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E-grāmata: Acoustical Analysis of the Tanpura: Indian Plucked String Instrument

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This book addresses the acoustic signal analysis and spectral dynamics of the tanpura, an Indian plucked string instrument. In addition, it strives to provide a logical and objective explanation of Indian classical musicians’ cognitive experience. Issues of relevance in this regard include the rich, mellifluous sound; the undulation of the loudness; the somewhat cyclical variation of the timbre, which is strongly related to these undulations; and the occasional perception of virtual notes to which no strings are tuned.

The book analyses the materials used in the tanpura, the instrument’s simple structure, the intricacies of the lower bridge, and the theory of string vibration with variable string length. Cognitive experiments to provide the basis for perceptual quality assessment, as well as a methodology for ranking, are described. This is followed by acoustic analyses, both temporal and spectral, for sounds produced by male and female tanpuras, for each individual string and the combined one. An important aspect related to the naturalness of perceived sound, namely the intrinsically associated random perturbations, is also discussed. The apparent irregularities perceived in the acoustic signal produced by the tanpura reveal the importance of examining the signal from the perspective of non-linear analysis, an aspect that is also covered in the book.

Given its scope, the book will appeal to students and researchers in the fields of music acoustics, artificial intelligence, and cognitive science, as well as musicians and musicologists around the world. 

1 Introduction 1(16)
1.1 Tanpura: Earliest Treatise and Doctrine
1(2)
1.2 Tanpura and Its Early Varieties
3(1)
1.3 Making of Tanpura
3(3)
1.4 Historical Lineage
6(7)
1.4.1 Gharana Music and Tanpura
8(2)
1.4.2 Present Scenario of Tanpura Making Industry
10(3)
1.5 Tanpura Playing
13(1)
1.6 Content and Objective
14(1)
Reference
14(3)
2 Making of Tanpura with All Its Components, Tuning and Playing 17(20)
2.1 Introduction
17(1)
2.2 Constructing a Tanpura
18(11)
2.2.1 Bridge and Aaraffargah
19(4)
2.2.2 Measurements of Tanpura (Shape and Size)
23(1)
2.2.3 Constructing Body of a Tanpura
23(3)
2.2.4 Decorating the Tanpura
26(1)
2.2.5 Polishing
27(1)
2.2.6 Rolam/Rulam (Indian Glue)
27(1)
2.2.7 Fittings
28(1)
2.3 Plantation of Gourd
29(1)
2.4 Seasoning of Wood
30(2)
2.5 Tuning of Tanpura
32(2)
2.6 Present State of the Instrument Making Industry
34(1)
Reference
35(2)
3 Objective Research Done so Far on Tanpura 37(14)
3.1 Introduction
37(1)
3.2 Research on Tanpura Till Date-A Brief Review
38(1)
3.3 Historical Background of Jwari
39(1)
3.4 What Is Jawari
40(1)
3.5 Acoustics and Physical Modeling of Tanpura
41(5)
3.6 Effect of Tanpura Sound on Human Brain
46(2)
Reference
48(3)
4 Physical and Mechanical Properties of Components of Tanpura 51(10)
4.1 Introduction
51(2)
4.2 Analysis of Materials
53(1)
4.3 Results and Discussions
53(6)
4.4 Conclusions
59(1)
Reference
60(1)
5 Perceptual and Quantitative Evaluation of Tanpura from Its Sound 61(22)
5.1 Introduction
61(2)
5.2 Method of Analysis
63(9)
5.2.1 Perceptual Testing
63(1)
5.2.2 Spectral Analysis
64(8)
5.3 Experimental Method
72(1)
5.4 Results and Discussions
73(7)
5.5 Conclusion
80(1)
Reference
81(2)
6 Acoustic Analysis of Tanpura Signals 83(24)
6.1 Introduction
83(4)
6.1.1 Experimental Details
85(1)
6.1.2 Results and Discussions
85(2)
6.2 Spectral Dynamics of the Tanpura Sounds
87(6)
6.2.1 Experimental Method
87(1)
6.2.2 Result and Discussion
88(5)
6.3 Spectral Characteristics of Steel Strings (German/Indian)
93(1)
6.4 Timbre Characteristics of Tanpura
93(6)
6.4.1 Method of Analysis
93(1)
6.4.2 Spectral Parameters
94(5)
6.5 New Phenomenological Model
99(5)
6.5.1 Method of Analysis
100(1)
6.5.2 Results and Discussions
101(3)
Reference
104(3)
7 Perception of Virtual Notes While Tanpura Playing 107(14)
7.1 Introduction
107(4)
7.2 Experimental Procedure (Single String)
111(1)
7.3 Results
112(3)
7.4 Experimental Procedure (All Strings)
115(1)
7.5 Results and Discussion
115(4)
Reference
119(2)
8 Jitter, Shimmer and Complexity Perturbation Analysis 121(12)
8.1 Introduction
121(3)
8.2 Analysis Method
124(1)
8.2.1 Detection of Pitch Period
124(1)
8.2.2 Measures of Perturbations
124(1)
8.2.3 Clustering Algorithm
125(1)
8.3 Experimental Detail
125(1)
8.4 Results and Discussions
126(3)
8.5 Conclusion
129(2)
Reference
131(2)
9 Evaluation of Musical Quality of Tanpura by Non Linear Analysis 133(18)
9.1 Introduction
133(2)
9.2 First Experiment
135(9)
9.2.1 Fractal Dimension
135(2)
9.2.2 Experimental Details
137(1)
9.2.3 Results
138(6)
9.3 Second Experiment
144(4)
9.3.1 Detrended Fluctuation Analysis
144(2)
9.3.2 Experimental Details
146(1)
9.3.3 Results and Discussion
146(2)
Reference
148(3)
Epilogue 151