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Wig Making and Styling: A Complete Guide for Theatre & Film [Mīkstie vāki]

4.70/5 (60 ratings by Goodreads)
(Wig and Makeup Specialist, Austin Performing Arts Center, University of Texas, Austin, TX, USA),
  • Formāts: Paperback / softback, 222 pages, height x width: 280x216 mm, weight: 680 g
  • Izdošanas datums: 11-Mar-2010
  • Izdevniecība: Focal Press
  • ISBN-10: 0240813200
  • ISBN-13: 9780240813202
  • Mīkstie vāki
  • Cena: 52,54 €*
  • * Šī grāmata vairs netiek publicēta. Jums tiks paziņota lietotas grāmatas cena
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  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 222 pages, height x width: 280x216 mm, weight: 680 g
  • Izdošanas datums: 11-Mar-2010
  • Izdevniecība: Focal Press
  • ISBN-10: 0240813200
  • ISBN-13: 9780240813202

Top off that costume with the perfect accoutrement with this first real guide to creating and styling costume wigs. No longer will you need to comb through old references on hairstyles of different time periods, Wig Making and Styling contains everything you need to be a cut above, offering snippets on styling tools, hair types, wig making and measuring, coloring, cutting, and even creating beards and toupees. Other great features include:

-Versatile techniques to create all different historical hairstyles -Tips on altering existing wigs and creating wigs from scratch -Multiple approaches and solutions to solving wig-making problems and needs -Information about the industry, including history and best practices

Full of inspirational and directive photographs, this book will groom anyone from novice to professional stylist into a skilled wig designer.

* inspire your artistic ability with lots of color examples and in-depth directions * learn to work with wigs based on time periods specific to your production * develop your skills with the only guide specifically for wigs and hair



Top off that costume with the perfect accoutrement with this first real guide to creating and styling costume wigs. No longer will you need to comb through old references on hairstyles of different time periods, Wig Making and Styling contains everything you need to be a cut above, offering snippets on styling tools, hair types, wig making and measuring, coloring, cutting, and even creating beards and toupees. Other great features include:

-Versatile techniques to create all different historical hairstyles -Tips on altering existing wigs and creating wigs from scratch -Multiple approaches and solutions to solving wig-making problems and needs -Information about the industry, including history and best practices

Full of inspirational and directive photographs, this book will groom anyone from novice to professional stylist into a skilled wig designer.

* inspire your artistic ability with lots of color examples and in-depth directions * learn to work with wigs based on time periods specific to your production * develop your skills with the only guide specifically for wigs and hair



Top off that costume with the perfect accoutrement with this first real guide to creating and styling costume wigs. No longer will you need to comb through old references on hairstyles of different time periods, Wig Making and Styling contains everything you need to be a cut above, offering snippets on styling tools, hair types, wig making and measuring, coloring, cutting, and even creating beards and toupees. Other great features include:

-Versatile techniques to create all different historical hairstyles
-Tips on altering existing wigs and creating wigs from scratch
-Multiple approaches and solutions to solving wig-making problems and needs
-Information about the industry, including history and best practices

Full of inspirational and directive photographs, this book will groom anyone from novice to professional stylist into a skilled wig designer.

Recenzijas

"The first of its kind and a must-have for students and professionals alike. Filled with photographs and detailed, step-by-step instructions for every sort of wig and hairpiece , Wig Making and Styling now occupies a prominent place in my professional library. I will refer to it often as I work."



-William Ivey Long, five-time Tony Award winning costume designer

Acknowledgments ix
Wig-Making Terms, Tools, and Techniques
1(18)
Glossary of Wig and Hair Terms
1(7)
Wig-Making Tool Kit
8(2)
Wig Styling Tool Kit
10(1)
Hairpins and Clips
11(1)
Rollers/Curlers
12(1)
A Well-Equipped Wig Area
12(3)
Handling a Wig
15(2)
Blocking a Wig
15(1)
Blocking Hard-Front Wigs
15(1)
Blocking Lace-Front Wigs
16(1)
Basic Hand Sewing Stitches
17(2)
Wig-Making Basics: Learning to Ventilate
19(16)
Ventilating Needles and Holders
19(1)
Loading Your Needle
20(1)
Wig-Making Laces and Nets
20(3)
Fronting Laces
20(1)
Back/Foundation Laces
21(1)
Other Wig-Making Materials
22(1)
The Direction and Stretch of the Lace
23(1)
Types of Hair
23(1)
Basic Wig-Knotting/Ventilating Technique
24(7)
Double Knotting
27(1)
Ventilating Positions
28(1)
Hair Density and Ventilating Patterns
29(1)
Ventilating Direction
30(1)
Untying Knots
30(1)
Color Blending
31(1)
Sewing with Invisible Thread
32(3)
Taking Accurate Measurements
35(12)
Proper Head Measurements
35(6)
Transferring Head Measurements to a Block
39(2)
Plastic-Wrap Head Tracings
41(3)
Padding Out a Block with a Plastic Tracing
44(3)
Facial Hair
47(16)
Creating the Pattern for the Facial Hair Piece
47(2)
Adding Texture to the Hair
49(4)
Individual Hairpiece Characteristics
53(10)
Eyebrows
53(1)
Mustaches
54(1)
Sideburns
55(1)
Beards and Goatees
56(2)
Cutting and Styling the Facial Hair
58(3)
Applying the Facial Hair
61(1)
Removing the Facial Hair
62(1)
Fronting and Other Adaptations of Commercial Wigs
63(24)
Types of Fronts
63(2)
The Human Hairline
65(3)
Changing the Hairline
68(1)
Building the Fronts
68(1)
Variation 1
69(1)
Variation 2
69(1)
Variation 3
69(1)
Truing the Hairline
69(1)
Lace Direction and Hair Growth Direction
70(4)
Quick Front: A Step-by-Step Example
74(1)
Standard Front
75(3)
Deep Fronts
78(1)
Deep Front Variation 1
78(1)
Variation 2
78(1)
Variation 3
78(1)
Mini Fronts
79(1)
Silk Blenders
79(2)
Nape Lace
81(2)
Piecing Together Wigs
83(4)
Building a Wig from Scratch
87(22)
Types of Foundations
88(1)
Building a Circumference-Band Foundation
89(13)
Vegetable Net & Caul Net/Circumference Band/Right-Side-Out/Hand Sewn
89(4)
Variations on Circumference Band Foundations
93(5)
Variations on One-Piece Foundations
98(4)
Variations on One-Piece Foundations
102(1)
Notes About Adding Hair
102(1)
Parts, Crown Swirls, and Cowlicks
103(1)
Miscellaneous Foundations
104(4)
Balding Wigs
105(2)
Fringes
107(1)
Summary
108(1)
Partial Wigs, Toupees, and Hairpieces
109(10)
Toupee
109(1)
Graying Temple Pieces
110(1)
Pull-Throughs
110(1)
Falls
111(2)
Type 1
111(1)
Type 2
112(1)
Type 3
112(1)
Type 4
113(1)
Switches
113(1)
Kabuki-Inspired Lion Wig
114(1)
Full-Bottom Wigs
115(1)
Making Custom Weft
115(4)
Wig Application and Removal
119(10)
Hair Prep
119(1)
Long Hair
119(2)
Short Hair
121(2)
How to Hold and Put on a Lace-Front Wig
123(2)
Applying Hard-Front Wigs and Falls
125(1)
Removing Wigs After a Performance
126(1)
A Word about Quick Changes and Tap Dancing
127(2)
Wig Styling Techniques
129(22)
Elements of a Hairstyle
129(1)
Straight Hair
130(2)
Wetting and Drying
130(1)
Flat-Ironing and Roller Setting
130(1)
Steaming the Hair
131(1)
Wavy Hair
132(7)
Finger Waves/Water Waves
132(2)
Marcel Waves
134(2)
Pin curls
136(2)
Waving and Crimping Irons
138(1)
Curly Hair
139(7)
Roller Setting
139(3)
Roller Setting: Ringlets/Sausage Curls
142(1)
Roller Setting: Spiral Rolling Techniques
143(2)
Medusa Set
145(1)
Braids
146(3)
The Standard Basic Braid
147(1)
French Braids
148(1)
Reverse French Braid
148(1)
Rope Braids
148(1)
Herringbone Braids
149(1)
Dreadlocks
149(2)
Creating a Hairstyle
151(14)
Break the Hairstyle Down into Sections
151(1)
Understand the Hairstyle
152(1)
Interpreting Research
152(2)
Draw Your Setting Pattern
154(1)
Set Your Wig
155(1)
Comb Out the Set
155(1)
Teasing and Stuffing
156(1)
Wire Frames
157(2)
Styling Men's Wigs
159(1)
Wig Setting and Styling Tips
160(2)
From Set to Style: Examples
162(3)
Cosette in Les Miserables
163(1)
1930s Hollywood Movie-Star Look
164(1)
Choosing, Cutting, Coloring, and Perming the Hair
165(10)
Dyeing Wigs and Wig Fibers
167(5)
Universal Hair Color Systems
167(1)
American Cosmetology Hair Level System
167(1)
Types of Hair Color Products
167(2)
Dyeing Protein Fibers
169(1)
Using Fabric Dyes
169(1)
Preparing Hair Bundles for Dye
170(1)
Dyeing Synthetic Fibers
171(1)
Perming Wigs and Wig Fibers
172(1)
Cutting Wigs
173(2)
Hair that Isn't Hair: Wigs Made from Other Materials
175(14)
Bases and Foundations
176(2)
FosshapeTM Bases
178(1)
Other Types of Bases
179(1)
Covering the Cap
180(1)
Building a Structural Support Frame
180(2)
Combining Hair and Non-Hair Materials
182(1)
Example of the Step-by-Step Process of Creating an Unusually Shaped Wig
183(3)
Gallery of Non-Hair/Fantasy Wigs
186(3)
How to Get a Show into Production
189(12)
Analyzing and Understanding the Play
189(4)
Forms of Drama
190(1)
Basic Plot Structure
190(1)
Scene Breakdowns
191(2)
Organizing Your Show Notebook
193(1)
Character Design
194(1)
Group Relationships
195(1)
Designing an Overall Look for a Production
196(1)
Budgeting for a Production
197(1)
Wig Jobs and How to Get Them
198(2)
Charging for Your Work
200(1)
Care and Maintenance of Wigs
201(12)
Cleaning Wig Laces
201(2)
Cleaning Facial Hair
203(1)
Touching up a Wig
204(1)
Washing Wigs
205(4)
Washing the Wig off the Block
206(2)
Washing the Wig on the Block
208(1)
Storing Your Wigs
209(4)
Storage Systems
210(3)
Subject Index 213
Martha Ruskai has 30 years of wig making and design experience running the gamut from The Santa Fe Opera & Off Broadway to Miller Light Beer TV commercials & properties wigs for Sleeping With the Enemy. 25 years of teaching at major theatrical institutions including creating the Wig and Makeup Training Program at the University of North Carolina School of the Arts.

Allison Lowery is the Wig and Makeup Specialist for Texas Performing Arts at the University of Texas at Austin. She was also the Wig Master for the Alabama Shakespeare Festival, and has created wigs and makeup for Zilker Musical Theatre, the Lyric Opera of Chicago, the Utah Shakespeare Festival, and many others. She has also been a recipient of the B. Iden Payne Award for Outstanding Costume Design.