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Directing Scenes and Senses: The Thinking of Regie [Hardback]

  • Formāts: Hardback, 224 pages, height x width x depth: 234x156x14 mm, weight: 494 g, Illustrations, black & white
  • Sērija : Theatre: Theory Practice Performance
  • Izdošanas datums: 01-Aug-2015
  • Izdevniecība: Manchester University Press
  • ISBN-10: 0719097193
  • ISBN-13: 9780719097195
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  • Hardback
  • Cena: 113,24 €
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  • Formāts: Hardback, 224 pages, height x width x depth: 234x156x14 mm, weight: 494 g, Illustrations, black & white
  • Sērija : Theatre: Theory Practice Performance
  • Izdošanas datums: 01-Aug-2015
  • Izdevniecība: Manchester University Press
  • ISBN-10: 0719097193
  • ISBN-13: 9780719097195
Citas grāmatas par šo tēmu:
As European theatre directors become a familiar presence on international stages and a new generation of theatre makers absorbs their impulses, this study develops fresh perspectives on Regie, the Continental European tradition of staging playtexts. Leaving behind unhelpful clichés that pit, above all, the director against the playwright, Peter M. Boenisch stages playful encounters between Continental theatre and Continental philosophy.

The contemporary Regie work of Thomas Ostermeier, Frank Castorf, Ivo van Hove, Guy Cassiers, tg STAN, and others, here meets the works of Friedrich Schiller and Leopold Jessner, Hegelian speculative dialectics, and the critical philosophy of Jacques Rancičre and Slavoj iek in order to explore the thinking of Regie how to think Regie, and how Regie thinks. -- .

Recenzijas

'We all have difficulty understanding the differences between directing, staging, devising, performing, or between performance and mise en scčne. Peter Boenischs new book on Regie discusses how contemporary theatre-makers engage with plays, materials or events that they want to 'put on stage'. As theatre-goers are themselves more and more expected to 'stage' their own impressions and insights, this is a most timely and necessary book for anyone interested in contemporary European theatre.' Patrice Pavis, Professor of Theatre Studies at the University of Kent -- .

List of illustrations
viii
Acknowledgements x
Introduction. The dissensus of Regie: rethinking `directors' theatre' 1(12)
PART I MISE EN SCENE TO MISE EN SENS: TOWARDS AN AESTHETIC POLITICS OF REGIE
13(82)
1 Regie beyond representation: directing the `sensible'
15(18)
2 The restless spirit of Regie: Hegel, theatrality and the magic of speculative thinking
33(21)
3 Theatre as dialectic institution: Friedrich Schiller and the liberty of play
54(19)
4 The essence of the text and its actualisation: Leopold Jessner, the playwright's radical servant
73(22)
PART II THE THEATRAL APPEARING OF IDEAS: THE THINKING OF CONTEMPORARY REGIE
95(94)
5 The tremor of speculative negation: on Regie, truth and ex-position
97(21)
6 Seeing what is coming: on Regie, playing and appearing
118(24)
7 The intermedial parallax: on Regie, media and spectating
142(22)
8 Theatre in the age of semiocapitalism: on Regie, realism and political critique
164(25)
Conclusion. The future of Regie? 189(5)
Bibliography 194(10)
Index 204
Peter M. Boenisch is Co-Director of the European Theatre Research Network (ETRN) and a Fellow of the International Research Centre 'Interweaving Performance Cultures' -- .