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Wig Making and Styling: A Complete Guide for Theatre & Film 2nd edition [Hardback]

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(Wig and Makeup Specialist, Austin Performing Arts Center, University of Texas, Austin, TX, USA),
  • Formāts: Hardback, 322 pages, height x width: 229x229 mm, weight: 1030 g, 851 Halftones, color
  • Izdošanas datums: 01-Dec-2015
  • Izdevniecība: Routledge
  • ISBN-10: 1138819182
  • ISBN-13: 9781138819184
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Wig Making and Styling: A Complete Guide for Theatre & Film 2nd editionPalielināt
  • Formāts: Hardback, 322 pages, height x width: 229x229 mm, weight: 1030 g, 851 Halftones, color
  • Izdošanas datums: 01-Dec-2015
  • Izdevniecība: Routledge
  • ISBN-10: 1138819182
  • ISBN-13: 9781138819184
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781138819184.html
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Wig Making and Styling: A Complete Guide for Theatre and Film, Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics, from styling tools to creating beards, it ramps up to advanced techniques for making, measuring, coloring, and cutting wigs from any time period. Whether you’re a student or a professional, you‘ll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs, multiple approaches to solving wig-making problems, and industry best practices.

Acknowledgments xi
Chapter 1 Wig-Making Terms, Tools, and Techniques
1(22)
Glossary of Wig and Hair Terms
1(8)
Wig-Making Tool Kit
9(1)
Wig-Styling Tool Kit
10(2)
Hairpins and Clips
12(2)
Rollers/Curlers
14(1)
A Well-Equipped Wig Area
14(3)
Handling a Wig
17(1)
Blocking a Wig
17(1)
Blocking Hard-Front Wigs
17(1)
Blocking Lace-Front Wigs
18(2)
Basic Hand Sewing Stitches
20(3)
Chapter 2 Wig Application and Removal
23(14)
Hair Prep
23(1)
Long Hair
24(3)
Nylon vs. Fishnet Wig Caps
27(1)
Short Hair
27(3)
Prepping Hair for a Film Wig
30(1)
How to Hold and Put On a Lace-Front Wig
30(4)
Removing Wigs after a Performance
34(1)
A Word about Quick Changes and Tap Dancing
35(2)
Chapter 3 Care and Maintenance of Wigs
37(14)
Cleaning Wig Laces
37(2)
Cleaning Facial Hair
39(1)
Touching Up a Wig
40(2)
Washing Wigs
42(1)
Washing the Wig off the Block
43(2)
Washing the Wig on the Block
45(2)
Storing Your Wigs
47(1)
Storage Systems
47(4)
Chapter 4 Wig-Making Basics: Learning to Ventilate
51(20)
Ventilating Needles and Holders
51(1)
Loading Your Needle
52(1)
Wig-Making Laces and Nets
53(2)
Other Wig-Making Materials
55(2)
The Direction and Stretch of the Lace
57(1)
Types of Hair
57(1)
Basic Wig-Knotting/Ventilating Technique
58(3)
Double Knotting
61(1)
Ventilating Positions
62(2)
Hair Density and Ventilating Patterns
64(1)
Ventilating Direction
65(1)
Untying Knots
65(1)
Color Blending
66(1)
Sewing with Invisible Thread
67(4)
Chapter 5 Measurements and Tracings
71(16)
Basic Head Measurements
72(2)
Forehead Measurements
74(2)
Temple, Sideburn, and Advanced Ear Measurements
76(2)
Plastic-Wrap Head Tracings
78(4)
Transferring Head Measurements to a Block
82(2)
Padding Out a Block with a Plastic Tracing
84(3)
Chapter 6 Facial Hair
87(42)
Creating the Pattern for the Facial Hair Piece
87(3)
Adding Texture to the Hair
90(5)
Individual Hairpiece Characteristics
95(9)
Cutting and Styling the Facial Hair
104(3)
Applying the Facial Hair
107(2)
Removing the Facial Hair
109(1)
Direct Application Techniques
110(2)
Creating a Laceless Beard for Future Use
112(5)
Historical Timeline of Facial Hair Styles and Gallery of Natural Facial Hair
117(12)
Chapter 7 Working With and Adapting Commercial Wigs and Weft
129(14)
Cleaning Old Wigs
129(1)
Bringing Back the Shine of an Old Wig
130(1)
Dulling the Shine of a New Synthetic Wig
130(1)
Removing Weft from a Wig
131(1)
Thinning a Wig with Thinning Shears
132(1)
Sewing Weft to the Underside of a Wig
133(2)
Sewing Weft to a Premade Foundation
135(2)
Putting On Hard-Front Wigs and Falls
137(2)
Piecing Together Wigs
139(4)
Chapter 8 Fronting and Other Adaptations of Commercial Wigs
143(26)
Types of Fronts
143(2)
The Human Hairline
145(3)
Changing the Hairline
148(1)
Building the Fronts
149(2)
Truing the Hairline
151(1)
Lace Direction and Hair-Growth Direction
151(4)
Quick Front: A Step-by-Step Example
155(1)
Standard Front
156(2)
Deep Fronts
158(3)
Mini Fronts
161(1)
Silk Blenders
162(1)
Nape Lace
163(6)
Chapter 9 Building a Wig from Scratch
169(24)
Types of Foundations
170(2)
Building a Circumference-Band Foundation
172(8)
Nape-Piece Foundation
180(4)
One-Piece Back Foundation
184(3)
Fine Lace Foundation
187(1)
Notes about Adding Hair
188(1)
Parts, Crown Swirls, and Cowlicks
188(2)
Miscellaneous Foundations
190(1)
Summary
191(2)
Chapter 10 Balding Wigs, Partial Wigs, Toupees, and Hairpieces
193(16)
Balding Wigs
193(2)
Fringes
195(1)
Toupee
196(1)
Graying Temple Pieces
197(1)
Pull Throughs
198(1)
Falls
199(3)
Switches
202(2)
Kabuki-Inspired Lion Wig
204(1)
Making Custom Weft
205(4)
Chapter 11 Wig-Styling Techniques
209(26)
Elements of a Hairstyle
209(1)
Straight Hair
210(1)
Wetting and Drying
210(2)
Wavy Hair
212(9)
Curly Hair
221(8)
Braids
229(4)
Dreadlocks
233(2)
Chapter 12 Creating a Hairstyle
235(16)
Break the Hairstyle Down into Sections
235(1)
Understand the Hairstyle
236(1)
Interpreting Research
237(1)
Draw Your Setting Pattern
237(1)
Set Your Wig
238(1)
Comb Out the Set
239(1)
Teasing and Stuffing
239(1)
Wire Frames
240(2)
Styling Men's Wigs
242(1)
Wig Setting and Styling Tips
243(2)
From Set to Style: Examples
245(6)
Chapter 13 Choosing, Cutting, Coloring, and Perming the Hair
251(16)
How Much Hair?
251(2)
What Kind of Hair?
253(2)
Dyeing Wigs and Wig Fibers
255(2)
Types of Hair Color Products
257(2)
Dyeing Protein Fibers
259(1)
Using Fabric Dyes
259(1)
Preparing Hair Bundles for Dye
259(1)
Dyeing Synthetic Fibers
259(4)
Perming Wigs and Wig Fibers
263(1)
Cutting Wigs
264(3)
Chapter 14 Hair that Isn't Hair: Wigs Made from Other Materials
267(24)
Bases and Foundations
268(7)
Covering the Cap
275(1)
Building a Structural Support Frame
275(2)
Combining Hair and Non-Hair Materials
277(3)
Example of the Step-by-Step Process of Creating an Unusually Shaped Wig
280(3)
Gallery of Non-Hair/Fantasy Wigs
283(8)
Chapter 15 The Business of Wigs and Hair
291(14)
Analysis and Design
291(1)
Forms of Drama
291(1)
Basic Plot Structure
292(1)
Scene Breakdowns
293(1)
Organizing Your Production Bible
294(2)
Character Design
296(2)
Group Relationships
298(1)
Designing an Overall Look for a Production
298(1)
Budgeting for a Production
299(1)
During the Production
300(1)
Wig Jobs and How to Get Them
300(2)
Notes about Unions, Licenses, and Certifications
302(1)
Charging for Your Work
303(2)
Appendix 1 Wig-Making and Styling Resources 305(4)
Appendix 2 Blank Forms for Shop Use 309(8)
Index 317
Martha Ruskai's thirty year career as a freelance wig and makeup artist and designer includes opera, film, print, TV, and dance. When not in the theatre, she can be found at dog shows, agility, and water trials with her Portuguese Water Dogs.

Allison Lowery is the Wig and Makeup Specialist for Texas Performing Arts at the University of Texas -- Austin and the author of the Historical Wig Styling books. She has previously worked at the Alabama Shakespeare Festival, Utah Shakespeare Festival, the Lyric Opera of Chicago, and Glimmerglass Opera, among many others. She is also an active freelance wig stylist, makeup artist, and wardrobe stylist. Please visit her website at www.thewigmistress.com to keep up with her many projects.