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E-grāmata: Art as Social Practice: Technologies for Change

Edited by (The University of Texas at Dallas, USA), Edited by (Michigan State University, USA)
  • Formāts: 370 pages
  • Izdošanas datums: 07-Mar-2022
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000546149
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Art as Social Practice: Technologies for ChangePalielināt
  • Formāts: 370 pages
  • Izdošanas datums: 07-Mar-2022
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781000546149
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With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices.

Suzanne Lacys Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer firsthand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine, and create new platforms for meaningful exchange in both physical and virtual spaces.

An invaluable resource for students and scholars of art, technology, and new media, as well as artists interested in exploring these intersections.
Foreword: The Medium is Not the (Only) Message Introduction Section 1:
Seeds & Tools
1. Modest in Nature, We are All Lichen and other Lessons
Learned with Carbon Sponge
2. Pandemic Makeover: Reimagining Place &
Community in a Time of Collapse
3. Bio-Digital Pathways: Mushrooming
Knowledge, Expanding Community
4. Valises for Camp Ground: Arts, Corrections
and Fire Management in the Santa Monica Mountains
5. Cultivating
Techno-Tamaladas Section 2: Windows & Mirrors
6. A Human Atlas: Immersive
Storytelling for the Twenty-first Century
7. Borderland Collective: In
Practice and Dialogue
8. We Are Worth Everything: Survivors As Themselves
9.
An Interview with Ari Melenciano
10. Making Politics: Engaged Social Tactics
11. Social Practice Artworks Centerpiece Decolonial Healing: In Defense of
Spiritual Technologies Section 3: Magical Machines
12. Space and Time:
Science Fiction as an Imaginative Catalyst for Social Change
13.
Witch-Plant-Machine: Speculative Histories and Planetary Justice
14.
Cybernetic Loops and Fermented Technologies of Participatory Poetry:
Reflections on the Kimchi Poetry Machine
15. Impossible Spaces and Other
Embodiments: Co-constructing Virtual Realities
16. One Breath Poem: A
Telematic Revolution Section 4: Expansions
17. Community Building Through
Collaboration
18. Online Intimacies and Artful Life in Turtle Disco
Zoomshells
19. Community Accessible Archives; What You Leave, When You Leave
20. living liveness
21. Being in Between: Challenges of Art Science
Collaborations Section 5: Reimagination
22. PPE Portrait Project: Image,
Ethics, Health
23. Can This Be a Community When Youre Trying To Sell Me A
Luxury Watch?
24. Justice and Representation Within the Limits of
Contemporary Photography
25. Technology of Touch: How Craft Can Lead to
Social Change
xtine burrough is Professor and Area Head of Design and Creative Practice in the School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas, where she directs LabSynthE. burrough is a hybrid artist who engages participatory audiences at the intersection of media art, remix, and digital poetry. She is the author of Foundations of Digital Art and Design with Adobe Creative Cloud, 2nd Edition, editor of Net Works: Case Studies in Web Art and Design, and co-editor of a series of books about remix studies.

Judy Walgren is a Pulitzer Prize-winning photojournalist, and the Associate Director for the Michigan State School of Journalism, where she teaches classes in visual literacy, photography, and immersive media. Before pivoting to academia, Walgren worked with multiple media companies including the Dallas Morning News and the San Francisco Chronicle. Her research interrogates relationships between photography, media archives, and power structures. Her work explores socially engaged practices for visual storytellers.
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