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E-grāmata: Actor's Survival Handbook

4.67/5 (6 ratings by Goodreads)
(The Original Shakespeare Company, London, UK), (The Original Shakespeare Company, London, UK)
  • Formāts: 360 pages
  • Izdošanas datums: 18-Mar-2014
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781135470425
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Actor's Survival HandbookPalielināt
  • Formāts: 360 pages
  • Izdošanas datums: 18-Mar-2014
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781135470425
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Worried about short rehearsal time? Think that fluffing your lines will be the end of your career? Are you afraid you'll be typecast? Is there such a thing as acting too much? How should a stage actor adjust performance for a camera? And how should an actor behave backstage?

The Actor's Survival Handbook gives you answers to all these questions and many more. Written with verve and humor, this utterly essential tool speaks to every actor's deepest concerns. Drawing upon their years of experience on stage, backstage, and with the camera, Patrick Tucker and Christine Ozanne offer forthright advice on topics from breathing to props, commitment to learning lines, audience response to simply landing the job in the first place. The book is rich with examples - both technical and inspirational. And because a director and an actor won't always agree, the two writers sometimes even offer alternative responses to a dilemma, giving the reader both an actor's take and a director's take on a particular point.

Like Patrick Tucker's Secrets of Screen Acting, this new book is written with wit and passion, conveying the authors' powerful conviction that success is within every actor's grasp.
Acknowledgments xi
Introduction xiii
How to Use This Book xv
Family Trees xvii
Acting: What Is It? 1(3)
Agents 4(2)
Amateur Dramatics 6(2)
Anecdotes and Jokes 8(2)
Attitude 10(2)
Audience 12(2)
Auditions 14(3)
Battle of the Sexes 17(3)
Be Yourself (Plus!) 20(2)
Believability 22(3)
Blowing Your Nose 25(2)
Breaking Up (Corpsing) 27(2)
Business (Biz) 29(3)
Casting Directors 32(2)
Comedy and Farce 34(4)
Commercial Casting Sessions 38(4)
Commitment 42(2)
Conservatories and Drama Schools 44(2)
Consistency 46(2)
Costumes, Wigs, and Shoes 48(3)
Crew 51(3)
Designers 54(2)
Dialects and Accents 56(2)
Directors 58(3)
Discussions 61(2)
Don't Ask for Permission 63(2)
Don't Give Up 65(3)
Drugs 68(2)
Editing and Acting 70(2)
Example: Al and Bob's First Meeting 72(3)
Example: Anna Christie and Her Dad 75(3)
Example: Broadway versus Hollywood 78(4)
Example: Brother and Sister Act 82(3)
Example: Kate and Corpsing 85(4)
Example: Lady Bracknell's Handbag 89(4)
Example: Mr. and Mrs. Noah Fight 93(3)
Example: Mr. Horner Is Exactly That 96(3)
Example: Noel Coward on the Phone 99(4)
Example: Olivia's Ends 103(2)
Example: Plunging in the Deep End 105(4)
Example: Princely Business 109(3)
Example: Signs of the Times 112(4)
Example: The Silence of the Lads 116(3)
Example: Valuable Verbals 119(3)
Example: You, Thee-and the Gold 122(3)
Eye-to-Eye Contact 125(3)
Fellow Actors 128(3)
Film versus Television 131(2)
Forgetting Lines 133(3)
Further Training 136(2)
Gear Changes 138(2)
Getting Work 140(3)
Good and Bad Taste 143(2)
Hierarchy 145(2)
Homework 147(2)
Illness 149(2)
Improvisation 151(3)
Instinct versus Intellect 154(2)
Interviews 156(2)
It's Not What It Used To Be 158(2)
Jobs Requiring Acting Skills 160(2)
Journey 162(2)
Know Your Image 164(2)
Laughter 166(3)
Learning Lines 169(3)
Less Is More? 172(2)
Let the Words Do the Work 174(2)
Medieval Acting 176(1)
Melodrama Acting 177(2)
Method Acting 179(3)
Mistakes 182(2)
Modern Contemporary Acting 184(2)
Money Is Probably the Answer 186(2)
Movement and Gestures 188(4)
Multicamera versus Single Camera 192(2)
Never Say No 194(2)
No Training 196(2)
Notes 198(4)
Open Auditions 202(2)
Opposites 204(2)
Outside-in versus Inside-out 206(3)
Over the Top 209(2)
Pauses 211(2)
Performing 213(2)
Photographs 215(3)
Problems 218(2)
Producers 220(2)
Projection 222(2)
Properties (Props) 224(2)
Pulling Focus 226(2)
Punctuality 228(2)
Qualifications 230(2)
Radio Acting 232(3)
Readings 235(3)
Rehearsals (Long, Short, or None) 238(3)
Rehearsing 241(3)
Rejection 244(3)
Restoration Acting 247(2)
Resumes 249(2)
Role-Play 251(3)
Screen Acting 254(3)
Screen Cheating 257(3)
Screen Reactions 260(2)
Screen Vocal Levels 262(2)
Sex and Violence 264(2)
Shakespeare Acting 266(2)
Shakespeare: First Folio 268(3)
Shakespeare: Prose or Poetry 271(3)
Shakespeare: Simple or Complicated 274(3)
Shakespeare: Verse 277(3)
Shakespeare: What You Call People 280(3)
Shakespeare: Wordplay 283(2)
Shooting and Acting 285(2)
Stars 287(3)
Starting Off 290(2)
Step-by-Step 292(2)
Style 294(2)
Teaching Acting 296(2)
Technical and Dress Rehearsals 298(2)
Technique 300(2)
Ten-Second Rule 302(2)
Text 304(4)
The Team 308(3)
Thinking 311(2)
Training 313(2)
Truth 315(4)
Typecasting 319(2)
University Courses 321(2)
Versatility 323(2)
Voice 325(2)
Whatever Works 327(2)
You (Your Other Life) 329(3)
Biographies 332


Patrick Tucker has staged plays and musicals, directed for television, and taught acting workshops throughout the world. A member of the board of Shakespeare's Globe (which rebuilt the Globe Theatre on London's Southbank), he is the author of Secrets of Screen Acting and Secretsof Acting Shakespeare. Christine Ozanne trained at RADA, acted in the original production of Tom Stoppard's DirtyLinen, and has since worked as an actress, teacher, and prompter. Tucker and Ozanne are cofounders of the Original Shakespeare Company. They live in London.
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