Atjaunināt sīkdatņu piekrišanu

E-grāmata: World Music Pedagogy, Volume VI: School-Community Intersections

(National Institute of Education, Singapore), (University of Washington, USA)
  • Formāts - EPUB+DRM
  • Cena: 45,07 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

World Music Pedagogy, Volume VI: School-Community Intersections provides students with a resource for delving into the meaning of "world music" across a broad array of community contexts and develops the multiple meanings of community relative to teaching and learning music of global and local cultures. It clarifies the critical need for teachers to work in tandem with community musicians and artists in order to bridge the unnecessary gulf that often separates school music from the music of the world beyond school and to consider the potential for genuine collaborations across this gulf.

The five-layered features of World Music Pedagogy are specifically addressed in various school-community intersections, with attention to the collaboration of teachers with local community artist-musicians and with community musicians-at-a-distance who are available virtually. The authors acknowledge the multiple routes teachers are taking to enable and encourage music learning in community contexts, such as their work in after-school academies, museums and libraries, eldercare centers, places of worship, parks and recreation centers, and other venues in which adults and children gather to learn music, make music, and become convivial through music

This volume suggests that the world’s musical cultures may be found locally, can be tapped virtually, and are important in considerations of music teaching and learning in schools and community contexts. Authors describe working artists and teachers, scenarios, vignettes, and teaching and learning experiences that happen in communities and that embrace the role of community musicians in schools, all of which will be presented with supporting theoretical frameworks.

Series Foreword ix
Patricia Shehan Campbell
Acknowledgments xiii
Episodes xiv
Chapter 1 Teaching and Learning in Context
1(24)
Music Happens in Every Living Community
2(1)
Interfaces of Music With Community
3(2)
Community Music
5(2)
Music, Diversity, and Conviviality
7(4)
Community Musicians and Culture-Bearers
11(2)
A Lens on Ethnomusicology
13(1)
Defining World Music Pedagogy
14(3)
A Pedagogical Road Map for Community-Conscious Musicians
17(5)
Advancing the Mission
22(1)
References
23(2)
Chapter 2 Attentive Listening for Cultural Awakenings
25(22)
The Art of Listening: A Pedagogical Priority
27(2)
A Journey Into Attentive Listening
29(13)
Listening as a Gateway to Cultural Understanding
42(1)
Eduardo Mendonca, Brazilian "Mestre" Musician
43(2)
Listening With Purpose
45(1)
References
46(1)
Listening Episodes
46(1)
Chapter 3 Participatory Musicking
47(30)
Participatory Musicking in Engaged and Enactive Modes
48(3)
Engaged Listening as Initial Musicking
51(6)
Enactive Listening as the Road to Performance
57(7)
The Flow From Engaged Listening to Enactive Listening
64(8)
Listening Collaboratory: Students-Teachers-Artists-Culture-Bearers
72(1)
Quetzal Flores, "Artivista" Activist Musician
72(3)
Learning by Ear: The Way of the World's Musicians
75(1)
References
75(1)
Listening Episodes
75(2)
Chapter 4 Performing World Music
77(25)
Performance as a Natural Human Need
78(3)
The Presence of WMP in Public Programs
81(3)
Roles, Models, and Venues for Performing World Music
84(1)
Performing World Music in the Community: Two Singaporean Events
85(2)
Performance Rules!
87(2)
Performing World Music in Schools: Two North American Events
89(3)
Performers Who Teach (and Connect Schools to Communities)
92(1)
Marisol Berrios-Miranda, Latina Musician-Educator
93(2)
Kedmon Mapana, Wagogo Teaching Musician of Tanzania
95(3)
Riduan Zalani, Global Musician With Malay Roots
98(2)
Performance at the Core
100(1)
References
101(1)
Chapter 5 Creating World Music
102(26)
In Pursuit of the Creative Human Impulse
103(1)
The Potential of Innovation by Community Artist-Musicians
104(1)
Creating World Music via World Music Pedagogy
105(1)
Episodes for Expressive Change
106(15)
Online Musical Communities
121(1)
U Win Maung, Burmese Harp Player
122(2)
Than Zaw Aung, Burmese Musician and Dancer
124(2)
Music as Creative Artistic Expression
126(1)
References
127(1)
Listening Episodes
127(1)
Chapter 6 Integrating World Music
128(30)
Music: Integrated and Interdisciplinary
129(2)
Integrating World Music via World Music Pedagogy
131(1)
Community Musicians as "Integrative Forces"
132(2)
Interdisciplinary Studies of Music as Cultural Expression
134(14)
Music for Active Citizenship
148(1)
"Seeing" World Music
149(1)
Music and Culture in the Hands of Community Musicians
150(1)
Joe Seamons, Banjoist and American Folk Musician
151(2)
Ben Hunter, Violinist-Fiddler and American Folk Musician
153(2)
Weaving Music Into Schools and Communities
155(1)
References
155(1)
Listening Episodes
156(2)
Chapter 7 Surmountable Challenges and Worthy Outcomes
158(20)
Successful School-Community Intersections
160(2)
School Music in Transition
162(1)
Critical Diversity-Directed Educational Movements
163(3)
Community Values and National Standards
166(1)
Music and Community, Altogether
167(1)
In the Thick of Community Musicians
168(1)
The Nexus of Ethnomusicology and (Music) Education
169(2)
Confronting Constructs in the Application of World Music Pedagogy
171(5)
Worthy Outcomes of School-Community Intersections
176(1)
References
177(1)
Appendix 1 Learning Pathways 178(21)
Appendix 2 References and Resources 199(3)
Index 202
Patricia Shehan Campbell is Donald E. Peterson Professor at the University of Washington. She is editor of the Routledge World Music Pedagogy Series, and board member for Smithsonian Folkways Recordings and the Association for Cultural Equity.

Chee-Hoo Lum is Associate Professor, Visual and Performing Arts Academic Group, at the National Institute of Education at the Nanyang Technological University, Singapore. He is the coordinator of the UNESCO UNITWIN: Arts Education Research for Cultural Diversity and Sustainable Development.