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E-grāmata: Who's on First?: New and Selected Poems

  • Formāts: EPUB+DRM
  • Sērija : Phoenix Poets
  • Izdošanas datums: 27-Aug-2021
  • Izdevniecība: University of Chicago Press
  • Valoda: eng
  • ISBN-13: 9780226795119
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  • Formāts: EPUB+DRM
  • Sērija : Phoenix Poets
  • Izdošanas datums: 27-Aug-2021
  • Izdevniecība: University of Chicago Press
  • Valoda: eng
  • ISBN-13: 9780226795119
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"There is no one quite like Lloyd Schwartz, whose unique combination of comedy and pathos is rare in contemporary American poetry. Over the years and books, Schwartz has developed a pitch-perfect ear for dialogue, producing poems that are hilarious in their depiction of unsettling social situations, while still managing to find the kernel of poignancy buried in everyday encounters. He is a master of the speech-driven style of verse, which is based on overheard, interrupted, or invented conversations thatare by turns humorous and deeply unsettling, intimate yet decorous. In the new poems section, Schwartz brings his broad experience across the arts (including his many years as a music critic and commentator) to bear, with poems that recall the feeling ofboth performing and apprehending a piece of music, say, or a painting, a film, or a poem; he explores the figures depicted within these artworks, their fears and desires, revealing whole unexplored, interior worlds, a universe in a pack of tarot cards. This collection, which gathers the very best of Schwartz's work over his long, distinguished career, amply displays the tenderness and delicacy of feeling that we've come to rely on in his poetry. "Who's on First?" is a fitting capstone to a long life lived in the arts"--

New and selected poems by renowned poet Lloyd Schwartz.
 
For more than four decades, readers and critics have found Lloyd Schwartz’s poems unlike anyone else’s—a rare combination of the heartbreaking and the hilarious. With his ear for the poetry of the vernacular, Schwartz offers us a memorable cast of characters—both real and imagined, foolish and oracular. Readers experience his mother’s piercing flashes of memory, the perverse comic wisdom of Gracie Allen, the uninhibited yet loving exhibitionists of antique pornography, and eager travelers crossing America in a club-car or waiting in a Brazilian airport. Schwartz listens to these people without judging—understanding that they are all trying to live their lives, whenever possible, with tenderness, humor, and grace.

Who’s on First? brings together a selection of poems from all of Schwartz’s previous collections along with eagerly awaited new poems, highlighting his formal inventiveness in tangling and untangling the yarn of comedy and pathos. Underlying all of these poems is the question of what it takes and what it costs to make art.

Recenzijas

"As in all his collections, the poems in Schwartz's Who's on First? are distinguished by their unsentimental but heartbreaking tenderness, Schwartz's pitch perfect ear for dialogue, his great sense of humor, and a kind of prose like expansiveness that is never slack or merely prose. His long lines, often coinciding with the sentence generate a sly rhythm that depends on an underlying meter that the rhythm disguises even while soliciting. These poems are funny and deeply disquieting, intimate yet decorous, and by that I mean they strike an ever-changing just right unanticipated balance between disclosure and withholding, statement and image, descriptive detail and discursiveness. Schwartz is great company, humane, considerate, and incredibly moving."--Alan Shapiro, author of Against Translation

Acknowledgments ix
From These People (1981)
Who's on First?
3(4)
Hannah
7(1)
Mug Shots
8(3)
A Philosophical Problem
11(4)
The Wanderer
15(6)
78s
21(1)
The Recital
22(3)
Self-Portrait
25(4)
From Goodnight, Gracie (1992)
Leaves
29(2)
Gisela Briining
31(8)
In the Mist
39(1)
House Hunting
40(10)
At the Window (from "Crossing the Rockies")
50(3)
Fourteen People
53(9)
Goodnight, Gracie
62(3)
Love
65(3)
Pseudodoxia Epidemica
68(5)
Simple Questions
73(10)
From Cairo Traffic (2000)
A True Poem
83(2)
Friendly Song (by Carlos Drummond de Andrade)
85(1)
She Forgets
86(3)
The Two Horses (A Memory)
89(4)
He Tells His Mother What He's Working On
93(2)
The Two Churches (A Dream)
95(5)
Pornography
100(7)
Proverbs from Purgatory
107(4)
The Dream During My Mother's Recuperation
111(3)
No Orpheus
114(3)
Her Waltz
117(1)
Nostalgia (The Lake at Night)
118(3)
Song
121(1)
Renato's Dream
122(1)
Temple of Dendur, Metropolitan Museum of Art (from "Cairo Traffic")
123(4)
From Little Kisses (2017)
Little Kisses
127(4)
My Other Grandmother
131(2)
Lost Causes
133(4)
The Conductor
137(2)
Goldring
139(6)
Crossword
145(1)
Six Words
146(2)
Is Light Enough?
148(1)
New Name
149(1)
La Valse
150(1)
Tehran Spring (by AiFonso Romano de Sant'Anna)
151(5)
Small Airport in Brazil
156(2)
In Flight
158(2)
To My Oldest Friend, Whose Silence Is Like a Death
160(2)
Jerry Garcia in a Somerville Parking Lot
162(5)
New Poems (2.00I-I02L)
Vermeer's Pearl
167(3)
Escher: Still Life with Mirror (1934)
170(1)
The World
171(1)
God Hour (Eric Lundquist: in Memoriam)
172(7)
Harvest
179(2)
In Emily Dickinson's Bedroom
181(1)
My Doctor's Death
182(2)
Lubitsch's Angel
184(4)
Ralph Hamilton's Faces
188(3)
Titian's Marsyas
191(2)
The Rehearsal
193(2)
Astronomer
195(6)
Notes 201
Lloyd Schwartz is the Frederick S. Troy Professor of English Emeritus at the University of Massachusetts Boston, a longtime commentator on classical music and the arts for National Public Radio's Fresh Air, and a noted editor of Elizabeth Bishop's poetry and prose. He has been awarded the Pulitzer Prize for Criticism, Guggenheim and National Endowment for the Arts fellowships in poetry, and the Poet Laureateship of the city of Somerville, Massachusetts. His poems have appeared in the New Yorker, New Republic, and Atlantic. Among his poetry books are Little Kisses, Cairo Traffic, and Goodnight, Gracie, all published by the University of Chicago Press.