Atjaunināt sīkdatņu piekrišanu

E-grāmata: Women in Print 1: Design and Identities

Series edited by , Edited by , Series edited by , Edited by , Series edited by
  • Formāts: EPUB+DRM
  • Sērija : Printing History and Culture 2
  • Izdošanas datums: 07-Nov-2022
  • Izdevniecība: Peter Lang International Academic Publishers
  • Valoda: eng
  • ISBN-13: 9781800798434
Citas grāmatas par šo tēmu:
  • Formāts - EPUB+DRM
  • Cena: 48,96 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: EPUB+DRM
  • Sērija : Printing History and Culture 2
  • Izdošanas datums: 07-Nov-2022
  • Izdevniecība: Peter Lang International Academic Publishers
  • Valoda: eng
  • ISBN-13: 9781800798434
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

"Women in Print 1 is a collection of essays in two related volumes which consider the diversity of roles occupied by women in the authorship, design, production, distribution and consumption of printed material from the fifteenth century onwards. Focusing on individuals and their careers, Women in Print 1 looks at the role of women in the design of printed work, or more broadly, design issues related to the business of publishing. While it is known that women participated in the development of printing technology and the printing trades, their impact on printing history either as producers, consumers or distributors has not only been neglected and undervalued in some instances - it has been deliberately obscured. Collectively the chapters in this volume cover, and recover, the lives and work of women in design for printing and publishing from medieval Italy to twentieth-century Europe, and highlights how their contributions brought positive change not only to the allied industries of printing and publishing but also to the wider social and cultural settings of their time"--

Women in Print is a collection of essays in two related volumes which considers the diversity of roles occupied by women in the design, authorship, production, distribution and consumption of printed material from the thirteenth century onwards.

Women in Print I: Design and Identities

demonstrates women’s multi-layered contribution to design, printing and publishing history through eleven case studies of women artists, compositors, editors, engravers, photographers, printers, publishers, scribes, stationers, typesetters, widows in business, and writers. It offers an examination of women as active participants and contributors in the many and varied aspects of design and print culture, including the production of illustrations, typefaces, periodical layouts, photographic prints and bound volumes.

Women have often participated in design and print culture throughout history, yet their impact has typically been neglected and undervalued, or deliberately obscured from historical accounts. This collection of essays covers, and recovers, the lives and work of women in print, emphasizing how their contributions brought positive change not only to the industries they contributed to, but also to the wider social and cultural settings of their time.



Women in Print 1 is a collection of essays in two related volumes which consider the diversity of roles occupied by women in the authorship, design, production, distribution and consumption of printed material from the fifteenth century onwards.

List of Figures
vii
List of Tables
xiii
Acknowledgements xv
Introduction 1(8)
Artemis Alexiou
Rose Roberto
1 Women's Contribution to Manuscript Textbook Production in Thirteenth- and Fourteenth-Century Bologna
9(24)
Rosa Smurra
2 Elizabeth Newbery, Publisher and Bookseller, 1780-182.1: A Case Study from the Women's Print History Project
33(24)
Reese Alexandra Irwin
3 Letitia Byrne (1779-1849) and the `Prejudice Against Employing Women as Engravers'
57(28)
Hannah Lyons
4 The Olive Branch and Female Compositors, Writers and Editors, 1836-57
85(26)
Dianne Roman
5 `Choice Type' and `Elegant Founts': Advertising in Elizabeth Heard's Truro Printing Office
111(30)
Patricia Thomas
6 Examples of Art Workmanship: The Victoria and Albert Museum's Educational Publishing Initiative and Its Female Institutional Photographer
141(26)
Erika Lederman
7 Late Nineteenth-Century Periodical Texts and Paratexts: The Women's Penny Paper/Woman's Herald (1888-92)
167(28)
Artemis Alexiou
8 Elizabeth Corbet Yeats: Dun Emer and Cuala Presses and Irish Art Printing', 1903-40
195(24)
Angela Griffith
9 Suffragettes: Radical Design in Action, 1903-30
219(26)
Anil Aykan Barnbrook
10 `The Woman Thoroughly Dominates': Lene Schneider-Kainer (1885-1971) and Weimar Lesbian Erotica
245(28)
Abbey Rees-Hales
11 Beatrice Warde, May Lamberton Becker and `Books Across the Sea'
273(17)
Jessica Glaser
Notes on Contributors 290(9)
Index 299
Artemis Alexiou (Volume Editor) is a Senior Lecturer in Design Studies and Design History at York St John University, UK. She has taught at Manchester School of Art and other HE institutions since 2013. She studied architecture at Oxford Brookes University and graphic design at London Metropolitan University. She holds an AHRC-funded PhD in design, media and womens history by the Manchester Institute for Research and Innovation in Art and Design, Manchester Metropolitan University. Her research concentrates on late nineteenth-century feminist periodicals, especially to the manner in which texts and paratexts (mainly design, visual and material) co-functioned in relation to gender politics, and other intersecting concepts such as class and ethnicity. She is a member of the Royal Historical Society, and a Fellow of the HEA.



Rose Roberto (Volume Editor) is a part-time Lecturer in the School of Humanities and Teaching Resources Librarian at Bishop Grosseteste University, Lincoln, UK. She studied Library and Information Science at the University of California, Los Angeles, and history of the book at the University of Reading. Her current research examines the intersection of visual culture and educational publishing, and the hidden histories related to race, gender and class embedded in the material culture of the transnational book trade during the nineteenth and twentieth centuries. She was series editor for the Art Researchers Guides to different cities in the UK and Ireland (20112017), and a contributor to the award-winning Edinburgh History of the British and Irish Press, Vol. 2 (Finkelstein, 2020), and Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Delamaire and Slauter, 2021). She is a Fellow of the HEA.