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E-grāmata: Women's Music for the Screen: Diverse Narratives in Sound [Taylor & Francis e-book]

Edited by (University of Technology Sydney, Australia)
  • Formāts: 228 pages, 1 Tables, black and white; 10 Line drawings, black and white; 2 Halftones, black and white; 12 Illustrations, black and white
  • Sērija : Routledge Music and Screen Media Series
  • Izdošanas datums: 27-Aug-2021
  • Izdevniecība: Routledge
  • ISBN-13: 9780429264924
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 228 pages, 1 Tables, black and white; 10 Line drawings, black and white; 2 Halftones, black and white; 12 Illustrations, black and white
  • Sērija : Routledge Music and Screen Media Series
  • Izdošanas datums: 27-Aug-2021
  • Izdevniecība: Routledge
  • ISBN-13: 9780429264924
Womens Music for the Screen: Diverse Narratives in Sound shines a long-overdue light on the works and lives of female-identifying screen composers. Bringing together composer profiles, exclusive interview excerpts, and industry case studies, this volume showcases their achievements and reflects on the systemic gender biases women have faced in an industry that has long excluded them. Across 16 essays, an international array of contributors present a wealth of research data, biographical content, and musical analysis of film, television, and video game scores to understand how the industry excludes women, the consequences of these deficits, and why such inequities persist and to document womens rich contributions to screen music in diverse styles and genres.

The chapters amplify the voices of women composers including Bebe Barron, Delia Derbyshire, Wendy Carlos, Anne Dudley, Rachel Portman, Hildur Gušnadóttir, Mica Levi, Winifred Phillips, and more. From the mid-twentieth century to the present, and from classic Hollywood scores to pioneering electronic music, these are the stories and achievements of the women who have managed to forge successful careers in a male-dominated arena. Suitable for researchers, educators, and students alike, Womens Music for the Screen urges the screen music industry to consider these sounds and stories in a way it hasnt before: as voices that more accurately reflect the world we all share.
List of illustrations
ix
Series Foreword x
Acknowledgements xi
Introduction: `We Need to Hear Your Voices' 1(11)
Felicity Wilcox
1 Waiting for a Break: Barriers to Career Progression in a Man's Industry
12(12)
Catherine Strong
Fabian Cannizzo
2 A Universal Mind: The Film Music of Bebe Barron
24(11)
Reba A. Wissner
3 Delia Derbyshire: An Examination of Selected Film and Television Scores
35(12)
Louis Niebur
4 Wendy Carlos: Switched-on Film Scoring
47(17)
James Deaville
5 Hidden in the Mainstream: Shirley Walker's Musical Contributions to Feature Films and Animated Television Series
64(14)
Philip Hayward
Matt Hill
6 Lolita Ritmanis: Heritage and Hollywood
78(11)
Jessica Getman
7 Laura Karpman: Compositional Direction and Purpose
89(11)
Charles Maclnnes
8 Anne Dudley: The Art of Music and Diegesis
100(12)
Paul Hegarty
9 Rachel Portman: Midscale Magic and Hollywood Storytelling
112(12)
Lindsay Coleman
10 Lisa Gerrard: Songs from the Heart
124(15)
Felicity Wilcox
11 The Film Scores of Mica Levi: Femininity in Flux
139(13)
Caitriona Walsh
12 Ascendancy: The Rise and Recognition of Hildur Guonadottir as a Screen Composer
152(12)
Philip Hayward
Matt Hill
13 Winifred Phillips: Emotional Resonance and Social Eloquence
164(13)
Iain Hart
14 Heroines Unsung: The (Mostly) Untold Story of Female Japanese Game Music Composers
177(15)
Melanie Fritsch
15 Composing Women of Australian Television
192(20)
Felicity Wilcox
Contributors 212(4)
Index 216
Felicity Wilcox is a Senior Lecturer in Music and Sound Design at the University of Technology Sydney.