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Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema [Hardback]

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  • Formāts: Hardback, 260 pages, height x width x depth: 235x156x16 mm, weight: 463 g, 4 bw, 11 color images
  • Izdošanas datums: 12-May-2023
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978821808
  • ISBN-13: 9781978821804
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  • Formāts: Hardback, 260 pages, height x width x depth: 235x156x16 mm, weight: 463 g, 4 bw, 11 color images
  • Izdošanas datums: 12-May-2023
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978821808
  • ISBN-13: 9781978821804
Citas grāmatas par šo tēmu:
"The 1970s has often been hailed as a great moment for American film, as a generation of "New Hollywood" directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be. Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry. Women in New Hollywood revises our understanding of this important era in American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Including essays on film history, film texts, and the decade's film theory and criticism, this collection showcases the rich and varied cinematic productsof women's creative labor, as well as the considerable barriers they faced. It considers both women working within and beyond the Hollywood film industry, reconceptualizing New Hollywood by bringing it into dialogue with other American cinemas of the 1970s. By valuing the many forms of creative labor involved in film production, this collection offers exciting alternatives to the auteurist model and new ways of appreciating the themes and aesthetics of 1970s American film"--

Women and New Hollywood revises our understanding of 1970s American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Considering both women working within and beyond the Hollywood film industry, this collection showcases the rich and varied cinematic products of women’s creative labor. 
 
 


The 1970s has often been hailed as a great moment for American film, as a generation of “New Hollywood” directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be.  Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry. 
 
Women and New Hollywood revises our understanding of this important era in American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Including essays on film history, film texts, and the decade’s film theory and criticism, this collection showcases the rich and varied cinematic products of women’s creative labor, as well as the considerable barriers they faced. It considers both women working within and beyond the Hollywood film industry, reconceptualizing New Hollywood by bringing it into dialogue with other American cinemas of the 1970s. By valuing the many forms of creative labor involved in film production, this collection offers exciting alternatives to the auteurist model and new ways of appreciating the themes and aesthetics of 1970s American film. 
 

Recenzijas

"This ambitious and impressive edited collection, with contributions from some of the field's most exciting scholars, is a much-needed feminist intervention into scholarship around the so-called 1970s Hollywood Renaissance. The essays place the women creators and collaboratorsand vitally, their laborback to the center of discussion where they belong. A stimulating and provocative read." Julie Turnock, author of The Empire of Effects: Industrial Light and Magic and the Rendering of Realism "A major disruption of conventional narratives about New Hollywood in the 1970s, this collection demonstrates how essential women were to all levels of filmmaking and film culture during a period of fundamental transformation and transition." Shelley Stamp, author of Lois Weber in Early Hollywood and Movie-Struck Girls "Women and New Hollywood provides the much-needed and long-awaited intervention on 1970s American movie industry mythologies, paying tribute to those whose talents, contributions, and perseverance were until now un(der)appreciated and, in so doing, modeling feminist media historiography at its finest." Maria San Filippo, author of Provocauteurs and Provocations: Screening Sex in 21st Century Media "This ambitious and impressive edited collection, with contributions from some of the field's most exciting scholars, is a much-needed feminist intervention into scholarship around the so-called 1970s Hollywood Renaissance. The essays place the women creators and collaboratorsand vitally, their laborback to the center of discussion where they belong. A stimulating and provocative read." Julie Turnock, author of The Empire of Effects: Industrial Light and Magic and the Rendering of Realism "A major disruption of conventional narratives about New Hollywood in the 1970s, this collection demonstrates how essential women were to all levels of filmmaking and film culture during a period of fundamental transformation and transition." Shelley Stamp, author of Lois Weber in Early Hollywood and Movie-Struck Girls "Women and New Hollywood provides the much-needed and long-awaited intervention on 1970s American movie industry mythologies, paying tribute to those whose talents, contributions, and perseverance were until now un(der)appreciated and, in so doing, modeling feminist media historiography at its finest." Maria San Filippo, author of Provocauteurs and Provocations: Screening Sex in 21st Century Media

Introduction 1(16)
Aaron Hunter
Martha Shearer
Part I History
1 The Rothman Renaissance, or the Politics of Archival (Re)Discovery
17(14)
Alicia Kozma
2 Watering the Grapevine: Jessie Maple, Self-Narration, and the Trajectory of a Career in Community
31(16)
Nicholas Forster
3 "It Was a Little Late in the Day for All That Prissy Business": The New Hollywood Career of Jay Presson Allen
47(16)
Oliver Gruner
4 "We Knew and She Knew That She Was Barbra": Streisand in the 1970s
63(16)
Nicholas Godfrey
5 I Know Why: Maya Angelou and the Promise of 1970s Hollywood
79(18)
Maya Montanez Smukler
Part II Text
6 Women Editors in New Hollywood: Cutting Down on the Raging Bullshit
97(16)
Karen Pearlman
7 Elaine May's Awkward Age
113(14)
James Morrison
8 "She's a Professional, Now": Girlfriends, Creative Labor, and the Challenge of Feminist Professionalization
127(22)
Abigail Cheever
9 A Different Image: Studies in Contrasts by Women Filmmakers of the L.A. Rebellion
149(18)
Virginia Bonner
10 Barbara Loden's Wanda (1970): A Radically Negative Feminist Aesthetic
167(18)
Anna Backman Rogers
Part III Theory and Criticism
11 Genealogies of a Decade: Classifying and Historicizing Women of the New Hollywood
185(22)
Amelie Hastie
12 "Women's-Movement Anger": Pauline Kael and New Hollywood
207(16)
Adrian Garvey
13 Feminism, Auteurism, and the 1970s, in Theory
223(18)
Maria Pramaggiore
Acknowledgments 241(2)
Notes on Contributors 243(4)
Index 247
AARON HUNTER lectures in the Department of Film at Trinity College, Dublin. He is the author of Authoring Hal Ashby: The Myth of the New Hollywood Auteur and Polly Platt: Hollywood Production Design and Creative Authorship.   MARTHA SHEARER is an assistant professor and Ad Astra Fellow in Film Studies at University College Dublin. She is the author of New York City and the Hollywood Musical: Dancing in the Streets and coeditor of Musicals at the Margins: Genre, Boundaries, Canons.