How are the films we watch shaping our political worldview? Studies show that films shape usthey affect our values, our beliefs, and our actions. Consequently understanding the messages reinforced by many popular films is vital for everyone, and especially for the student of politics.
Winning The Crowd: The Politics of Popular Films showcases careful, close readings of recent, popular films as serious texts of political thought. Ten contributors select a film or small set of related filmsfrom the John Wick franchise to Pixar's The Incrediblesand analyze the political orientations that these films convey. The volume will be a helpful introduction for those interested in what Hollywood is teaching its viewers about power and the good life. It will also be a valuable model for those wishing to sharpen their own ability to think critically about the meaning of their evening entertainment.
How have your values and beliefs been formed by Hollywood? Winning The Crowd takes you on a guided journey through some of the smartest popular films of recent years.
How is Hollywood shaping the American public's thought about politics? Winning The Crowd: The Politics of Popular Films analyses the philosophies of power and the good life found in some of the smartest popular films of recent years.
Recenzijas
Like the movies it discusses, Winning The Crowd: The Politics of Popular Films is both entertaining and powerful. It makes you see your favorite movieslike the James Bond seriesin a new way. But it also makes you see all movies in a new way, as a force of cultural power, civic formation, and political education. As a movie critic would say: Five stars! -- Susan McWilliams Barndt, Pomona College
Papildus informācija
How is Hollywood shaping the American public's thought about politics? Winning The Crowd: The Politics of Popular Films analyses the philosophies of power and the good life found in some of the smartest popular films of recent years.
Chapter 1 Color Revolution: Pleasantville, the New Left, and the Making
of a New American Identity
Chapter 2 Aristotelian Virtue on Death Row: Masculinity and Courage in The
Green Mile
Chapter 3 Gladiator and the Dream of Rome
Chapter 4 Ship as State: The Political Teaching of Master and Commander
Chapter 5 The Incredibles and Tocqueville: Preserving Human Excellence in
Democratic Times
Chapter 6 Nature and Nationhood in Gran Torino
Chapter 7 The Political Philosophy of the Dark Knight Trilogy
Chapter 8 For Agatha: Memory, Art, and Civil Society in Wes Andersons The
Grand Budapest Hotel
Chapter 9 For Queen and Country: The Burkean Conservatism of (Daniel Craig
era) James Bond
Chapter 10 John Wick in Purgatorio
Jonathan Ashbach is Elizabeth Randel and Ana Scales Assistant Professor in American Constitutional Law at Oklahoma Baptist University.
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