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Actor's Survival Handbook [Hardback]

(The Original Shakespeare Company, London, UK), (The Original Shakespeare Company, London, UK)
  • Formāts: Hardback, 360 pages, height x width: 216x138 mm, weight: 506 g
  • Izdošanas datums: 31-Aug-2005
  • Izdevniecība: Routledge
  • ISBN-10: 0878301747
  • ISBN-13: 9780878301744
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 165,69 €*
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  • Šī grāmata vairs netiek publicēta. Jums tiks paziņota lietotas grāmatas cena.
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  • Bibliotēkām
  • Formāts: Hardback, 360 pages, height x width: 216x138 mm, weight: 506 g
  • Izdošanas datums: 31-Aug-2005
  • Izdevniecība: Routledge
  • ISBN-10: 0878301747
  • ISBN-13: 9780878301744
Citas grāmatas par šo tēmu:
Worried about short rehearsal time? Think that fluffing your lines will be the end of your career? Are you afraid you'll be typecast? Is there such a thing as acting too much? How should a stage actor adjust performance for a camera? And how should an actor behave backstage?

The Actor's Survival Handbook gives you answers to all these questions and many more. Written with verve and humor, this utterly essential tool speaks to every actor's deepest concerns. Drawing upon their years of experience on stage, backstage, and with the camera, Patrick Tucker and Christine Ozanne offer forthright advice on topics from breathing to props, commitment to learning lines, audience response to simply landing the job in the first place. The book is rich with examples - both technical and inspirational. And because a director and an actor won't always agree, the two writers sometimes even offer alternative responses to a dilemma, giving the reader both an actor's take and a director's take on a particular point.

Like Patrick Tucker's Secrets of Screen Acting, this new book is written with wit and passion, conveying the authors' powerful conviction that success is within every actor's grasp.
Acknowledgments xi
Introduction xiii
How to Use This Book xv
Family Trees xvii
Acting: What Is It?
1(3)
Agents
4(2)
Amateur Dramatics
6(2)
Anecdotes and Jokes
8(2)
Attitude
10(2)
Audience
12(2)
Auditions
14(3)
Battle of the Sexes
17(3)
Be Yourself (Plus!)
20(2)
Believability
22(3)
Blowing Your Nose
25(2)
Breaking Up (Corpsing)
27(2)
Business (Biz)
29(3)
Casting Directors
32(2)
Comedy and Farce
34(4)
Commercial Casting Sessions
38(4)
Commitment
42(2)
Conservatories and Drama Schools
44(2)
Consistency
46(2)
Costumes, Wigs, and Shoes
48(3)
Crew
51(3)
Designers
54(2)
Dialects and Accents
56(2)
Directors
58(3)
Discussions
61(2)
Don't Ask for Permission
63(2)
Don't Give Up
65(3)
Drugs
68(2)
Editing and Acting
70(2)
Example: Al and Bob's First Meeting
72(3)
Example: Anna Christie and Her Dad
75(3)
Example: Broadway versus Hollywood
78(4)
Example: Brother and Sister Act
82(3)
Example: Kate and Corpsing
85(4)
Example: Lady Bracknell's Handbag
89(4)
Example: Mr. and Mrs. Noah Fight
93(3)
Example: Mr. Horner Is Exactly That
96(3)
Example: Noel Coward on the Phone
99(4)
Example: Olivia's Ends
103(2)
Example: Plunging in the Deep End
105(4)
Example: Princely Business
109(3)
Example: Signs of the Times
112(4)
Example: The Silence of the Lads
116(3)
Example: Valuable Verbals
119(3)
Example: You, Thee---and the Gold
122(3)
Eye-to-Eye Contact
125(3)
Fellow Actors
128(3)
Film versus Television
131(2)
Forgetting Lines
133(3)
Further Training
136(2)
Gear Changes
138(2)
Getting Work
140(3)
Good and Bad Taste
143(2)
Hierarchy
145(2)
Homework
147(2)
Illness
149(2)
Improvisation
151(3)
Instinct versus Intellect
154(2)
Interviews
156(2)
It's Not What It Used To Be
158(2)
Jobs Requiring Acting Skills
160(2)
Journey
162(2)
Know Your Image
164(2)
Laughter
166(3)
Learning Lines
169(3)
Less Is More?
172(2)
Let the Words Do the Work
174(2)
Medieval Acting
176(1)
Melodrama Acting
177(2)
Method Acting
179(3)
Mistakes
182(2)
Modern Contemporary Acting
184(2)
Money Is Probably the Answer
186(2)
Movement and Gestures
188(4)
Multicamera versus Single Camera
192(2)
Never Say No
194(2)
No Training
196(2)
Notes
198(4)
Open Auditions
202(2)
Opposites
204(2)
Outside-in versus Inside-out
206(3)
Over the Top
209(2)
Pauses
211(2)
Performing
213(2)
Photographs
215(3)
Problems
218(2)
Producers
220(2)
Projection
222(2)
Properties (Props)
224(2)
Pulling Focus
226(2)
Punctuality
228(2)
Qualifications
230(2)
Radio Acting
232(3)
Readings
235(3)
Rehearsals (Long, Short, or None)
238(3)
Rehearsing
241(3)
Rejection
244(3)
Restoration Acting
247(2)
Resumes
249(2)
Role-Play
251(3)
Screen Acting
254(3)
Screen Cheating
257(3)
Screen Reactions
260(2)
Screen Vocal Levels
262(2)
Sex and Violence
264(2)
Shakespeare Acting
266(2)
Shakespeare: First Folio
268(3)
Shakespeare: Prose or Poetry
271(3)
Shakespeare: Simple or Complicated
274(3)
Shakespeare: Verse
277(3)
Shakespeare: What You Call People
280(3)
Shakespeare: Wordplay
283(2)
Shooting and Acting
285(2)
Stars
287(3)
Starting Off
290(2)
Step-by-Step
292(2)
Style
294(2)
Teaching Acting
296(2)
Technical and Dress Rehearsals
298(2)
Technique
300(2)
Ten-Second Rule
302(2)
Text
304(4)
The Team
308(3)
Thinking
311(2)
Training
313(2)
Truth
315(4)
Typecasting
319(2)
University Courses
321(2)
Versatility
323(2)
Voice
325(2)
Whatever Works
327(2)
You (Your Other Life)
329(3)
Biographies 332
Patrick Tucker has staged plays and musicals, directed for television, and taught acting workshops throughout the world. A member of the board of Shakespeare's Globe (which rebuilt the Globe Theatre on London's Southbank), he is the author of Secrets of Screen Acting and Secrets of Acting Shakespeare. Christine Ozanne trained at RADA, acted in the original production of Tom Stoppard's Dirty Linen, and has since worked as an actress, teacher, and prompter. Tucker and Ozanne are cofounders of the Original Shakespeare Company. They live in London.