|
|
ix | |
Series editor's preface |
|
xiii | |
Acknowledgements |
|
xv | |
Introduction |
|
1 | (22) |
|
Advertising and common sense |
|
|
23 | (20) |
|
|
23 | (4) |
|
|
27 | (8) |
|
|
35 | (5) |
|
The coherence of advertising |
|
|
40 | (3) |
|
Advertising agencies: mediation and the creative process |
|
|
43 | (26) |
|
Selling things, selling ideas |
|
|
44 | (5) |
|
|
49 | (2) |
|
|
51 | (1) |
|
Advertising: provoking engagement |
|
|
52 | (4) |
|
The advertising agency and the client |
|
|
56 | (4) |
|
Transformation: from product to advertisement |
|
|
60 | (9) |
|
Marketing, media and communication |
|
|
69 | (40) |
|
`Above the line' and ``below the line' |
|
|
76 | (4) |
|
|
80 | (2) |
|
|
82 | (4) |
|
Advertising, sponsorship and PR |
|
|
86 | (3) |
|
`Above the line': media and advertising |
|
|
89 | (18) |
|
Critical responses to advertising and other marketing strategies |
|
|
107 | (2) |
|
Analysing and historicising advertising |
|
|
109 | (44) |
|
This is and is not a `commodity': definitions |
|
|
111 | (1) |
|
|
112 | (3) |
|
Advertising as de-commodification |
|
|
115 | (3) |
|
|
118 | (1) |
|
Revisiting academic perspectives |
|
|
119 | (3) |
|
|
122 | (2) |
|
Media and advertising: critical perspectives |
|
|
124 | (3) |
|
Advertising: genres and history |
|
|
127 | (26) |
|
|
153 | (32) |
|
Advertising, language and culture |
|
|
160 | (3) |
|
Representing a cultural world: advertising well-being |
|
|
163 | (3) |
|
Representing people and culture |
|
|
166 | (6) |
|
Advertising and representation: examples, exemplars and ideals |
|
|
172 | (9) |
|
Advertising and a culture of signs |
|
|
181 | (4) |
|
|
185 | (32) |
|
Engaging environments of signs |
|
|
186 | (1) |
|
Advertising and semiotics |
|
|
187 | (4) |
|
Modelling advertising signs |
|
|
191 | (4) |
|
|
195 | (4) |
|
Levels of the sign: denotation and connotation |
|
|
199 | (1) |
|
Advertising syntaxes and paradigms and framing: organising signs |
|
|
200 | (9) |
|
Framing: advertising layout |
|
|
209 | (2) |
|
|
211 | (6) |
|
|
217 | (7) |
|
|
217 | (1) |
|
|
218 | (1) |
|
|
219 | (1) |
|
|
220 | (3) |
|
`Real' stories: pseudo `Divine' to `All Too Human' |
|
|
223 | (1) |
|
|
224 | (1) |
|
|
224 | (2) |
|
|
226 | (3) |
|
Genre boundaries: life, death and bodies |
|
|
229 | (2) |
|
|
231 | (3) |
|
|
234 | (1) |
|
|
235 | (2) |
|
|
237 | (40) |
|
Entertainment and popular culture |
|
|
242 | (1) |
|
Reading intertextuality: dispersal and integration |
|
|
243 | (3) |
|
Changing audiences/changing cultures |
|
|
246 | (1) |
|
Creative deconstruction: ad readers and postmodernism |
|
|
247 | (6) |
|
Inside outside: dynamic and static audiences |
|
|
253 | (1) |
|
Advertising and psychoanalysis |
|
|
254 | (3) |
|
Advertising: articulating and resolving conflict |
|
|
257 | (14) |
|
Conclusion: making your mind up |
|
|
271 | (6) |
Notes |
|
277 | (12) |
Bibliography |
|
289 | (26) |
Index |
|
315 | |