Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries.
The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.
Recenzijas
In this remarkable exploration of Indian film stardom through embodied histories and social practices, rich local and regional details are woven into complex transnational circulations. This study reaffirms the stars place in the firmament of our devotion, but brings them back to earth as well. -- Nitin Govil, Associate Professor, School of Cinematic Arts, University of Southern California, USA.
Papildus informācija
Offers wide-ranging coverage of Indian film stars and stardom, from the 1920s to the present day.
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ix | |
Contributors |
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xi | |
Acknowledgements |
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xv | |
Introduction |
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1 | (14) |
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1 Shanta Apte and the unexpected |
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15 | (16) |
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2 Confessions of Indian cinema's first woman superstar: Kanan Devi's memoirs, film history and digital archives |
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31 | (14) |
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3 Star's `dust': Miss Kumari and the fossilized memory of the `first Malayalam female star' |
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45 | (14) |
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4 In the wink of an eye: The comedic universe of Johnny Walker |
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59 | (14) |
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5 Dharmendra Singh Deol: Masculinity and the late-Nehruvian hero in Hindi cinema |
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73 | (14) |
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6 Rajkumar and the Kannada-language film |
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87 | (12) |
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7 The feudal lord reincarnate: Mohanlal and the politics of Malayali masculinity |
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99 | (10) |
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8 From Gandhi to Jinnah: National dilemmas in the stardom of Rattan Kumar |
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109 | (16) |
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9 From Son of India to teen king: Sajid Khan and transnational stardom Meenasarani |
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125 | (12) |
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10 Harbhajan Maan: The transnational migrant success story of Punjabi cinema |
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137 | (14) |
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11 Helen: The Chin Chin Chu girl |
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151 | (12) |
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12 `She's everything that's unpardonable': Hema Malini, dream girl on a motorbike |
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163 | (18) |
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13 Sridevi, queen of farce: Comedy, performance and star persona in popular Hindi cinema |
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181 | (12) |
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14 The irresistible badness of Salman Khan |
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193 | (12) |
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15 Shah Rukh Khan starring as Shah Rukh Khan: Performance style, audience expectation and self-parody |
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205 | (14) |
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16 The curious case of Katrina Kaif: NRI stardom and ethnicity in Bollywood |
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219 | (13) |
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Index |
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232 | |
Michael Lawrence is Lecturer in Film Studies at the University of Sussex, UK. He is the author of Sabu and the co-editor, with Laura McMahon, of Animal Life and the Moving Image. He is currently editing, with Karen Lury, a collection on the representation of zoos in film, television and video. His research interests include Indian cinema, specifically popular Hindi cinema; histories and theories of stardom, performance and presence, with a particular focus on the work of children, animals and non-professionals; and the relationship between humanitarianism and film. He is currently completing a full-length monograph with the provisional title The Children and the Nations: International Humanitarianism and Film, 1940-1965.