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E-grāmata: Civic Performance: Pageantry and Entertainments in Early Modern London [Taylor & Francis e-book]

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Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London.



Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London.





This collection engages with modern interest in the spectacle and historical performances of pageantry and entertainments, including royal entries, progresses, coronation ceremonies, Lord Mayor’s Shows, and processions. Through a discussion of the extant texts, visual records, archival material, and emerging projects in the digital humanities, the chapters elucidate the forms in which the period itself recorded its public rituals, pageantry, and ephemeral entertainments. The diversity of approaches contained in these chapters reflects the collaborative nature of pageantry and civic entertainments, as well as the broad socio-cultural resonances of this form of drama, and in doing so offers a study that is multi-faceted and wide-ranging, much like civic performance itself.





Ideal for scholars of Early Modern global politics, economics, and culture; literary and performance studies; print culture; and the digital humanities, Civic Performance casts a new lens on street pageantry and entertainments in the historically and culturally significant locus of Early Modern London.

List of Figures Notes on Contributors Acknowledgements Introduction Part
I: Civic to Global
1. To the Honour of our Nation abroad: The Merchant as
Adventurer in Civic Pageantry
2. Locating the Rhinoceros and Indian:
Strangers, Trade, and East India Company in Thomas Heywoods Porta Pietatis
3. "Cleopatra in Her Barge": Anne Boleyns Coronation Pageants and the
Production of English Cultural Capital
4. The Unspoken Language of Aliens, or
the Spectacular Conversation between Visiting English and Dutch that
Transcended Time and Space Part II: Material Encounters 5.The Social and
Political Dynamics of the Lord Mayors Show, c. 1550-1700
6. Arions Harp,
Apollos Lute: The Instrumental Sounds of Londons Lord Mayors Shows
7.
Financial Encounter Customs: Tradition and Form in Londons Civic Pageantry
Part III: Methodologies for Re-viewing Performance
8. The Duke of Lennox and
Civic Entertainments
9. Stephen Harrisons The Arches of Triumph (1604) and
James Is Royal Entry in the London Literary Marketplace
10. Musical
Transformations of the City Soundscape: King James Is Entry into London in
1604
11. Building a Digital Geospatial Anthology of the Mayoral Shows Index
J. Caitlin Finlayson is Associate Professor of English Literature at the University of Michigan-Dearborn, USA.





Amrita Sen is Associate Professor and Deputy Director of UGC-HRDC at the University of Calcutta, India.