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concepts: a travelogue [Hardback]

Edited by (Goethe University of Frankfurt/Main, Germany)
  • Formāts: Hardback, 408 pages, height x width: 216x140 mm, 22 bw illus
  • Sērija : Thinking Media
  • Izdošanas datums: 29-Dec-2022
  • Izdevniecība: Bloomsbury Academic USA
  • ISBN-10: 1501375334
  • ISBN-13: 9781501375330
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  • Formāts: Hardback, 408 pages, height x width: 216x140 mm, 22 bw illus
  • Sērija : Thinking Media
  • Izdošanas datums: 29-Dec-2022
  • Izdevniecība: Bloomsbury Academic USA
  • ISBN-10: 1501375334
  • ISBN-13: 9781501375330
Citas grāmatas par šo tēmu:
This book foregrounds that English monolingualism reduces both our linguistic and conceptual resources, presenting concepts from the cultures of 4 continents and 26 languages.

Concepts seem to work best when created in the interspace between theory and praxis, and between philosophy, art, and science. Deleuze himself had generated many concepts in this encounter between philosophy and non-philosophy, including his ideas of affects and percepts, of becoming, the stutter, the rhizome, movement-image and time-image, the rhizome. What happens, if instead of "other disciplines," we take other cultures, other languages, other philosophies? Does not the focus on English as a hegemonic language of academic discourse deny us a plethora of possibilities, of possible Denkfiguren, of possible concepts?

Each contributor explores ideas that are key to thinking in their language about sound and silence, voice and image, living and thinking, the self and the world - while simultaneously addressing the issue of translation. Each chapter demonstrates that translation itself is a way of invention, rather than just a rendering of concepts from one system in terms of another. This collection acts as a travelogue. The journey does not follow a particular trajectorysome countries are not on the map; some are visited twice. So, there is no claim to completeness involved hereit is rather an invitation to answer to the call.

Recenzijas

In this bold collection, Bernd Herzogenrath has gathered together an extraordinary cadre of global authors to explore concept creation, a legacy that the oeuvre of Deleuze and Guattari has left us with. As a travelogue, it is a call to the field to decenter its Western Philosophical bias of English as the lingua franca, and to grasp a media philosophy that infiltrates thought where materiality is always in play. The 33 essays explore the relays between philosophy, art and science, creating interesting, remarkable, and important concepts that open up new worlds and vistas. * Jan Jagodzinski, Professor, Visual Art and Media Education, University of Alberta, Canada * This book carves out a space for the multiplicity of concepts, offering a contribution not only to philosophy and media theory, but also to the cultural politics of academia: whose language are we writing in? Against the hegemony of Anglo-American language and the standardized format of writing the global academia is meant to be pressed in the joyful encounters between languages are here one contribution to the on-going task of decolonizing the expressive qualities of thinking. * Jussi Parikka, Professor in Digital Aesthetics and Culture, Aarhus University, Denmark, and FAMU, Czech Republic * If concepts are a form of seeing-technology that helps us to see the world anew, then what could be more intellectually stimulating and enriching than a veritable smorgasbord of concepts gathered from all over the world? This is a truly remarkable multi-lingual collection of concepts that read together generates both resonance and noise as the world is seen through their coruscating light. * Ian Buchanan, Professor Critical Theory, University of Wollongong, Australia *

Papildus informācija

This book makes concepts from other languages and cultures available and fruitful for (media) philosophical issues by presenting concepts drawn from the cultures of 4 continents and 26 different languages
List of Figures
x
Acknowledgments xi
Introduction: Concepts 1(34)
Bernd Herzogenrath
1 Anaesthesis, Sensoma, Veoma: Cyborg Life Modes of Immersion After Deleuze
35(10)
Liana Psarologaki
2 Antropofagia: Devouring Experimentations of a Manifesto Toward a Kinosophy to Come
45(10)
Sebastian Wiedemann
3 Autofotografija, Or; A Nonhuman Seine
55(8)
Ana Peraica
4 Bazaar: The Persistence of the Informal
63(12)
Bhaskar Sarkar
5 Be (Like) Water: Media Dynamics and Multiple Realities
75(12)
Helena Wu
6 Cmiatlo and swiecien: Jacek Dukaj's Concepts in the Perspective of Philosophy of Visual Media and Telecommunication
87(12)
Agnieszka Dytman-Stasienko
Jan Stasienko
7 Darshan: Vision as Touch and the Stakes of Immediacy
99(14)
Kajri Jain
8 Dhvani: Resonance
113(8)
Budhaditya Chattopadhyay
9 Gestell: Heidegger's Cyborg and the Vicissitudes of the Machine | Body
121(12)
Bernd Herzogenrath
10 Gong | Saek: The Ineffable Persistence of Becoming
133(10)
Woosung Kang
11 Hiljaa: Silent and Slow Media Use
143(10)
Jukka-Pekka Puro
Veli-Matti Karhulahti
12 Kd kd kd, the Sound of Colonial Shoes: Forgotten Words of a Yoruba Song of Success
153(12)
Babson Ajibade
13 Vlmplixe: What's in a Situation?
165(10)
Holger Schulze
14 Ljom---A Meditation
175(8)
Erik Steinskog
15 Maya: A Measured Response in and to Cinematic Virtual Reality
183(12)
Soudhamini
16 Mediataju: A Sense of Media
195(10)
Jukka Sihvonen
17 Myslet midii. Thinking in, With, or Through Media: Images, Interfaces, Apparatuses
205(12)
Vit Pokorny
18 Naqqdli: Iranian Storytelling in Two Films by Ali Hatami
217(14)
Behrooz Mahmoodi-Bakhtiari
19 The Fleshly Voice
231(12)
Gretchen Jude
20 OTKA3 (OTKAZ): From Expressive Movement to a Figure of Thought
243(10)
Julia Vassilieva
21 Or Rend
253(8)
Mohammad Hadi
22 Sankofa---A Synthesis
261(8)
Didi Cheeka
23 Saudade: (De)mythologizing a Portuguese Concept
269(10)
Susana Viegas
24 Schalten und Walten: Toward Operative Ontologies in the Digital Iconosphere
279(12)
Lorenz Engell
25 Seken: Webs and Networks of In-Betweenness
291(8)
Sebastian Kawanami-Breu
Shintaro Miyazaki
26 Tathagatagarbha: Translating the Untranslatable
299(14)
Victor Fan
27 Todetita: Facebook's Ontological Malady
313(8)
Bogdan Deznan
Andrei Ionescu
28 Togliere di scena
321(10)
Lucia D'Errico
29 Ubuntu: Be-ing Becoming (Capable of Being Affected)
331(8)
Chantelle Gray
30 Uri [ uri]): Sound and the Porous Self
339(10)
Suk-Jun Kim
31 "Utbrytningsdrom": Swedish Audio-Visual Expressions of a Desire for Leaving Far
349(8)
Andreas Jacobsson
32 Wellevenskunst
357(8)
Rick Dolphijn
33 Line and Bump
365(11)
Cora Bender
Contributors 376(11)
Index of Subjects 387(4)
Index of Names 391
Bernd Herzogenrathis Professor of American literature and culture at Goethe University of Frankfurt am Main, Germany. He is the author of An Art of Desire: Reading Paul Auster (1999) and An American Body|Politic: A Deleuzian Approach (2010) and editor of The Farthest Place: The Music of John Luther Adams (2012) and Deleuze|Guattari & Ecology(2009). His latest publications include the collections The Films of Bill Morrison. Aesthetics of the Archive (2017), Film as Philosophy (2017), and Practical Aesthetics (Bloomsbury, 2020).