This collection of essays explores the myriad ways in which the womens suffrage movement in Britain in the nineteenth century and twentieth century engaged with, and was expressed through literature, art and craft, music, drama and cinema.
This collection of essays explores the myriad ways in which the womens suffrage movement in Britain in the nineteenth century and twentieth century engaged with and was expressed through literature, art and craft, music, drama and cinema.
Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of womens suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film.
Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of womens history and the womens suffrage movement, as well as across the arts disciplines.
Recenzijas
By placing suffrages aesthetic experiments in conversation in one volume, Womens Suffrage in Word, Image, Music, Stage and Screen reveals the ways in which ideas crossed between various art forms. From treatments of fashion to the meaning of suffrage colours, from poster art to the architecture of gendered political spaces, the innovative chapters of this collection illuminate the variety of suffrage artistic experiment. This volume is essential reading for all interested in the intersection of aesthetics and political movements.
Barbara Green, Professor of English and Concurrent Faculty in Gender Studies at the University of Notre Dame, Indiana
This magnificent new work on British womens suffrage brings together the highly imaginative strategies deployed by women artists, musicians, playwrights, actresses to demand votes for women. These fifteen essays offer a fascinating wide-angle lens and close up images of the titanic struggle which achieved first instalment of the vote in 1918 and full female suffrage 1928. The extraordinary personal sacrifice and suffering of the women campaigners offer a poignant juxtaposition to the exquisitely designed banners, the marching bands and brilliantly stage-managed processions and protests which grabbed the attention of the politicians, the press and the public throughout the United Kingdom. This collection offers interesting new angles on the most important political struggle of the twentieth century.
Diane Atkinson, Author of Rise Up, Women! The Remarkable Lives of the Suffragettes (Bloomsbury, 2018)
Chapter 1 Womens suffrage and cultural representation: the making of a
movement, Part I Literature,
Chapter 2 Sylvia Pankhurst: poetry and politics,
Chapter 3 A reliable chronicler? Emmeline Pethick-Lawrence and the
Pankhurst/Pethick-Lawrence split of 1912,
Chapter 4 Suffragette prison
narratives: the foreignisation of the carceral experience,
Chapter 5 The
Scottish suffragettes and the press, Part II The visual arts and visual
identity,
Chapter 6 Suffrage identity: declaring ones colours,
Chapter 7
Painting a political identity: women and the House of Commons, c.18181834,
Chapter 8 Victorian paintings under attack: the earliest act of suffrage
iconoclasm (1913),
Chapter 9 The art of suffrage propaganda: with particular
reference to the work of Surrey artists, Part III Music,
Chapter 10 Ethel
Smyth, music and the suffragette movement: reconsidering The Boatswains Mate
as feminist opera,
Chapter 11 It seemed to me my first duty to signify I was
one of the fighters: Ethel Smyths two years of suffrage activities and her
suffrage music,
Chapter 12 The image of the Suffragette in Vernon Lees Music
and its Lovers, Part IV Stage and screen,
Chapter 13 Will you, wont you,
will you, wont you, join the suffrage dance?: reframing Alice in Wonderland
for Edwardian activists,
Chapter 14 Radical actors: the Womens Social and
Political Unions staging of the suffrage campaign,
Chapter 15 Suffrage
history on our screens: the TV series Shoulder to Shoulder and the feature
film Suffragette: Whose stories do they tell?
Christopher Wiley is Senior Lecturer in Music at the University of Surrey, UK. He is the author of many journal articles and book chapters, and the co-editor of volumes including Researching and Writing on Contemporary Art and Artists (2020), Transnational Perspectives on Artists Lives (2020), Writing About Contemporary Musicians (2021) and The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies (2021).
Lucy Ella Rose is Lecturer in Victorian Literature at the University of Surrey, UK. She is the author of the book Suffragist Artists in Partnership: Gender, Word and Image (2018), and her work focuses on neglected women in nineteenth-century creative partnerships. She presents and publishes on Victorian literature, art, culture and feminisms, and is currently working on feminist networks at the fin de sičcle.
