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E-grāmata: Facing the Music: Shaping Music Education from a Global Perspective [Oxford Scholarship Online E-books]

(Director, Griffith University, Brisbane)
  • Formāts: 240 pages, 13 black and white halftones, 23 line illustrations
  • Izdošanas datums: 14-Jan-2010
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780195379754
  • Oxford Scholarship Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 240 pages, 13 black and white halftones, 23 line illustrations
  • Izdošanas datums: 14-Jan-2010
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780195379754
Facing the Music investigates the practices and ideas that have grown from some five decades of cultural diversity in music education, developments in ethnomusicology, and the rise of 'world music'. Speaking from rich, hands-on experience of more than thirty years at various levels of music education (music in schools, community organizations and professional training courses), Huib Schippers makes a powerful case for the crucial role of learning music in shaping rich and diverse musical environments for the 21st century, both in practical terms and at a conceptual level: "what we hear is the product of what we believe about music."
Advocating a contemporary, positive and realistic approach to cultural diversity in music education and transmission, Schippers advocates taking into account and celebrating the natural dynamics of music. He argues that "most music travels remarkably well", and regards every musical act as an expression of the 'here and now', as do many of the musicians and scholars he quotes. In this way, he challenges stifling directives to recreate 'authentic contexts', which in fact constantly change (and have always changed) in the cultures of origin as well. This liberates music educators to seek with integrity appropriate ways of presenting music at all levels of education: in schools, community settings, and professional training.
In seven succinct chapters that each approach the issues from a different angle, Schippers gradually unfolds the complexities of learning and teaching music 'out of context' in an accessible manner, and presents a coherent model to approach these, as well as lucid suggestions for translating the resulting ideas in practice. While mapping the various factors that determine all acts of music transmission, he also comes to surprising insights into the nature and preconceptions underlying much formal music education settings across the world, including those focusing on western classical music.
Facing the Music provides a rich resource for reflection and practice for all those involved in teaching and learning music, from policy maker to classroom teacher.
Foreword vii
Patricia Shehan Campbell
Prologue: Facing the Music xv
Journeys in Music: An Auto-Ethnography
3(12)
Positioning ``World Music'' in Education: A Conceptual History
15(26)
The Term World Music
17(11)
Cultural Diversity and Multiculturalism
28(4)
Cultural Diversity in Music Education
32(4)
Ethnomusicology
36(3)
Conclusion
39(2)
The Myth of Authentic Traditions in Context: A Deconstruction
41(20)
Tradition
42(5)
Authenticity
47(6)
Context
53(8)
Global Perspectives on Learning and Teaching Music: An Analysis
61(28)
Explicit and Implicit Foci
65(10)
Approaches to Learning and Teaching
75(12)
Conclusion
87(2)
Communities, Curricula, and Conservatories: A Critique
89(30)
Informal Music Learning and Teaching
92(9)
Formal Music Education
101(15)
Conclusion
116(3)
Toward a Global Understanding of Learning and Teaching Mu a Framework
119(18)
Applications of the Framework
125(11)
Conclusion
136(1)
Music Cultures in Motion: A Case Study
137
World Music Education in the Netherlands
138(4)
Djembe for Western Amateurs
142(9)
Balinese Gamelan in Teacher Training
151(7)
Indian Music As a Degree Course in a Conservatory
158(7)
Conclusion
165
Epilogue: Shaping Music Education from a Global Perspective 1(170)
Appendix A: Emergency Guidelines in Case of World Music 171(9)
Appendix B: Sample Questions for Interviewing World Musicians on Learning and Teaching
Appendix C: Example of a Series of Classes on World Music With a Thematic Approach
Appendix D: Five Domains of Musical Sustainability in Contemporary Contexts 180(2)
Appendix E: The World Music Adventures of Primary Teacher Ms. Benson 182(3)
Patricia Shehan Campbell
Glossary 185(4)
Notes 189(10)
Bibliography 199(16)
Index 215
Director of Queensland Conservatorium Research Centre at Griffith University, Brisbane; Deputy Chair of the Music Council of Australia; and author of several Dutch books on music education including Harde Noten - muziekeducatie in wereldperspectief (Cultuurnetwerk, 2004), One Monkey, no Show - culturele diversiteit in de Nederlandse muziekeducatie. (Netherlands Institute for Arts Education, 2000), and Dundumba's in de Bachstraat - Wereldmuziek in de Muziekschool (VKV, 1993)