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Cheng School Gao Style Baguazhang Manual: Gao Yisheng's Bagua Twisting-Body Connected Palm [Mīkstie vāki]

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Foreword by , , Edited by , Translated by
  • Formāts: Paperback / softback, 448 pages, height x width x depth: 234x179x27 mm, weight: 919 g, 400 B&W PHOTOS 16-PAGE COLOR INSERT
  • Izdošanas datums: 13-Aug-2013
  • Izdevniecība: Blue Snake Books
  • ISBN-10: 1583946071
  • ISBN-13: 9781583946077
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  • Cena: 41,71 €
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  • Formāts: Paperback / softback, 448 pages, height x width x depth: 234x179x27 mm, weight: 919 g, 400 B&W PHOTOS 16-PAGE COLOR INSERT
  • Izdošanas datums: 13-Aug-2013
  • Izdevniecība: Blue Snake Books
  • ISBN-10: 1583946071
  • ISBN-13: 9781583946077
Citas grāmatas par šo tēmu:
"In its first English-language edition, this highly detailed training manual offers a complete history and theory of Gao-style bagua zhang as well as step-by-step instruction in basic techniques and empty-hand forms"--Provided by publisher.

In its first English-language edition, this detailed training manual is a complete guide to Gao baguazhang, as preserved through the lineage of Liu Fengcai. The youngest of the major bagua lineages, Gao bagua shows the influence of taiji quan, xingyi quan, and shuai jiao. It incorporates traditional bagua weapons, pre-heaven palms, and animal forms in addition to sixty-four individual post-heaven palms and their accompanying two-person forms. A unique synthesis of health-building techniques, Daoist theory, and practical fighting applications, Gao-style bagua is an example of the finest internal-arts traditions.

The original manuscript for The Cheng School Gao Style Baguazhang Manual was completed by the art's founder, Gao Yisheng, in 1936. It was not published at the time, but handed down to his student Liu Fengcai, who edited and published the first Chinese edition in 1991 with the help of his own student Liu Shuhang. In 2005, Liu Shuhang published a revised and expanded version, and this was again expanded and reissued in a third edition in 2010. Now, the manual has been translated and fully updated for its first English-language edition. Including over 400 photos showing step-by-step techniques and forms, the manual documents the fundamentals of the art as well as detailed descriptions of techniques and empty-hand forms, laying the groundwork for advanced training. This edition includes rare photos of important masters in the Gao lineage, lineage charts, biographies, and other updates, making it the essential companion for anyone studying Gao style and a useful guide for any practitioner of baguazhang or other Chinese martial arts.
Preface to the English Edition XIII
Preface to Volume 1 of the 2010 Third Chinese Edition XVII
Preface to Volume 2 of the 2010 Third Chinese Edition XXI
Preface to the 2005 Second Chinese Edition XLI
Preface to the 1991 First Chinese Edition XLV
Introduction 1(4)
Gao Yisheng's Study of Martial Arts 5(6)
Liu Fengcai's Study of Martial Arts 11(10)
Wang Shusheng's Study of Martial Arts 21(4)
Historical Baguazhang Reference Photos 25(2)
Baguazhang Theory Reference Charts 27(4)
1 Baguazhang History, Theory, and Performance 31(92)
Baguazhang's Origin, Development, and Transmission
32(10)
The Naming and Meaning of Baguazhang
42(18)
Basic Special Characteristics of Cheng School Gao Style Baguathang
60(17)
Basic Hand Positions and Footwork
63(4)
Baguazhang Post-Standing and Piercing the Nine Palaces
67(9)
An Explanation of the Art-Training Tree Diagram
76(1)
Combat Applications of Cheng School Gao Style Baguazhang
77(21)
Combat Application of the Pre-Heaven Palms
81(2)
Combat Application of the Post-Heaven Palms
83(2)
Gao Yisheng on Combat
85(13)
Cheng School Gao Style Baguazhang's Health-Building Benefits
98(16)
Skill Is in Training the Internal and Fostering the Root
105(1)
Efficacy Is in Strengthening the Legs and Solidifying the Waist
106(1)
Ingenuity Is in Building the Body and Strengthening the Mind
107(1)
Benefit Is in Holistically Building the Body
107(3)
Gao Yisheng on Building the Body
110(2)
Toward Scientific Tests and Conclusions about Building the Body
112(2)
Required Introductory Knowledge of Cheng School Gao Style Baguazhang
114(9)
Ten Rules for the Practice of Baguazhang
114(2)
The Three Unacceptables for Teaching and Interacting When Practicing Baguazhang
116(1)
Avoiding the Three Harmful Errors
117(1)
Required Knowledge for Beginning Baguazhang Study
117(6)
2 Pre-Heaven Baguazhang 123(36)
The Naming of Pre-Heaven Baguazhang
123(1)
Pre-Heaven Baguazhang's 1kventy-Four Requirements (Neigong Posture-Completion Methods)
124(6)
A Pictorial Explanation of Pre-Heaven Baguazhang
130(29)
Opening Postures (Turning and Changing Palms)
130(5)
Eight Big Palms
135(18)
Palm 1: Snake-Form Flowing-Posture Palm (Qian Posture)
136(2)
Palm 2: Dragon-Form Piercing-Hand Palm (Dui Posture)
138(2)
Palm 3: Turning-Body Tiger-Striking Palm (Li Posture)
140(2)
Palm 4: Swallow-Overturning Covering-Hand Palm (Zhen Posture)
142(2)
Palm 5: Spinning-Body Back-Covering Palm (Xun Posture)
144(2)
Palm 6: Twisting-Body Forward-Searching Palm (Kan Posture)
146(3)
Palm 7: Overturning-Body Backward-Inserting Palm (Gen Posture)
149(2)
Palm 8: Stopping-Body Moving-Hooking Palm (Kun Posture)
151(2)
Closing Posture: Black Dragon Whips Its Tail Palm
153(6)
3 Post-Heaven Bagua Sixty-Four Palms 159(84)
Heaven (Qian) Eight Postures
162(9)
Water (Kan) Eight Postures
171(11)
Mountain (Gen) Eight Postures
182(11)
Thunder (Zhen) Eight Postures
193(10)
Wind (Xun) Eight Postures
203(10)
Fire (Li) Eight Postures
213(10)
Earth (Kun) Eight Postures
223(10)
Marsh (Dui) Eight Postures
233(10)
4 Baguazhang Weapons 243(42)
Bagua Yin-Yang Mandarin Duck Knives
244(5)
Bagua Rolling-Hand Broadsword
249(5)
Bagua Connected Links Straight Sword
254(3)
Bagua Body-Adhering Spear
257(5)
Bagua Cane
262(3)
Double Rattan Sticks
265(4)
Night-Fighting Saber
269(7)
Wudang Straight Sword
276(9)
5 Baguazhang Form Boxing 285(16)
Routine 1: Qian-Lion Waves
286(1)
Routine 2: Kan-Snake Wraps
287(1)
Routine 3: Gen-Tiger Crouches
288(3)
Routine 4: Zhen-Dragon Form
291(2)
Routine 5: Xun-Swallow Overturns
293(1)
Routine 6: Li-Eagle Tears
294(2)
Routine 7: Kun-Bear Yanks
296(1)
Routine 8: Dui-Monkey Image
297(4)
6 Essential Selections on the Life-Cultivation Arts 301(14)
The Three Dantians
301(2)
Jing, Qi, and Shen
303(3)
Important Poems on Life-Cultivation
306(2)
Cultivating Kidney Skill-Methods
308(1)
Golden Liquid Returning to Dantian Massage and Daoyin Art
309(6)
7 Records of Famous Baguazhang Practitioners 315(36)
Dong Haichuan, the First-Generation Founder
315(3)
"Spectacles Cheng": Cheng Tinghua
318(2)
"Dragon-Tongue Palm": Yin Fu
320(1)
"Coal Ma": Ma Weiqi
321(3)
"Wood Ma": Ma Gui
324(1)
"Heavenly Brave": Zhang Zhankui
325(2)
"Bodyguard Master": Li Cunyi
327(1)
"Superior Palm": Zhou Yuxiang
327(2)
"Monkey" Sun Fuquan (Sun Lutang)
329(1)
Famous Hebei Practitioner Li Wenbiao
330(2)
Gao Yisheng and Liu Fengcai: Double Rattan Sticks and Night-Fighting Saber
332(19)
8 Insights of Famous and Junior Practitioners 351(32)
Wang Fuling, Direct Disciple of Liu Fengcai
351(12)
Han Fengrui, Direct Disciple of Liu Fengcai
363(3)
Chen Lianfa, Direct Disciple of Liu Fengcai
366(2)
Ge Guoliang, Grand-Student of Liu Fengcai
368(3)
Ge Shuzhen, Grand-Student of Liu Fengcai
371(2)
Li Xueyi, Grand-Student of Liu Fengcai
373(3)
Ge Shuxian, Grand-Student of Liu Fengcai
376(2)
Yuan Pengfu, Great-Grand-Student of Liu Fengcai
378(5)
Postface to the First Chinese Edition 383(2)
Translation Notes 385(2)
Endnotes 387(4)
About the Editors 391