Preface to the English Edition |
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XIII | |
Preface to Volume 1 of the 2010 Third Chinese Edition |
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XVII | |
Preface to Volume 2 of the 2010 Third Chinese Edition |
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XXI | |
Preface to the 2005 Second Chinese Edition |
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XLI | |
Preface to the 1991 First Chinese Edition |
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XLV | |
Introduction |
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1 | (4) |
Gao Yisheng's Study of Martial Arts |
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5 | (6) |
Liu Fengcai's Study of Martial Arts |
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11 | (10) |
Wang Shusheng's Study of Martial Arts |
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21 | (4) |
Historical Baguazhang Reference Photos |
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25 | (2) |
Baguazhang Theory Reference Charts |
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27 | (4) |
1 Baguazhang History, Theory, and Performance |
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31 | (92) |
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Baguazhang's Origin, Development, and Transmission |
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32 | (10) |
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The Naming and Meaning of Baguazhang |
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42 | (18) |
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Basic Special Characteristics of Cheng School Gao Style Baguathang |
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60 | (17) |
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Basic Hand Positions and Footwork |
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63 | (4) |
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Baguazhang Post-Standing and Piercing the Nine Palaces |
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67 | (9) |
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An Explanation of the Art-Training Tree Diagram |
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76 | (1) |
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Combat Applications of Cheng School Gao Style Baguazhang |
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77 | (21) |
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Combat Application of the Pre-Heaven Palms |
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81 | (2) |
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Combat Application of the Post-Heaven Palms |
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83 | (2) |
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85 | (13) |
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Cheng School Gao Style Baguazhang's Health-Building Benefits |
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98 | (16) |
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Skill Is in Training the Internal and Fostering the Root |
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105 | (1) |
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Efficacy Is in Strengthening the Legs and Solidifying the Waist |
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106 | (1) |
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Ingenuity Is in Building the Body and Strengthening the Mind |
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107 | (1) |
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Benefit Is in Holistically Building the Body |
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107 | (3) |
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Gao Yisheng on Building the Body |
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110 | (2) |
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Toward Scientific Tests and Conclusions about Building the Body |
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112 | (2) |
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Required Introductory Knowledge of Cheng School Gao Style Baguazhang |
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114 | (9) |
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Ten Rules for the Practice of Baguazhang |
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114 | (2) |
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The Three Unacceptables for Teaching and Interacting When Practicing Baguazhang |
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116 | (1) |
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Avoiding the Three Harmful Errors |
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117 | (1) |
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Required Knowledge for Beginning Baguazhang Study |
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117 | (6) |
2 Pre-Heaven Baguazhang |
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123 | (36) |
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The Naming of Pre-Heaven Baguazhang |
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123 | (1) |
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Pre-Heaven Baguazhang's 1kventy-Four Requirements (Neigong Posture-Completion Methods) |
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124 | (6) |
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A Pictorial Explanation of Pre-Heaven Baguazhang |
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130 | (29) |
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Opening Postures (Turning and Changing Palms) |
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130 | (5) |
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135 | (18) |
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Palm 1: Snake-Form Flowing-Posture Palm (Qian Posture) |
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136 | (2) |
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Palm 2: Dragon-Form Piercing-Hand Palm (Dui Posture) |
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138 | (2) |
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Palm 3: Turning-Body Tiger-Striking Palm (Li Posture) |
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140 | (2) |
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Palm 4: Swallow-Overturning Covering-Hand Palm (Zhen Posture) |
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142 | (2) |
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Palm 5: Spinning-Body Back-Covering Palm (Xun Posture) |
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144 | (2) |
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Palm 6: Twisting-Body Forward-Searching Palm (Kan Posture) |
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146 | (3) |
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Palm 7: Overturning-Body Backward-Inserting Palm (Gen Posture) |
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149 | (2) |
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Palm 8: Stopping-Body Moving-Hooking Palm (Kun Posture) |
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151 | (2) |
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Closing Posture: Black Dragon Whips Its Tail Palm |
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153 | (6) |
3 Post-Heaven Bagua Sixty-Four Palms |
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159 | (84) |
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Heaven (Qian) Eight Postures |
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162 | (9) |
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Water (Kan) Eight Postures |
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171 | (11) |
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Mountain (Gen) Eight Postures |
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182 | (11) |
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Thunder (Zhen) Eight Postures |
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193 | (10) |
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Wind (Xun) Eight Postures |
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203 | (10) |
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213 | (10) |
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Earth (Kun) Eight Postures |
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223 | (10) |
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Marsh (Dui) Eight Postures |
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233 | (10) |
4 Baguazhang Weapons |
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243 | (42) |
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Bagua Yin-Yang Mandarin Duck Knives |
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244 | (5) |
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Bagua Rolling-Hand Broadsword |
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249 | (5) |
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Bagua Connected Links Straight Sword |
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254 | (3) |
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Bagua Body-Adhering Spear |
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257 | (5) |
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262 | (3) |
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265 | (4) |
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269 | (7) |
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276 | (9) |
5 Baguazhang Form Boxing |
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285 | (16) |
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Routine 1: Qian-Lion Waves |
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286 | (1) |
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Routine 2: Kan-Snake Wraps |
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287 | (1) |
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Routine 3: Gen-Tiger Crouches |
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288 | (3) |
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Routine 4: Zhen-Dragon Form |
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291 | (2) |
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Routine 5: Xun-Swallow Overturns |
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293 | (1) |
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Routine 6: Li-Eagle Tears |
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294 | (2) |
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Routine 7: Kun-Bear Yanks |
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296 | (1) |
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Routine 8: Dui-Monkey Image |
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297 | (4) |
6 Essential Selections on the Life-Cultivation Arts |
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301 | (14) |
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301 | (2) |
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303 | (3) |
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Important Poems on Life-Cultivation |
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306 | (2) |
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Cultivating Kidney Skill-Methods |
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308 | (1) |
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Golden Liquid Returning to Dantian Massage and Daoyin Art |
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309 | (6) |
7 Records of Famous Baguazhang Practitioners |
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315 | (36) |
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Dong Haichuan, the First-Generation Founder |
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315 | (3) |
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"Spectacles Cheng": Cheng Tinghua |
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318 | (2) |
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"Dragon-Tongue Palm": Yin Fu |
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320 | (1) |
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321 | (3) |
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324 | (1) |
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"Heavenly Brave": Zhang Zhankui |
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325 | (2) |
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"Bodyguard Master": Li Cunyi |
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327 | (1) |
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"Superior Palm": Zhou Yuxiang |
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327 | (2) |
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"Monkey" Sun Fuquan (Sun Lutang) |
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329 | (1) |
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Famous Hebei Practitioner Li Wenbiao |
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330 | (2) |
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Gao Yisheng and Liu Fengcai: Double Rattan Sticks and Night-Fighting Saber |
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332 | (19) |
8 Insights of Famous and Junior Practitioners |
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351 | (32) |
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Wang Fuling, Direct Disciple of Liu Fengcai |
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351 | (12) |
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Han Fengrui, Direct Disciple of Liu Fengcai |
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363 | (3) |
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Chen Lianfa, Direct Disciple of Liu Fengcai |
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366 | (2) |
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Ge Guoliang, Grand-Student of Liu Fengcai |
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368 | (3) |
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Ge Shuzhen, Grand-Student of Liu Fengcai |
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371 | (2) |
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Li Xueyi, Grand-Student of Liu Fengcai |
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373 | (3) |
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Ge Shuxian, Grand-Student of Liu Fengcai |
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376 | (2) |
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Yuan Pengfu, Great-Grand-Student of Liu Fengcai |
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378 | (5) |
Postface to the First Chinese Edition |
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383 | (2) |
Translation Notes |
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385 | (2) |
Endnotes |
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387 | (4) |
About the Editors |
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391 | |