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E-grāmata: Women in Jazz: Musicality, Femininity, Marginalization [Taylor & Francis e-book]

(University of Paris 1 Panthéon-Sorbonne, France)
  • Formāts: 146 pages, 12 Halftones, black and white; 12 Illustrations, black and white
  • Sērija : Transnational Studies in Jazz
  • Izdošanas datums: 31-Dec-2021
  • Izdevniecība: Routledge
  • ISBN-13: 9781003177555
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 146 pages, 12 Halftones, black and white; 12 Illustrations, black and white
  • Sērija : Transnational Studies in Jazz
  • Izdošanas datums: 31-Dec-2021
  • Izdevniecība: Routledge
  • ISBN-13: 9781003177555

Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions.



Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways in which women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men – even when musicians, critics and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author’s postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world.

Series Foreword ix
Foreword to Original French Edition (2007) x
Preface to French Reprint (2018) xiii
Foreword to English Edition (2022) xxi
Acknowledgments xxvii
Introduction 1(6)
1 A Saturated and Hierarchized Professional World
7(10)
PART ONE Jazz Singer: Such a "Feminine" Job
17(58)
2 Vocal Jazz, Commercial Jazz, Gendered Jazz
23(10)
3 So "Feminine" in Such a "Masculine"World
33(9)
4 The Voice Is Not an Instrument
42(13)
5 An Irresistible "Feminine" Seduction
55(10)
6 Amateur Vocal Jams: An Illusory Gendered Transgression?
65(10)
PART TWO Some "Great Chicks"
75(51)
7 Very "Well-Endowed"YoungWomen
83(11)
8 Difficult Access to Stable Working Networks
94(11)
9 Women in a Man's World: Reconciling the Irreconcilable?
105(9)
10 Managing One's "Femininity" in Public: Disparagement, Neutrality or Seduction?
114(12)
Conclusion 126(4)
Methodological Appendix 130(4)
Bibliography 134(8)
Index 142
Marie Buscatto is Professor in Sociology at the University of Paris 1 Panthéon-Sorbonne in Paris, France.