzalez
8 What Is It Like to Be a Host?
79(11)
Bradley Richards
9 Does the Piano Play Itself? Consciousness and the Eliminativism of Robert Ford
90(13)
Michael Versteeg
Adam Barkman
Part IV "Choices Hanging in the Air Like Ghosts" 103(34)
10 Maeve's Dilemma: What Does it Mean to Be Free?
105(9)
Marco Antonio Azevedo
Ana Azevedo
11 A Place to Be Free: Writing Your Own Story in Westworld
114(11)
Joshua D. Crabill
12 From William to the Man in Black: Sartrean Existentialism and the Power of Freedom
125(12)
Kimberly S. Engels
Part V "I've Always Loved a Great Story...Lies That Told a Deeper Truth" 137(46)
13 Hideous Fictions and Horrific Fates
139(11)
Madeline Muntersbjorn
14 Narrating Gender, Gendering Narrative, and Engendering Wittgenstein's "Rough Ground" in Westworld
150(12)
Lizzie Finnegan
15 The Observer(s) System and the Semiotics of Virtuality in Westworld's Characters: Jonathan Nolan's Fictions as a Conceptual Unity
162(11)
Patricia Trapero-Llobera
16 What Does Bernard Dream About When He Dreams About His Son?
173(10)
Oliver Lean
Part VI "I Choose to See the Beauty" 183(34)
17 The Dueling Productions of Westworld: Self-Referential Art or Meta-Kitsch?
185(11)
Michael Forest
Thomas Beckley-Forest
18 Beauty, Dominance, Humanity: Three Takes on Nudity in Westworld
196(10)
Matthew Meyer
19 Sci-Fi Western or Ancient Greek Tragedy?
206(11)
Caterina Ludovica Baldini
Part VII "You Can't Play God Without Being Acquainted With the Devil" 217(35)
20 Of Hosts and Men: Westworld and Speciesism
219(10)
Francois Jaquet
Florian Cova
21 Violent Births: Fanon, Westworld, and Humanity
229(10)
Anthony Petros Spanakos
22 The Wretched of Westworld: Scientific Totalitarianism and Revolutionary Violence
239(13)
Dan Dinello
Index 252
JAMES B. SOUTH is Professor of Philosophy and Associate Dean for Faculty in the Klingler College of Arts and Sciences at Marquette University.



KIMBERLY S. ENGELS is Assistant Professor of Philosophy at Molloy College in Rockville Centre, New York where she teaches courses in ethics, biomedical ethics, and contemporary philosophy.