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E-grāmata: Civic Performance: Pageantry and Entertainments in Early Modern London

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Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London.

This collection engages with modern interest in the spectacle and historical performances of pageantry and entertainments, including royal entries, progresses, coronation ceremonies, Lord Mayors Shows, and processions. Through a discussion of the extant texts, visual records, archival material, and emerging projects in the digital humanities, the chapters elucidate the forms in which the period itself recorded its public rituals, pageantry, and ephemeral entertainments. The diversity of approaches contained in these chapters reflects the collaborative nature of pageantry and civic entertainments, as well as the broad socio-cultural resonances of this form of drama, and in doing so offers a study that is multi-faceted and wide-ranging, much like civic performance itself.

Ideal for scholars of Early Modern global politics, economics, and culture; literary and performance studies; print culture; and the digital humanities, Civic Performance casts a new lens on street pageantry and entertainments in the historically and culturally significant locus of Early Modern London.
List of figures
ix
List of contributors
x
Acknowledgements xiv
Introduction 1(10)
J. Cattun Finlayson
Amrita Sen
PART I Civic to global
11(80)
1 `To the Honour of our Nation abroad': The merchant as adventurer in civic pageantry
13(19)
Tracey Hill
2 Locating the rhinoceros and the Indian: Strangers, trade, and the East India Company in Thomas Heywood's Porta Pktatis
32(18)
Amrita Sen
3 `Cleopatra in Her Barge': Anne Boleyn's coronation pageants and the production of English cultural capital
50(20)
Sarah Crover
4 The unspoken language of aliens, or the spectacular conversation between visiting English and Dutch that transcended time and space
70(21)
Nancy J. Kay
PART II Material encounters
91(64)
5 The social and political dynamics of the Lord Mayor's Show, c. 1550-1700
93(23)
Ian W. Archer
6 Arion's harp, Apollo's lute: The instrumental sounds of London's Lord Mayor's Shows
116(22)
Jennifer Linhart Wood
7 Financial encounter customs: Tradition and form in London's civic pageantry
138(17)
Jill Ingram
PART III Methodologies for re-viewing performance
155(84)
8 The Duke of Lennox and civic entertainments
157(19)
David M. Bergeron
9 Stephen Harrison's The Arches of Triumph (1604) and James Fs royal entry in the London literary marketplace
176(24)
J. Caitlin Finiayson
10 Musical transformations of the city soundscape: King James I's entry into London in 1604
200(19)
Catherine Butler
11 Building a digital geospatial anthology of the mayoral Shows
219(20)
Janelle Jens Tad
Mark Kaethler
Index 239
J. Caitlin Finlayson is Associate Professor of English Literature at the University of Michigan-Dearborn, USA.

Amrita Sen is Associate Professor and Deputy Director of UGC-HRDC at the University of Calcutta, India.