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Faulkners Reception of Apuleius The Golden Ass in The Reivers [Mīkstie vāki]

(Acadia University, Canada)
  • Formāts: Paperback / softback, 232 pages, height x width: 234x156 mm, weight: 331 g
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 24-Feb-2022
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350194875
  • ISBN-13: 9781350194878
  • Mīkstie vāki
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  • Formāts: Paperback / softback, 232 pages, height x width: 234x156 mm, weight: 331 g
  • Sērija : Bloomsbury Studies in Classical Reception
  • Izdošanas datums: 24-Feb-2022
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350194875
  • ISBN-13: 9781350194878

Faulkner's final novel, The Reivers, has been gently dismissed by scholars and critics as no more than its subtitle claims, A Reminiscence. Although the new millennium has seen a new appreciation for Faulkner's later novels, The Reivers is still perceived as a slightly fictionalized comic memoir romanticizing the early life of the author in the pre-civil rights American South. This volume takes this dismissal of The Reivers to task for failing to appreciate its employment of the Apuleian narrative of life-altering metamorphosis to offer, as his literary farewell, hope for humanity's self-redemption.

Vernon L. Provencal studies the reception of The Golden Ass in The Reivers as comic novels of moral katabasis (wilful descent into the lawless underworld) and providential anabasis (societal and spiritual redemption). As the independent basis of the reception study, The Reivers receives its first ever detailed reading, while The Golden Ass is read anew from the teleological perspective offered by the (undervalued) prophecy that in the end the comic hero would become the book itself.

Recenzijas

A timely and insightful clarification on the largely unexamined assumption of the centrality of The Metamorphoses of Apuleius in the American novelists last published novel. By painstakingly offering new readings of both works, which can be read independently, Provencal constructs a comparative context for the close scrutiny of the receptions and how they contribute to a better understanding of Faulkners message of stoicism and hope to his readers. This triple effort will no doubt arouse the genuine interest of William Faulkners and Apuleius scholars alike, as well as those actively engaged in giving precise critical assessments in the wider field of reception studies. * Bryn Mawr Classical Review *

Papildus informācija

A new study that reveals how Faulkner's final novel, The Reivers, is indebted to The Golden Ass, and presents the author's hope for humanitys self-redemption.
Foreword xiv
Tammy-Lynn Provencal
Acknowledgements xvi
Note on Texts and Translations xvii
Note on Narratology xviii
List of Abbreviations xix
Introduction: The Ass and the Automobile 1(4)
Introducing the reception of GA in R
2(3)
Paternalism
2(1)
Class and race
2(1)
Gender and sexuality
3(1)
Law and lawlessness
3(1)
Family and morality
3(1)
Literary genre and classical reception
4(1)
1 William Faulkner and The Reivers 5(48)
Faulkner, the Falkners and The Reivers
5(1)
Faulkner's role in the civil rights movement
6(1)
Yoknapatawpha and myths of the 'Old South'
7(2)
Original idea for R
9(1)
A reading of The Reivers: A Reminiscence
9(1)
Timeline of R
9(1)
Part 1 Trial of Boon Hogganbeck
10(7)
Preface
10(1)
Proem
11(1)
Prologue: Trial of Boon Hogganbeck
12(5)
Jefferson's social order
12(1)
Moral problem of Powell's pistol
13(3)
Boon, Ludus and underclass racism
16(1)
Part 2 The reivers
17(4)
Boon Hogganbeck
17(1)
McCaslins
17(1)
Ned McCaslin
17(1)
Lucius Priest
18(1)
Priests
18(1)
Part 2a Romance of Boon and his soul's lily maid
18(2)
Part 2b Fall of Sir Lucius
20(1)
Part 3 Education of Sir Lucius
21(10)
Part 3a Katabasis of Hell Creek Crossing
21(4)
Descent to Ballenbaugh's vestibule
22(1)
Metanarrative: Ballenbaugh's history
22(1)
Moonlit reverie in limbo, morning crossing of Acheron
22(1)
Crossing Stygian Hell Creek bottom
22(1)
Ned and the mudfarmer
23(2)
Part 3b Miss Reba's brothel
25(2)
Anabasis to Memphis
25(1)
Highway to the promised land
26(1)
Romance of Sir Lucius and Lady Everbe
26(1)
Mr Binford's Dinner
27(1)
Part 3c Ned the Mule
27(2)
Metanarrative: Legend of Ned's mule
28(1)
Encomium to the mule
28(1)
Ancient battle of the sexes
29(1)
Part 3d A Joust at Utterance
29(2)
Ned and racist Otis
30(1)
Ned and Mister Sam Caldwell
30(1)
Sir Lucius duels Knave Otis
30(1)
Lady Everbe vows her chastity to Sir Lucius
31(1)
Part 4 Romance, racism and a horse race
31(10)
Part 4a Perilous Butch Lovemaiden
31(2)
Parsham and Uncle Parsham
32(1)
Perilous Butch Lovemaiden
32(1)
Ned plays Uncle Remus
32(1)
Part 4b Sir Lucius and Knave Boon
33(2)
Doctor for a garter
33(1)
Metanarrative: Parsham, progress and women's movement
33(1)
Knave Boon abuses Lady Everbe
33(1)
Miss Reba arrives in Parsham
34(1)
'A Baptist first, and then he's the Law'
34(1)
The Lady's name
35(1)
Part 4c A day at the races
35(2)
Lady Everbe bids farewell
36(1)
Sir Lucius and noble steed lightning
36(1)
Metanarrative: Free will and private enterprise
37(1)
First heat
37(1)
Part 4d Black and white
37(2)
Somewhere the law stops
37(1)
The mule is a gentleman too
38(1)
Uncle Parsham: Black and white
38(1)
The race is on
39(1)
Part 4e Winner take all
39(2)
Sir Lucius avenges his Lady's honour upon Knave Boon
40(1)
Winner take all
41(1)
Part 5 A gentlemen's agreement
41(12)
Fond farewell
42(1)
Ned's tale of Otis and the mule
43(1)
Interview of Ned McCaslin
43(1)
Ned the Mule's secret of the sour dean
44(1)
Ned talks through Mr van Tosch
44(2)
One Saturday night
46(1)
Ned talks through Boss Priest
47(1)
A gentlemen's agreement
48(1)
Knave Boon redeemed
49(1)
Sir Lucius the gentleman
49(2)
Envoy
51(1)
Ned the gentleman
51(1)
Lucius Priest Hogganbeck
52(1)
2 Apuleius and The Golden Ass 53(94)
Apuleius of Madauros
53(1)
Latin sophist, Middle Platonist, Isiac novelist
53(1)
Apuleius and The Golden Ass
54(1)
Apologia, De Platone and De Deo Socratis
55(3)
Apologia Pro Se Magis (Apology)
55(1)
De Platone (On Plato and His Teachings)
56(1)
'The height of insanity'
57(1)
De Deo Socratis (On the God of Socrates)
57(1)
A reading of The Golden Ass (Metamorphoses)
58(2)
Timeline of GA
58(2)
Part 1 (GA I) Electing Lector
60(10)
Proem
60(1)
'Quis ille?'
61(4)
Reading strategy offered by the proem
65(1)
Prologue
65(1)
Narrative preface
66(2)
Narrative: Aristomenes' tale of Socrates and the witches
68(1)
Narrative epilogue: nihil impossibile arbitror
68(1)
Anticlimactic arrival in Hypata
69(1)
Part 2 Isis-Risus and Lucius' metamorphosis
70(10)
Mapping Lucius' katabasis
70(1)
Part 2a Avatars of Isis
71(6)
Rara miraque
71(1)
Aunt Byrrhena
72(1)
Isis-Diana-Byrrhena
72(2)
Isis-Hecate-Pamphile
74(1)
Isis-Venus-Photis
74(2)
Isis/Osiris-Apollo-Diophanes/Zatchlas
76(1)
Isis-Hecate-Thelyphron
77(1)
Part 2b Isis-Risus and Lucius' metamorphosis
77(3)
Festival of Laughter
78(1)
Initiation into Pamphile's arcana secreta
79(1)
Lucius' metamorphosis into an ass
79(1)
Isis-Fortuna
80(1)
Part 3 Robbers and romance
80(19)
Part 3a Robbers' den
81(4)
Metanarrative: Ekphrasis
81(1)
Robber's tale
82(1)
Framing Cupid and Psyche
82(1)
Captiva bella puella
83(1)
Isis-Calliope-anicu/a
84(1)
Part 3b Divine romance of Cupid and Psyche
85(13)
Beautiful Psyche provokes ira Veneris
85(1)
Metanarrative: Milesian Apollo's oracle
86(1)
Psyche's funereal wedding
86(1)
Curious Psyche betrays Cupid
87(1)
Cupid's palace
88(1)
Cupid takes Psyche to be his wife
89(1)
Psyche and the Sisters-Envies
89(2)
Fall of Psyche
91(1)
Providential Pan
92(1)
Psyche's revenge on the Envies
92(1)
Ira Veneris
93(1)
Redeemed Psyche marries Cupid
93(1)
Psyche surrenders to Venus
94(1)
Psyche's Herculean labours
95(1)
Psyche's Katabasis
96(1)
Psyche's Anabasis
96(1)
Marriage of Cupid and Psyche
97(1)
Part 3c Human romance of Charite
98(1)
Part 4 Sethean servitude: Isis-Seth and Lucius servus
99(30)
Part 4a Paradise found and lost
100(2)
Charite's happy non-ending
100(2)
Sethean Cruel Boy
102(1)
Part 4b Charite's tragedy and the Dea Syria cult
102(7)
Charite's tragic ending
103(1)
Isis-Fortuna and Lucius-Bellerophon
104(2)
Lucius servus
106(1)
Isis-Dea Syria
106(3)
Part 4c Isis-Fortuna and the moral collapse of Familia
109(8)
Lucius reflects on Fortuna and Providentia
109(1)
Milesian tale of the lover and the jar
110(1)
Metanarrative: Providential aspect of the moral collapse of Familia
110(1)
Arrest of the Dea Syrians
111(1)
Status of Isis-Dea Syria
111(2)
Isis-Seth
113(1)
Metanarrative: Odyssean Lucius-auctor
113(1)
Milesian tale of Pistor's wife
114(1)
Metanarrative: lector scrupulosus
115(1)
Hortulanus: Milesian tale of the misfortunate paterfamilias
116(1)
Part 4d Isis-Dionysus and Lucius parasitus
117(12)
Isis-Fortuna
117(1)
Isis-Dionysus-Thiasus
118(1)
Metanarrative: lector optimus
118(1)
Tragicomic mime of impudica noverca
119(1)
Isis-Seth-Lucius: serviles voluptates
120(1)
Corinthian nostos
121(1)
Isis-Venus-Pasiphae
122(1)
Murderous vilis aliqua
123(1)
Judgement of Paris pantomime
124(1)
Metanarrative: Indignatio
125(1)
Flight from Corinth to Cenchreae
126(3)
Part 5 Restoration, dignification and daemonization of Lucius
129(18)
Part 5a Epiphany of Isis
131(4)
Prayer to Isis-Luna
131(1)
Epiphany of Isis
132(1)
Isis declares her divinity
133(1)
Isis' instructions to Lucius
133(1)
Promised gifts of Isis
134(1)
Part 5b Isis' restoration of Lucius
135(4)
Festival of Isis (navigium Isidis)
136(1)
Anteludia
136(1)
Procession of the Saving Goddess
137(1)
Restoration of Lucius
137(1)
Hieratic and demotic judgements on Lucius
137(2)
Ploiaphesia
139(1)
Part 5c Isiac initiation of Lucius
139(4)
Family reunion
139(1)
Preparations for Isiac initiation
139(2)
Metanarrative: Caveat lector studiose
141(1)
Initiation, vision and celebration
142(1)
Part 5d Osirian dignification of Lucius in Rome
143(1)
Part 5e Lucius' posthumous metamorphosis into Liber
144(3)
3 Reception of The Golden Ass in The Reivers 147(22)
From original idea to reception of GA
147(2)
Receptions of The Golden Ass in The Reivers
149(1)
Places and travels
149(1)
Receptions of Apuleian Lucius as auctor and actor
149(1)
Narratology
149(1)
Part 1 Comic trials
150(1)
Part 2 Katabasis and metamorphosis
150(6)
The ass and the automobile
151(1)
Metamorphosis and Fortuna
152(2)
Katabasis/Anabasis
154(1)
Entrance to the underworld
155(1)
Part 3 Reception of Sethean servitude
156(5)
Apuleian receptions in Butch Lovemaiden and Boss Priest
156(1)
Apuleian receptions in Mr Poleymus
156(1)
Comic reception of Charite's tragedy
157(1)
Receptions of Lucius-ass-servus
158(1)
Boon's Servile reception of Lucius-ass-servus
159(1)
Lucius' egalitarian reception of Lucius-ass-servus
159(1)
Ned's segregated elitist reception of Lucius-ass-servus
160(1)
Reception of Thiasus and his Munus
160(1)
Part 4 Reception(s) of Cupid and Psyche
161(4)
Burlesque and chivalric receptions of Cupid and Psyche
162(1)
Burlesque reception of CP in Knave Boon and Miss Corrie
162(1)
Chivalric reception of CP in Sir Lucius and Lady Everbe
163(1)
Crossing the line in the burlesque and chivalric receptions of CP
164(1)
Part 5 Receptions of repentance, restoration and dignification
165(2)
Ned's inverse reception of repentance, restoration and dignification
166(1)
Boon's underclass reception of repentance, restoration and dignification
166(1)
Lucius' genteel reception of repentance, restoration and dignification
167(1)
Reception of the providential relationship of Lucius and Isis
167(2)
Conclusion: Rereading The Reivers 169(4)
Part 1 Reception
169(1)
Part 2 Metamorphosis
169(1)
Part 3 Romance
170(1)
Part 4 Servitude
170(1)
Part 5 Redemption
171(2)
Notes 173(14)
Works Cited 187(12)
Indexes 199
Vernon L. Provencal is Professor of Classics at Acadia University, Canada. His previous book, Sophist Kings, is published by Bloomsbury (2015).