1 Introduction |
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1 | (16) |
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1.1 Tanpura: Earliest Treatise and Doctrine |
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1 | (2) |
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1.2 Tanpura and Its Early Varieties |
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3 | (1) |
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3 | (3) |
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6 | (7) |
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1.4.1 Gharana Music and Tanpura |
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8 | (2) |
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1.4.2 Present Scenario of Tanpura Making Industry |
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10 | (3) |
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13 | (1) |
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1.6 Content and Objective |
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14 | (1) |
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14 | (3) |
2 Making of Tanpura with All Its Components, Tuning and Playing |
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17 | (20) |
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17 | (1) |
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2.2 Constructing a Tanpura |
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18 | (11) |
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2.2.1 Bridge and Aaraffargah |
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19 | (4) |
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2.2.2 Measurements of Tanpura (Shape and Size) |
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23 | (1) |
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2.2.3 Constructing Body of a Tanpura |
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23 | (3) |
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2.2.4 Decorating the Tanpura |
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26 | (1) |
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27 | (1) |
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2.2.6 Rolam/Rulam (Indian Glue) |
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27 | (1) |
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28 | (1) |
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29 | (1) |
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30 | (2) |
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32 | (2) |
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2.6 Present State of the Instrument Making Industry |
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34 | (1) |
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35 | (2) |
3 Objective Research Done so Far on Tanpura |
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37 | (14) |
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37 | (1) |
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3.2 Research on Tanpura Till Date-A Brief Review |
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38 | (1) |
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3.3 Historical Background of Jwari |
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39 | (1) |
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40 | (1) |
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3.5 Acoustics and Physical Modeling of Tanpura |
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41 | (5) |
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3.6 Effect of Tanpura Sound on Human Brain |
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46 | (2) |
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48 | (3) |
4 Physical and Mechanical Properties of Components of Tanpura |
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51 | (10) |
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51 | (2) |
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4.2 Analysis of Materials |
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53 | (1) |
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4.3 Results and Discussions |
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53 | (6) |
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59 | (1) |
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60 | (1) |
5 Perceptual and Quantitative Evaluation of Tanpura from Its Sound |
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61 | (22) |
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61 | (2) |
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63 | (9) |
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63 | (1) |
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64 | (8) |
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72 | (1) |
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5.4 Results and Discussions |
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73 | (7) |
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80 | (1) |
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81 | (2) |
6 Acoustic Analysis of Tanpura Signals |
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83 | (24) |
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83 | (4) |
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6.1.1 Experimental Details |
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85 | (1) |
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6.1.2 Results and Discussions |
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85 | (2) |
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6.2 Spectral Dynamics of the Tanpura Sounds |
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87 | (6) |
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6.2.1 Experimental Method |
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87 | (1) |
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6.2.2 Result and Discussion |
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88 | (5) |
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6.3 Spectral Characteristics of Steel Strings (German/Indian) |
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93 | (1) |
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6.4 Timbre Characteristics of Tanpura |
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93 | (6) |
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93 | (1) |
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6.4.2 Spectral Parameters |
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94 | (5) |
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6.5 New Phenomenological Model |
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99 | (5) |
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100 | (1) |
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6.5.2 Results and Discussions |
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101 | (3) |
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104 | (3) |
7 Perception of Virtual Notes While Tanpura Playing |
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107 | (14) |
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107 | (4) |
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7.2 Experimental Procedure (Single String) |
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111 | (1) |
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112 | (3) |
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7.4 Experimental Procedure (All Strings) |
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115 | (1) |
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7.5 Results and Discussion |
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115 | (4) |
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119 | (2) |
8 Jitter, Shimmer and Complexity Perturbation Analysis |
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121 | (12) |
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121 | (3) |
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124 | (1) |
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8.2.1 Detection of Pitch Period |
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124 | (1) |
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8.2.2 Measures of Perturbations |
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124 | (1) |
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8.2.3 Clustering Algorithm |
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125 | (1) |
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125 | (1) |
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8.4 Results and Discussions |
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126 | (3) |
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129 | (2) |
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131 | (2) |
9 Evaluation of Musical Quality of Tanpura by Non Linear Analysis |
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133 | (18) |
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133 | (2) |
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135 | (9) |
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135 | (2) |
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9.2.2 Experimental Details |
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137 | (1) |
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138 | (6) |
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144 | (4) |
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9.3.1 Detrended Fluctuation Analysis |
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144 | (2) |
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9.3.2 Experimental Details |
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146 | (1) |
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9.3.3 Results and Discussion |
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146 | (2) |
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148 | (3) |
Epilogue |
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151 | |