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E-grāmata: Writing for the Screen

Edited by (Kennesaw State University, USA)
  • Formāts: 272 pages
  • Sērija : PERFORM
  • Izdošanas datums: 17-Feb-2017
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317370536
  • Formāts - EPUB+DRM
  • Cena: 37,56 €*
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  • Formāts: 272 pages
  • Sērija : PERFORM
  • Izdošanas datums: 17-Feb-2017
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317370536

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Writing for the Screen is a collection of essays and interviews exploring the business of screenwriting. This highly accessible guide to working in film and television includes perspectives from industry insiders on topics such as breaking in; pitching; developing and nurturing business relationships; juggling multiple projects; and more. Writing for the Screen is an ideal companion to screenwriting and filmmaking classes, demystifying the industry and the role of the screenwriter with real-world narratives and little-known truths about the business. With insight from working professionals, youll be armed with the information you need to pursue your career as a screenwriter.











Contains essays by and interviews with screenwriting consultants, television writers, feature writers, writer-directors of independent film, producers, and professors.











Offers expert opinions on how to get started, including preparing your elevator pitch, finding mentors, landing an internship, and moving from an internship to the next step in your career.











Reveals details about taking meetings, what development executives are looking for in a screenwriter, how and when to approach a producer, and how to pitch.











Explores strategies for doing creative work under pressure, finding your voice, choosing what to write, sticking with a project over the long haul, overcoming discrimination, and reinventing yourself as a writer.











Illuminates the business of screenwriting in the United States (New York and Los Angeles) as compared to other countries around the globe, including England, Ireland, Peru, France, Australia, and Belgium.

Recenzijas

"This book answers all the hard questions every aspiring writer asks and the rest of the screenwriting manuals avoid. It's astonishing that this essential addition to every screenwriting library hasn't existed beforeand a cause for celebration that it finally does now."

William Rabkin, Author of Writing the Pilot, Professor of Television Writing and Producing at Long Island Universitys TV Writers Studio

"An essential book so accessible, so beautifully written, so encouraging and realistic and specific. It covers all the bases. Anyone contemplating a career as a screenwriter MUST read this book!"

Dr. Linda Seger, Script Consultant, Author, Seminar Leader

"Writing for the Screen is perhaps the most powerful book on 'making it' in screenwriting that I've read in years. It is feverishly real, with raw truths and unabashed encouragement. I love the book's kaleidoscopic portrait and its solid approaches to the unique challenges of succeeding as a screenwriter today."

Dr. Pieter Aquilia, Head, Screenwriting, Australian Film Television & Radio School

Acknowledgments xv
Introduction xvii
Chapter 1 Getting Started
1(52)
Exit Strategies
3(8)
Preparing to Leave School and Begin Your Screenwriting Career
Gabrielle Kelly
Ten Actions You Can Take
11(8)
To Be an Active Hero in Your Career
Jen Grisanti
Impressing The Development Executive
19(9)
Trai Cartwright
Writing For Television
28(6)
What It Takes
An Interview With Fern Field Brooks
Where Do You Begin?
34(8)
Notes From the Screenwriting Guru
An Interview With Erik Bork
From Writer's Assistant To Showrunner
42(11)
Interning, Knocking on Doors, and Making Connections
An Interview With Stacy A. Littlejohn
Chapter 2 Sticking It Out
53(56)
The Screenwriter's Journey
55(10)
Pat Verducci
What Is A Pitch ...?
65(11)
And Why and How Do You Do It?
Joshua Malkin
Building A Screenwriting Career
76(7)
Advice From the Entertainment Career Coach
An Interview With Carole Kirschner
A Script Reader's Perspective
83(6)
How to Love What You Do When You Can't Do What You Love
James Napoli
THe Art of Discipline and Persistence
89(6)
Moving Toward Creative Success
An Interview With Anne Fontaine
A Veteran Producer's Take on Screenwriting
95(6)
An Interview With Bruce Gilbert
Chuck Erven
Negative Feedback
101(8)
How to Find the Positive
Hugo Van Laere
Chapter 3 Finding Success
109(48)
Building Your Team
112(7)
Insights From the Screenwriting Consultant
An Interview With Linda Seger
Independent Filmmaking
119(8)
Working With an Independent Film Producer
An Interview With Mary Jane Skalski
Deciding What to Write
127(10)
Kira-Anne Pelican
A Working Screenwriter's Journey In Australia
137(9)
Susan Macgillicuddy
The Path to Writing An Iconic Film
146(11)
Navigating the Business of Hollywood
An Interview With Barry Morrow
Chapter 4 Getting Ahead
157(48)
A Bold Move
159(8)
Running With an Unexpected Story
An Interview With Mary Harron
Surviving and Thriving In Hollywood
167(9)
Eight Principles to Empower Your Writing and Your Life
Jim Jennewein
From Creativity To Craft In Screenwriting
176(9)
Mark Readman
Writing From Personal Experience
185(5)
A Strategy of Forward Motion
An Interview With Claudia Llosa
Risks and Rewards
190(8)
Following a Passion
An Interview With Jay Paul Deratany
Screenwriting and Mental Fitness
198(7)
Thoughts From a Mental Health Professional
An Interview With David Silverman
Chapter 5 Starting Again
205(44)
Reinvention
208(10)
Writing the Next Great Script
William Rabkin
Art Vs. Commerce
218(5)
The Cage Match in My Brain Continues
Shalom Auslander
Everything I Need To Know About A Career In Hollywood ...
223(7)
I Learned From Writing Scripts
Rosanne Welch
Starting Over In America
230(8)
From Writing to Directing and Back Again
An Interview With Kirsten Sheridan
Life Lessons In Writing for Young Audiences
238(11)
Wisdom From the Head Writer for Sesame Street
An Interview With Lou Berger
Index 249
Anna Weinstein is a screenwriter and educator based in Atlanta. She works as a writer-for-hire to develop features and television series, and she is on the screenwriting faculty in the English Department at Kennesaw State University, where she teaches and mentors undergraduate and graduate students. Anna is the Founding Editor of the PERFORM: Succeeding as a Creative Professional book series.