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E-grāmata: Companion to Plautus [Wiley Online]

Edited by (University of California, Santa Barbara), Edited by (Hollins University)
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A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus' dramatic composition, the relation of Plautus' works to Roman social history, and his influence on later dramatists through the centuries.

Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus' works-plays that are meant to be viewed and experienced-to reveal new meaning and contemporary relevance. Thematically- organized chapters offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus' reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion:

Addresses the most recent trends in the study of Roman comedy

Discusses religion, imperialism, slavery, war, class, gender, and sexuality in Plautus' work

Highlights recent scholarship on representation of socially vulnerable characters

Relates Plautus' work to Roman stages, actors, audience, and culture

Examines the plot construction, characterization, and comic techniques in Plautus' scripts

George Fredric Franko is Professor of Classical Studies at Hollins University, where he holds the Berry Professorship in Liberal Arts. He has published on a variety of topics and has directed productions of Plautus in Latin.

Dorota Dutsch is Associate Professor of Classics at the University of California, Santa Barbara. She holds a PhD from McGill University. Her interests include Roman comedy, classical reception, and gender studies.

An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars 

A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. 

Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion:

  • Addresses the most recent trends in the study of Roman comedy
  • Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work
  • Highlights recent scholarship on representation of socially vulnerable characters
  • Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture
  • Examines the plot construction, characterization, and comic techniques in Plautus’ scripts 

Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.

Notes on Contributors x
Acknowledgement xv
Introduction: A 2020 Vision of Plautus 1(16)
George Fredric Franko
Dorota Dutsch
1 The State of Roman Theater, c. 200 ACE 17(14)
Timothy J. Moore
2 Plautus and Greek Drama 31(16)
Sebastiana Nervegna
3 Stages and Stagecraft 47(14)
Anne H. Groton
4 Actors and Audience 61(16)
Isabella Tardin Cardoso
5 Nouo Modo Nouom Aliquid Inuentum: Plautine Priorities 77(16)
David Christenson
6 Plays of Mistaken Identity 93(16)
Costas Panayotakis
7 Plautus and the Marriage Plot 109(14)
Sharon L. James
8 Stock Characters and Stereotypes 123(12)
Shawn O'Bryhim
9 The Servus Callidus in Charge: Plays of Deception 135(16)
Ferdinand Sturner
10 To Hell and Back: Comedy, Cult, and the House of the Meretrix 151(14)
Catherine Connors
11 The Wife in Charge, the Husband Humiliated: Stock Characters in Evolution 165(14)
Barbara K. Gold
12 Archetypal Character Studies: Masculinity and Power 179(14)
Anne Feltovich
13 Plotting the Romance: Plautus' Rudens, Cistellaria, and Poenulus 193(14)
Stavros Frangoulidis
14 Tragicomedy and Paratragedy: Plautus's Amphitruo, Captivi, and Rudens 207(14)
Walter Stockert
15 The Language of Plautus 221(16)
Peter Barrios-Lech
16 Metatheater and Improvisation in Plautus 237(14)
Christopher Bungard
17 Music and Meter in Plautus 251(18)
T.H.M. Gellar-Goad
18 Comic Technique in Plautus's Asinaria and Casina 269(18)
Martin T. Dinter
19 Plautus and the Topography of His World 287(14)
Sophia Papaioannou
20 Warfare and Imperialism in and Around Plautus 301(16)
Paul J. Burton
21 Religion in and Around Plautus 317(14)
Seth A. Jeppesen
22 Gender and Sexuality in Plautus 331(16)
Serena S. Witzke
23 Owners and Slaves in and Around Plautus 347(14)
Amy Richlin
24 Slave Labor in Plautus 361(18)
Roberta Stewart
25 Plautus and His Dramatic Successors in the Republican Period 379(14)
Gesine Manuwald
26 Alii Rhetorica Tongent: Plautus and Public Speech 393(14)
Emilia A. Barbiero
27 The Textual Tradition of Plautus 407(12)
Rolando Ferri
28 The Medieval Reception of Plautus's Aulularia: Querolus and Vitalis Blesensis 419(10)
Antony Augoustakis
29 From Ferrara to Venice: Plautus in Vernacular and Early Italian Comedy (1486-1530) 429(16)
Gianni Guastella
30 Plautus in Early Modern England 445(16)
George Fredric Franko
31 Reception Today: Theater and Movies 461(12)
Rodrigo T. Goncalves
32 Trends in Plautus Translation 473(16)
James Tatum
Index 489(6)
Index Locorum Plautinorum 495
George Fredric Franko is Professor of Classical Studies at Hollins University, where he holds the Berry Professorship in Liberal Arts. He has published on a variety of topics and has directed productions of Plautus in Latin.

Dorota Dutsch is Associate Professor of Classics at the University of California, Santa Barbara. She holds a PhD from McGill University. Her interests include Roman comedy, classical reception, and gender studies.