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Worlds of Jaquet Droz: Horological Art and Artistic Horology [Hardback]

  • Formāts: Hardback, 248 pages, height x width: 280x238 mm, weight: 1486 g, 10 Illustrations, black and white; 149 Illustrations, color
  • Izdošanas datums: 20-May-2021
  • Izdevniecība: Watchprint com Sarl
  • ISBN-10: 2940506396
  • ISBN-13: 9782940506392
  • Hardback
  • Cena: 100,23 €
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  • Formāts: Hardback, 248 pages, height x width: 280x238 mm, weight: 1486 g, 10 Illustrations, black and white; 149 Illustrations, color
  • Izdošanas datums: 20-May-2021
  • Izdevniecība: Watchprint com Sarl
  • ISBN-10: 2940506396
  • ISBN-13: 9782940506392
There are names in horological history that echo much more than just watches... Such is the case of Jaquet-Droz, 18th Swiss watchmakers with an international horizon, whose ceremonial clocks, prodigious androids, fashionable birdcages, pocket watches with moving scenes or collectors snuffboxes remain the stuff of dreams for passionate enthusiasts. Today, the Maison Jaquet Droz continues to draw its inspiration from this rich heritage in order to reinterpret techniques and aesthetics, pushing back the boundaries of watchmaking and representing a perpetual source of fascination for collectors.



Based on the latest research on the subject and published on the occasion of the 300th anniversary of the birth of Pierre Jaquet-Droz (1721-2021), this book offers a deep dive into the history of characters with a captivating journey. Born in La Chaux-de-Fonds, in what was then the principality of Neuchātel, Pierre Jaquet-Droz founded a watchmaking workshop and developed it through a combination of technical, artistic and commercial skills enabling it to reach international markets. His son Henry-Louis developed the family business and further diversified production, a significant portion of which found its way to China and its dignitaries, devotees of luxurious and ingenious mechanical marvels.



This richly illustrated book aims to enable a rediscovery of their mechanical masterpieces as well as those of the Maison Jaquet Droz, whose rebirth and recent history are recounted here. These splendid historical and contemporary pieces embody a love of technical challenges and a taste for artistic refinement, adhering as much as possible to the sources of inspiration offered by nature. The Worlds of Jaquet Droz thus reveals part of the expansive universe of pre-industrial watchmaking while drawing parallels between past and present productions.
PART I FOREWORDS
7(6)
Marc A. Hayek: Rebirth of a Maison
9(1)
Christian Lattmann: Three centuries of history on the threshold of the 21st century
10(3)
PART II CELEBRATING THE LEGACY OF PIERRE JAQUET-DROZ
13(8)
Introductory remarks
15(1)
Current state of knowledge
16(1)
Available sources
17(4)
PART III WHERE IT ALL BEGAN
21(28)
Local beginnings
23(13)
Spanish success story
36(7)
Passing on mechanical expertise
43(6)
PART IV JAQUET-DROZ AUTOMATONS. PROMOTIONAL ANDROIDS
49(22)
An exceptional technical project
51(6)
An acclaimed mechanical show
57(5)
The golden age of automatons
62(9)
PART V INTERNATIONAL DEVELOPMENTS
71(32)
Building a technical and commercial reputation in London
73(11)
Earning renown for decoration in Geneva
84(9)
The scattered nature of luxury watchmaking
93(10)
PART VI COMMERCIAL DISTRIBUTION
103(30)
To sign, or not to sign?
105(5)
Business objective: China
110(19)
Resilience required
129(4)
PART VII CROWNING ACHIEVEMENTS
133(22)
Technical innovations
135(9)
Societal implications
144(4)
Last stages
148(4)
Geniuses?
152(3)
PART VIII WHAT CAME NEXT. THE JAQUET-DROZ IN WATCHMAKING HISTORY
155(32)
Several Jaquet-Droz stories
157(5)
Jaquet Droz in the 20th century
162(16)
Twenty years of patents
178(9)
PART IX A FEW CONCLUDING REMARKS
187(4)
PART X CATALOG OF SELECTED MODELS
191(28)
The Writer
192(4)
The Draughtsman
196(4)
The Musician
200(4)
Etching of The Grotto
204(2)
Shepherd's clock
206(2)
Birdcage
208(2)
Snuffbox with songbird
210(2)
Flask-shaped table clock
212(2)
Urn, musical automaton
214(2)
Technical drawing of a prosthetic leg
216(3)
PART XI APPENDICES
219(3)
Handwritten sources and abbreviations used / Printed sources
220(2)
Bibliography 222(4)
Current newspapers and Websites 226(1)
Endnotes 227(11)
Illustration credits 238(9)
Acknowledgments 247
Sandrine Girardier was born in 1983 in Lugano. After completing her university studies in Neuchātel, she began preparing a thesis in modern history dedicated to the watchmakers Jaquet-Droz and Leschot and obtained her doctorate in 2018. As a museum curator, she devotes herself to the management of collections and the creation of temporary exhibitions. In her work as a freelance historian, she is also charged with enhancing various heritage collections, as well as undertaking cultural and educational mediation, all while continuing her research and publication activities