Looks at the portrayal of relationships between mothers and daughters in the writing of Rose Macaulay, Elizabeth Bowen, Ivy Compton-Burnett, Jean Rhys, Virginia Woolf, Dorothy Richardson, May Sinclair, and Vera Brittain from a psychoanalytic perspective. Based on the observation that such relationships are not determined by biology or evolution but primarily by social and cultural influences. Paper edition (unseen) $19.95. Annotation c. by Book News, Inc., Portland, Or.
Focusing on six key writers of the inter-war period--Virginia Woolf, Dorothy Richardson, Ivy Compton-Burnett, Elizabeth Bowen, Rose Macaulay and Jean Rhys--this book looks at the way these writers explore the mother-daughter relation, finding in it a key to their identity as women and as artists. By situating the mother-daughter story within a specific historical context, Heather Ingman is able, for the first time, to draw parallels between the work of women novelists and that of female psychoanalysts Helene Deutsch, Melanie Klein and Karen Horney during the inter-war period. Her book argues that inter-war women writers renegotiate motherhood, rescuing it from Freud's hostile account and remolding it to suit women's actual experience in a way that empowers them as artists.
