An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars
A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus dramatic composition, the relation of Plautus works to Roman social history, and his influence on later dramatists through the centuries.
Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus worksplays that are meant to be viewed and experiencedto reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion:
- Addresses the most recent trends in the study of Roman comedy
- Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus work
- Highlights recent scholarship on representation of socially vulnerable characters
- Discusses Plautus work in relation to Roman stages, actors, audience, and culture
- Examines the plot construction, characterization, and comic techniques in Plautus scripts
Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.
Notes on contributors
Introduction; A 2020 VISION OF PLAUTUS
1.The State of Roman Theater, c. 200 BCE
Timothy J. Moore
2.Plautus and Greek Drama
Sebastiana Nervegna
3.Stages and Stagecraft
Anne H. Groton
4.Actors and Audience
Isabella Tardin Cardoso
5.nouo modo nouom aliquid inuentum: Plautine Priorities
David Christenson
6.Plays of Mistaken Identity
Costas Panayotakis
7.Plautus and the Marriage Plot
Sharon L. James
8.Stock Characters and Stereotypes
Shawn O'Bryhim
9. The Servus Callidus in Charge: Plays of Deception
Ferdinand Stürner
10.To Hell and Back: Comedy, Cult, and the House of the Meretrix
Catherine Connors
11.The Wife in Charge, the Husband Humiliated:Stock Characters in Evolution
Barbara K. Gold
12.Archetypal Character Studies: Masculinity and Power
Anne Feltovich
13.Plotting the Romance: Plautus Rudens, Cistellaria, and Poenulus
Stavros Frangoulidis
14.Tragicomedy and Paratragedy. Plautuss Amphitruo, Captivi, and Rudens
Walter Stockert
15.The Language of Plautus
Peter Barrios-Lech
16.Metatheater and Improvisation in Plautus
Christopher Bungard
17.Music and Meter in Plautus
T. H. M. Gellar-Goad
18.Comic Technique in Plautuss Asinaria and Casina
Martin Dinter
19.Plautus and the Topography of his World
Sophia Papaioannou
20.Warfare and Imperialism in and around Plautus
Paul J. Burton
21.Religion in and around Plautus
Seth A. Jeppesen
22.Gender and Sexuality in Plautus
Serena S. Witzke
23.Owners and Slaves in and around Plautus
Amy Richlin
24.Slave Labor in Plautus
Roberta Stewart
25.Plautus and his Dramatic Successors in the Republican Period
Gesine Manuwald
26.Alii rhetorica tongent: Plautus and Public Speech
Emilia A. Barbiero
27.The Textual Tradition of Plautus
Rolando Ferri
28.The Medieval Reception of Plautuss Aulularia: Querolus and Vitalis
Blesensis
Antony Augoustakis
29.From Ferrara to Venice: Plautus in Vernacular and Early Italian Comedy
(1486-1530)
Gianni Guastella
30.Plautus in Early Modern England
George Fredric Franko
31.Reception Today: Theater and Movies
Rodrigo T. Gonēalves
32.Trends in Plautus Translation
James Tatum
George Fredric Franko is Professor of Classical Studies at Hollins University, where he holds the Berry Professorship in Liberal Arts. He has published on a variety of topics and has directed productions of Plautus in Latin.
Dorota Dutsch is Associate Professor of Classics at the University of California, Santa Barbara. She holds a PhD from McGill University. Her interests include Roman comedy, classical reception, and gender studies.
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