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What is Film Theory? [Hardback]

3.81/5 (22 ratings by Goodreads)
  • Formāts: Hardback, 216 pages, height x width x depth: 234x157x18 mm, weight: 340 g
  • Izdošanas datums: 16-Feb-2010
  • Izdevniecība: Open University Press
  • ISBN-10: 0335234224
  • ISBN-13: 9780335234226
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 216 pages, height x width x depth: 234x157x18 mm, weight: 340 g
  • Izdošanas datums: 16-Feb-2010
  • Izdevniecība: Open University Press
  • ISBN-10: 0335234224
  • ISBN-13: 9780335234226
Citas grāmatas par šo tēmu:
...( A)uthoritative, always engaged, and grounded in the detailed study of well chosen films. This is an exceptionally useful introduction, and good to read. Professor James Donald, The University of New South Wales, AustraliaThis engaging and accessible book explores major debates in contemporary film theory, providing a detailed introduction to the central arguments advanced by film theorists since the 1960s.What is Film Theory? outlines the disciplines key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory.Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of `post-theory, cognitivism, and historical poetics, as well as recent developments such as audience research and the `cinema of attractions.Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills.What is Film Theory? is indispensable reading for all students of Film and Media Studies, as well as for general readers interested in the debates which have defined film theory ... authoritative, always engaged, and grounded in the detailed study of well chosen films. This is an exceptionally useful introduction, and good to read.Professor James Donald, The University of New South Wales, AustraliaThis engaging and accessible book explores major debates in contemporary film theory, providing a detailed introduction to the central arguments advanced by film theorists since the 1960s.What is Film Theory? outlines the disciplines key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of post-theory, cognitivism, and historical poetics, as well as recent developments such as audience research and the cinema of attractions.Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills.What is Film Theory? is indispensable reading for all students of Film and Media Studies, as well as for general readers interested in the debates which have defined film theory.
Introduction: What is film theory? 1(13)
1 Structuralism and semiotics: The foundations of contemporary film theory
14(20)
2 Apparatus theory: Jean-Louis Baudry and Christian Metz
34(18)
3 Screen theory: Colin MacCabe and Stephen Heath
52(18)
4 Feminism and film: Visual pleasure and identificatory practices
70(20)
5 Cinemas of the other: Postcolonialism, race and queer theory
90(22)
6 Philosophers and film: Gilles Deleuze and Stanley Cavell
112(20)
7 Film as art: Historical poetics and neoformalism
132(24)
8 The cognitive turn: Narrative comprehension and character identification
156(21)
9 Recent developments: Phenomenology, attractions and audiences
177(16)
Notes 193(1)
References 194(11)
Index 205
Richard Rushton and Gary Bettinson are both Lecturers in the Department of Media, Film and Cultural Studies, Lancaster University, UK.