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E-grāmata: Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone: Sound Motion, Blues Spirit, and African Memory [Taylor & Francis e-book]

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This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone's lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic "Nzuri theory/model;" and to illuminate the vast sources of transformational values that aesthetic analysis of African American song performance can foster.

Following concordant procedures and principles of Afrocentricity, the study focuses on Smith, Holiday and Simone's performances as part of a whole African artistic and cultural value system. The goal of the Afrocentric methodological structure is to locate relevant African dynamics in songs and to promote knowledge for cultural transformation and continuity. Its use in this study provides meta-criteria for analyzing African American music, which the author has used to uniquely argue connections between African cultural memory and African-derived cultural expression.

List of Figures
vii
Preface ix
Acknowledgments xvii
Chapter One Introduction
1(12)
Chapter Two Catching the Blues Spirit
13(12)
Chapter Three Musing African Memory
25(24)
Chapter Four Three Women
49(38)
Chapter Five Sound Motion and Spirit
87(46)
Chapter Six Summary and Conclusion
133(8)
Appendix One Discography 141(4)
Appendix Two Life Profile Matrix 145(10)
Appendix Three Life Profile Matrix: Analytical Categories Quantified per Singer 155(4)
Appendix Four Life Profile Matrix: Analytical Categories Thematically Qualified 159(4)
Appendix Five Life Profile/Song Matrices 163(6)
Appendix Six Discography of Selected Song Performances on CD 169(2)
Appendix Seven Selected Songs/Prevalent Themes Matrices 171(12)
Appendix Eight Explanation of Nzuri Model Contexts 183(4)
Appendix Nine Application of Nzuri to Selected Song Performances 187(18)
Permissions 205(4)
Notes 209(14)
Bibliography 223(18)
Glossary 241(10)
Suggested Readings 251(4)
Index 255
Melanie E. Bratcher is a native of Oklahoma and descendent of parents who experienced sharecropping, she is the first in her family to graduate college. As a singer, dancer and scholar, her most relevant publication entitled "Tribute" was performed at the University of Oklahoma where she is Assistant Professor of African & African American Studies.