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Women in Art and Literature Networks: Spinning Webs Unabridged edition [Hardback]

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  • Formāts: Hardback, 214 pages, height x width: 212x148 mm
  • Izdošanas datums: 28-Nov-2017
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-10: 1527503747
  • ISBN-13: 9781527503748
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Women in Art and Literature Networks: Spinning Webs Unabridged editionPalielināt
  • Formāts: Hardback, 214 pages, height x width: 212x148 mm
  • Izdošanas datums: 28-Nov-2017
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-10: 1527503747
  • ISBN-13: 9781527503748
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781527503748.html
Keywords:
This book examines the place of women in art and literature from the 19th century to the present day, whether as artists, critics or collectors. It centers on the concept of the network, as a possible point of entry for women into cultural circles long seen as male territories. Within the framework of feminist history and gender studies, the book looks at the careers of salonničres, gallery owners, editors and all types of artists, in Europe and in the USA. They may be famous (Carolee Schneemann) or less so (Yvonne Serruys), they may or may not have been openly feminist, but they have all used networking as a strategy to defend their artistic choices or their vision of the world, as well as to help and support one another.
Acknowledgements vii
Introduction 1(17)
Marianne Camus
Valerie Dupont
Part I Following the Rules
Chapter One Viennese Networks of the Early 20th Century: The Salon of Berta Zuckerkandl (1864--1949)
18(11)
Armelle Weirich
Chapter Two German Women Painters in 19th-Century Paris Networks: The Case of Friedericke O'Connell (1823--1885)
29(12)
Gitta Ho
Chapter Three The Jury of the "Vie Heureuse" Prize, a Good-Mannered Network
41(12)
Nelly Sanchez
Chapter Four Photography and Women's Networks in Inter-War Paris: The Career of Laure Albin-Guillot (1879--1962)
53(13)
Marlene Gossmann
Part II Bending the Rules
Chapter Five Women Art Collectors and Patrons in the 20th Century: Rivals, Peers and Partners
66(16)
Julie Verlaine
Chapter Six La Chaine des Dames: A Woman Artist Networking in Paris in the First Half of the 20th Century
82(21)
Marjan Sterckx
Chapter Seven Women Artists and their Networks: Creating Collectively in 20th and 21st-Century Poland
103(11)
Clara Zgola
Chapter Eight Shadows and Light: Artistic and Critical Women's Networks in Brussels (1972--2014)
114(16)
Muriel Andrin
Anaelle Pretre
Part III Making One's Own Rules
130(74)
Chapter Nine Iris Clert: The Territory and Networks of a Female Gallery Owner in Late 20th-Century Paris
130(13)
Servin Bergeret
Chapter Ten New York City's A.I.R. Gallery: Women Artists Networking since the 1970s
143(14)
Floris Taton
Chapter Eleven Unearthing Ecocriticism's Feminist Roots
157(12)
Margot Lauwers
Chapter Twelve An Artist Liberated. Carolee Schneemann in New York: From Proto-Feminist to Feminist Circles
169(14)
Pauline Chevalier
Chapter Thirteen Ariadne, a Social Art Network: Working Together against Violence against Women
183(21)
Emilie Blanc
Contributors 204
Marianne Camus is Professor Emerita in English Literature at the University of Burgundy, France. She works on the relationship between aesthetics and ideology with regards to class and gender. She is the author of Women's Voices in the Fiction of Elizabeth Gaskell (2002) and Gender and Madness in the Novels of Charles Dickens (2003) as well as a number of articles in both French and English on Gaskell, Barrett Browning, Woolf and Lessing, among others. Valérie Dupont is Senior Lecturer at the University of Burgundy, France. She is interested in the history of primitivism, art in the 1930s, women artists and contemporary art. Her most recent articles have focused on the link between textile and art and on the monumental in Rachel Whiteread's work. She has edited two issues of the journal of contemporary art Hors d'uvre: "Monumental" (2013) and "Art et artisanat" (2016).