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E-grāmata: Worlds beyond My Window: The Life and Work of Gertrude McCarty Smith

Foreword by , Contributions by , Contributions by , Contributions by , Edited by , Contributions by
  • Formāts: 212 pages
  • Izdošanas datums: 05-Nov-2021
  • Izdevniecība: University Press of Mississippi
  • Valoda: eng
  • ISBN-13: 9781496837691
  • Formāts - EPUB+DRM
  • Cena: 25,05 €*
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  • Formāts: 212 pages
  • Izdošanas datums: 05-Nov-2021
  • Izdevniecība: University Press of Mississippi
  • Valoda: eng
  • ISBN-13: 9781496837691

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Artist, columnist, and poet Gertrude McCarty Smith (19232007) of Collins, Mississippi, carried herself as a demure and proper southern lady, yet this was deceiving as she was a prolific, creative trailblazer who had collectors and dedicated readers from coast to coast, and even in Europe. She grew up during the Great Depression with only some vivid storytelling and pictures from the family Bible to inspire and kindle her artistic spirit. However, at the age of ten, her career launched when her grandmother coaxed her with a box of crayons to milk the family cowher seventy-year love affair with the arts was born. Over the years, she would express her creativity in many forms, resulting in thousands of paintings, sculptures, songs, poems, and newspaper columns and along the way a variety of artful cakes, as she ran a celebrated twenty-five-year cake business. Her art appeared in all shapes, sizes, materials, and "eatability."

For most of her early career, Gertrude dabbled with a variety of styleswith subjects mostly centered around life in rural Mississippi and her spiritual life. But in 1980 at the age of fifty-seven, she attended her first Mississippi Art Colony at Camp Jacob in Utica. Over the next fifteen years, she would make her pilgrimage twice a year to be inspired by celebrated guest instructors from around the nation and connect with fellow artists. The Colony was a major catalyst, exposing her to new styles, giving her encouragement and freedom to experiment. Gertrude said of the Colony, "I never knew anything about abstract art, but it fascinated me to no end. Abstract art to me is like a beautiful melody without words. In mixed media, I am in another world and often am surprised at the piece that evolves from the torn watercolor papers. The effect is a kaleidoscope of colors that makes the retinas dance."

This book features more than 150 images, a dozen poems, insightful essays from New York art dealer Stephen Rosenberg, acclaimed southern cultural scholar and curator Pat Pinson, and artist, curator, and instructor Rick Wilemon, along with a foreword by Tommy King, president of William Carey University, and a chronicle of her lifes journey by her son-in-law, Thomas R. Brooks.

As Rosenberg has said, "Gertrude Smith is a remarkable and authentic American woman who teaches us that talent and creativity combined with a humanistic spirit is both a state of mind and a state of graceat any age."

Book proceeds will benefit the Gertrude McCarty Smith Foundation for the Arts to bring access and passion for literature, performance, and visual arts to children in underserved communities throughout Mississippi.
Foreword xix
Tommy King
A Woman of Courage and Creativity
3(10)
Pat Pinson
Life through a Kaleidoscope
13(50)
Thomas R. Brooks
A Curator's View
63(4)
Rick Wilemon
The Three Sides of Gertrude: The Collected Works of Gertrude McCarty Smith
67(54)
An Artistic Critique
121(22)
Stephen Rosenberg
Editor's Note 143(2)
Acknowledgments 145(2)
Chronology 147(10)
Achievements 157(14)
Notes 171(2)
List of Images 173(6)
List of Poetry 179(2)
Contributors 181(6)
Index 187
Rich Burlingham is an accomplished writer, producer, director, photographer, and instructor who has been working in film, television, video, and live-event production for forty years.

Thomas R. Brooks is a leadership and human resources expert with nearly five decades of experience in the military and civilian arenas. He is Gertrude McCarty Smiths son-in-law and was chosen by her family to write the personal essay about her life.

Pat Pinson is former curator of the Walter Anderson Museum of Art, editor of The Art of Walter Anderson, and coeditor (with Mary Anderson Pickard) of Form and Fantasy: The Block Prints of Walter Anderson, both published by University Press of Mississippi.

Stephen Rosenberg is an adjunct professor in the Visual Arts Administration Program at New York University and former director of the Art Business Program at Sothebys Institute of Art.

Rick Wilemon was graduate assistant and exhibit curator for the Sarah Ellen Gillespie Museum of Art from 2016 until 2019 on the campus of William Carey University in Hattiesburg, Mississippi.