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E-grāmata: Indian Film Stars: New Critical Perspectives

(University of Sussex, UK)
  • Formāts: 264 pages
  • Izdošanas datums: 28-May-2020
  • Izdevniecība: BFI Publishing
  • Valoda: eng
  • ISBN-13: 9781911239932
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  • Formāts: 264 pages
  • Izdošanas datums: 28-May-2020
  • Izdevniecība: BFI Publishing
  • Valoda: eng
  • ISBN-13: 9781911239932
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Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries.
The contributors seek to inspire and inform further inquiries into the histories of film stardom-the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars' relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences' investment in and devotion to specific star bodies-across the country's multiple centres of film production and across the overlapping (and increasingly international) zones of the films' distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star's association with film studios and the mainstream media; the star's relationship with historical, political and cultural change and memory; and the star's meaning and value for specific (including marginalised) sectors of the audience.

Recenzijas

In this remarkable exploration of Indian film stardom through embodied histories and social practices, rich local and regional details are woven into complex transnational circulations. This study reaffirms the stars place in the firmament of our devotion, but brings them back to earth as well. -- Nitin Govil, Associate Professor, School of Cinematic Arts, University of Southern California, USA.

Papildus informācija

Offers wide-ranging coverage of Indian film stars and stardom, from the 1920s to the present day.
List of Illustrations
ix
Contributors xi
Acknowledgements xv
Introduction 1(14)
Michael Lawrence
1 Shanta Apte and the unexpected
15(16)
Anupama Kapse
2 Confessions of Indian cinema's first woman superstar: Kanan Devi's memoirs, film history and digital archives
31(14)
Ranita Chatterjee
3 Star's `dust': Miss Kumari and the fossilized memory of the `first Malayalam female star'
45(14)
Darshana Sreedhar Mini
4 In the wink of an eye: The comedic universe of Johnny
59(14)
Walker Radha Dayal
5 Dharmendra Singh Deol: Masculinity and the late-Nehruvian hero in Hindi cinema
73(14)
Anustup Basu
6 Rajkumar and the Kannada-language film
87(12)
M. K. Raghavendra
7 The feudal lord reincarnate: Mohanlal and the politics of Malayali masculinity
99(10)
Meena T. Pillai
8 From Gandhi to Jinnah: National dilemmas in the stardom of Rattan Kumar
109(16)
Salma Siddique
9 From Son of India to teen king: Sajid Khan and transnational stardom Meenasarani
125(12)
Linde Murugan
10 Harbhajan Maan: The transnational migrant success story of Punjabi cinema
137(14)
Harjant S. Gill
11 Helen: The Chin Chin Chu girl
151(12)
Sudesh Mishra
12 `She's everything that's unpardonable': Hema Malini, dream girl on a motorbike
163(18)
Rosie Thomas
13 Sridevi, queen of farce: Comedy, performance and star persona in popular Hindi cinema
181(12)
Nandana Bose
14 The irresistible badness of Salman Khan
193(12)
Shohini Ghosh
15 Shah Rukh Khan starring as Shah Rukh Khan: Performance style, audience expectation and self-parody
205(14)
Charlie Henniker
16 The curious case of Katrina Kaif: NRI stardom and ethnicity in Bollywood
219(13)
Midath Hayder
Index 232
Michael Lawrence is Reader in Film Studies at the University of Sussex, UK. He is the author of Sabu (BFI Publishing, 2014) and the co-editor, with Laura McMahon, of Animal Life and the Moving Image (BFI Publishing, 2015), and, with Karen Lury, of The Zoo and Screen Media: Images of Exhibition and Encounter (2016) and, with Rachel Tavenor, of Global Humanitarianism and Media Culture (2019).