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Art as Social Practice: Technologies for Change [Mīkstie vāki]

Edited by (Michigan State University, USA), Edited by (The University of Texas at Dallas, USA)
  • Formāts: Paperback / softback, 340 pages, height x width: 229x152 mm, weight: 560 g, 69 Halftones, black and white; 69 Illustrations, black and white
  • Izdošanas datums: 15-Mar-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367758466
  • ISBN-13: 9780367758462
  • Mīkstie vāki
  • Cena: 52,11 €
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  • Formāts: Paperback / softback, 340 pages, height x width: 229x152 mm, weight: 560 g, 69 Halftones, black and white; 69 Illustrations, black and white
  • Izdošanas datums: 15-Mar-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367758466
  • ISBN-13: 9780367758462
With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices.

Suzanne Lacys Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer firsthand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine, and create new platforms for meaningful exchange in both physical and virtual spaces.

An invaluable resource for students and scholars of art, technology, and new media, as well as artists interested in exploring these intersections.
List of figures
ix
List of contributors
xiv
Foreword: Suzanne Lacy xxiii
Acknowledgments xxviii
Introduction 1(14)
Xtinc Burnnigh
Judy Walgren
SECTION I Seeds and Tools
15(60)
Natalie Loveless
1 Modest in Nature, We Are All Lichen and Other Lessons Learned With Carbon Sponge
20(9)
Brooke Singer
2 Pandemic Makeover: Reimagining Place and Community in a Time of Collapse
29(9)
Beverly Naidns
3 Bio-Digital Pathways: Mushrooming Knowledge, Expanding Community
38(13)
Lucy H.G. Solomon
Cesar Baio
4 Valises for Camp Ground: Arts, Corrections, and Fire Management in the Santa Monica Mountains
51(9)
Kim Abeles
5 Cultivating Techno-Tamaladas
60(15)
Praba Pilar
SECTION II Windows and Mirrors
75(76)
Harrell Fletcher
6 A Human Atlas: Immersive Storytelling for the Twenty-First Century
79(13)
Charissa Terranova
Human Atlas
Marcus Lyon
7 Borderland Collective: In Practice and Dialogue
92(10)
Mark Menjivar
Jason Reed
8 We Are Worth Everything: Survivors as Themselves
102(13)
Judy Walgren
9 Interview with Ari Melenciano
115(11)
Xtine burrough
Judy Walgren
Ari Melenciano
10 Making Politics: Engaged Social Tactics
126(11)
Joseph DeLappe
Laura Leuzzi
11 Social Practice Artworks
137(14)
Chris Johnson
Centerpiece
Decolonial Healing: In Defense of Spiritual Technologies
151(22)
Tabita Rezaire
SECTION III Magical Machines
173(56)
Anne Balsamo
12 Space and Time: Science Fiction as an Imaginative Catalyst for Social C mange
177(6)
Christopher Blay
13 Witch-Plant-Macliine: Speculative Histories and Planetary Justice
183(13)
Marguetha Hauglimntt
14 Cybernetic Loops and Fermented Technologies of Participatory Poetry: Reflections on The Kinuhi Poetry Machine
196(13)
Margaret Rliee
15 Impossible Spaces and Other Embodiments: Co-constructing Virtual Realities
209(10)
Dalida Maria Bcufield
Christoplicr Brattou
Evelyn Eastmond
M. Eifler
Gabriel Pcreira
16 One Breatli Poem: A Telematic Revolution
219(10)
Xtine Burrough
Sabrina Staruanian
Lcticia Ferrcira
Fiona Haborak
SECTION IV Expansions
229(48)
Stephanie Rothcuberg
17 Community Building Through Collaboration
233(8)
Sarali Ruth Alexander
18 Online Intimacies and Artful Life in Turtle Disco Zoomshells
241(7)
Petra Kuppers
19 Community Accessible Archives: What You Leave, When You Leave
248(10)
Gcnuna-Rose Turnbull
20 Living Liveness
258(9)
Sylvain Souklaye
21 Hox Zodiac--Spinning the Wheel of Interspecies Collaboration
267(10)
Victoria Vesna
Siddharth Ramakrishnan
SECTION V Reimagination
277(51)
Karen Moss
22 The PPE Portrait Project: Social Practice as Social Medicine
281(10)
Mary Beth Hejjernan
23 Can This Be A Community When You're Trying To Sell Me A Luxury Watch?
291(16)
Rebekah Modrak
24 Justice and Representation within the Limits of Contemporary Photography
307(11)
Eliza Gregory
25 Technology of Touch: How Craft Can Lead to Social Change
318(10)
Cara Levine
Index 328
xtine burrough is Professor and Area Head of Design and Creative Practice in the School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas, where she directs LabSynthE. burrough is a hybrid artist who engages participatory audiences at the intersection of media art, remix, and digital poetry. She is the author of Foundations of Digital Art and Design with Adobe Creative Cloud, 2nd Edition, editor of Net Works: Case Studies in Web Art and Design, and co-editor of a series of books about remix studies.

Judy Walgren is a Pulitzer Prize-winning photojournalist, and the Associate Director for the Michigan State School of Journalism, where she teaches classes in visual literacy, photography, and immersive media. Before pivoting to academia, Walgren worked with multiple media companies including the Dallas Morning News and the San Francisco Chronicle. Her research interrogates relationships between photography, media archives, and power structures. Her work explores socially engaged practices for visual storytellers.