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Words Onscreen: The Fate of Reading in a Digital World [Mīkstie vāki]

3.63/5 (245 ratings by Goodreads)
(Professor of Linguistics Emerita, American University in Washington, DC)
  • Formāts: Paperback / softback, 328 pages, height x width x depth: 155x234x20 mm, weight: 454 g, 8 b&w halftones
  • Izdošanas datums: 22-Sep-2016
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0190624167
  • ISBN-13: 9780190624163
  • Mīkstie vāki
  • Cena: 28,70 €
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  • Formāts: Paperback / softback, 328 pages, height x width x depth: 155x234x20 mm, weight: 454 g, 8 b&w halftones
  • Izdošanas datums: 22-Sep-2016
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0190624167
  • ISBN-13: 9780190624163
People have been reading on computer screens for several decades now, predating popularization of personal computers and widespread use of the internet. But it was the rise of eReaders and tablets that caused digital reading to explode. In 2007, Amazon introduced its first Kindle. Three years later, Apple debuted the iPad. Meanwhile, as mobile phone technology improved and smartphones proliferated, the phone became another vital reading platform.

In Words Onscreen, Naomi Baron, an expert on language and technology, explores how technology is reshaping our understanding of what it means to read. Digital reading is increasingly popular. Reading onscreen has many virtues, including convenience, potential cost-savings, and the opportunity to bring free access to books and other written materials to people around the world. Yet, Baron argues, the virtues of eReading are matched with drawbacks. Users are easily distracted by other temptations on their devices, multitasking is rampant, and screens coax us to skim rather than read in-depth. What is more, if the way we read is changing, so is the way we write. In response to changing reading habits, many authors and publishers are producing shorter works and ones that don't require reflection or close reading.

In her tour through the new world of eReading, Baron weights the value of reading physical print versus online text, including the question of what long-standing benefits of reading might be lost if we go overwhelmingly digital. She also probes how the internet is shifting reading from being a solitary experience to a social one, and the reasons why eReading has taken off in some countries, especially the United States and United Kingdom, but not others, like France and Japan. Reaching past the hype on both sides of the discussion, Baron draws upon her own cross-cultural studies to offer a clear-eyed and balanced analysis of the ways technology is affecting the ways we read today--and what the future might bring.

Recenzijas

Ultimately, Words Onscreen invites us to rethink our own reading habits. By taking careful stock of what we gain in terms of convenience and access versus what we lose in terms of concentration and distraction, Words Onscreen offers an overview of reading (both digital and in print) that is both broad and deep. Undergraduates in courses that deal with a range of aspects involving rhetoric and technology would benefit from it. Graduate students and other scholars will find that it provides a solid foundation upon which to build more theoretically rich and critical work on digital reading. * Joshua Welsh, Research in Online Literacy Education * A darkling view of what our world and what we will be like if codex reading eventually surrenders to the flickering screens of e-readers. * Kirkus Reviews * A must-read for all Americans concerned with having future generations skilled in critical thinking." -Nat Hentoff, The Daily Herald From kindergartens to universities, schools are being pressured to replace printed books with electronic ones. But is reading from a screen the same as reading from a page? Naomi Baron provides the most thoroughgoing answer yet to that crucial question. Words "Onscreen is an essential book for educators, parents, and everyone who loves to read. * Nicholas Carr, author of The Glass Cage and The Shallows * Naomi Baron has written a tour de force on the changes to reading in a digital milieu. It includes and then goes beyond the work before it, including my own. It deserves our "deepest reading" and re-reading in either, or perhaps, both mediums! * Maryanne Wolf, Tufts University, author of Proust and the Squid: The Story and Science of the Reading Brain * Anyone who loves reading about reading will love reading Words Onscreen. Baron goes back in history to place current trends in context, gives a tremendously clear-eyed view of the present, and points towards a future for those who prefer printed books that is both perilous and hopeful. What's particularly amazing is that a book so impeccably and thoroughly researched should also be so fun to read." -Will Schwalbe, author of the New York Times bestseller The End of Your Life Book Club The book is an engaging history of reading as well as a provocative argument about its future." * Wall Street Journal *

nl;pr Not Long; Please Read: A Preface ix
Chapter 1 "I Hate Books": Words go Digital
3(17)
Chapter 2 Reading Evolves
20(22)
Chapter 3 tl;dr: Readers Reshape Writing
42(20)
Chapter 4 The Appeal of Words Onscreen
62(31)
Chapter 5 The Web Ate My Print Option: One-Off Reading
93(20)
Chapter 6 How Social is Reading?
113(18)
Chapter 7 "It's Not A Book": The Physical Side of Reading
131(26)
Chapter 8 Your Brain on Hyper Reading
157(28)
Chapter 9 Faxing Tokyo: When Cultures and Markets Meet
185(22)
Chapter 10 The Future of Reading in a Digital World
207(29)
Afterword 236(6)
Acknowledgments 242(3)
Notes 245(38)
References 283(18)
Index 301
Naomi S. Baron is Professor of Linguistics Emerita at American University in Washington, DC. She is the author of Always On: Language in an Online and Mobile World.